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This DZOFilm Arles FF/VV Prime Cine 5-Lens Set includes five commonly used focal lengths for most cases. Included in this ARRI PL full-frame compatible set are 25, 35, 50, 75, and 100mm lenses. All the lenses share similar gearing, iris blades, front diameters, and aperture ranges for easy switching. See below for more information on the individual lenses included in this kit.
DZOFilm Arles 25mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 25mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
Floating elements minimize breathing during focus shifts.
The inclusion of aspherical elements helps to improve low-light capture.
Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency Across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
UPC: 842463102842
DZOFilm Arles 35mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 35mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
Floating elements minimize breathing during focus shifts.
The inclusion of aspherical elements helps to improve low-light capture.
Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 80° for intuitive manual adjustments.
UPC: 842463102859
DZOFilm Arles 50mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 50mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
Floating elements minimize breathing during focus shifts.
The inclusion of aspherical elements helps to improve low-light capture.
Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 77° for intuitive manual adjustments.
UPC: 842463102873
DZOFilm Arles 75mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 75mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
Floating elements minimize breathing during focus shifts.
The inclusion of aspherical elements helps to improve low-light capture.
Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency Across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 82° for intuitive manual adjustments.
UPC: 842463102880
DZOFilm Arles 100mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
Cinematic, Painterly Look
Equip your full-frame ARRI PL-mount camera with the Arles 100mm T1.4 FF/VV Prime Cine Lens from DZOFilm to capture consistently sharp, natural-looking imagery. This prime lens has an aperture range of T1.4 to T22, offering excellent low-light capture and an arrestingly shallow depth of field. A 16-blade iris and optical construction of multiple grouped elements provide a soft, natural bokeh and high-quality imagery.
Large-Format Coverage
The Arles series lenses have a 46.5mm image circle, providing compatibility with large-format sensors, including full-frame and VistaVision cameras.
The resulting increase in light transmission creates enhanced depth and dimension in your images.
Painterly Rendering
Use the Arles series lenses at maximum aperture to create a soft, low-contrast look with slightly swirling peripheral bokeh. A multilayer nano coating enables precise flare control, minimal ghosting, and exceptional color accuracy.
Minimal Breathing and Aberration
Floating elements minimize breathing during focus shifts.
The inclusion of aspherical elements helps to improve low-light capture.
Precision manufacturing includes low-dispersion optical materials that reduce chromatic aberration.
Interchangeable PL Mount
This ARRI PL-mount lens can be used with a separately available Canon EF mount, offering compatibility with a wide range of cine-style, mirrorless, and DSLR cameras. The Arles lenses are compatible with KOOP magnetic rear filters and various optical adapters.
Consistency Across Series
A 95mm outer diameter lets you incorporate different matte boxes or filters into your camera configuration. Each lens in the Arles series has a cine-style design with 0.8 MOD focus and aperture gears. Thanks to similar gearing and outer diameters across the range of lenses, switching between focal lengths is a breeze. The focus ring rotates 270°, and the iris ring 90° for intuitive manual adjustments.
UPC: 842463102897
Kit Contains:
DZOFilm Arles 25mm T1.4 FF/VV Prime Cine Lens (ARRI PL)
Key Specs
Focal Length
25mm
Maximum Aperture
T1.4
Lens Mount
Interchangeable Mount with Included ARRI PL
Lens Format Coverage
Full-Frame (46.5 mm Image Circle)
Filter Thread
86 mm
Image Stabilization
No
Electronic Communication
No
Focal Length
25mm
Maximum Aperture
T1.4
Minimum Aperture
T22
Lens Mount
Interchangeable Mount with Included ARRI PL
Lens Format Coverage
Full-Frame (46.5 mm Image Circle)
Angle of View
Full Frame Horizontal: 80.36° Vertical: 47.28° Diagonal: 87.44°
Focus Scales
Metric, Imperial
Optical Design
14 Elements in 12 Groups
Filter Thread
86 mm
Minimum Focus Distance
From Camera Sensor: 13.8" / 35 cm
Aperture/Iris Blades
16
Image Stabilization
No
Gear Standard
Focus, Iris: 0.8 MOD
Gear Rotation
Focus: 270° (Manual Only) Iris: 77° (Manual Only)
Electronic Communication
No
Diameter
Front: 3.7" / 95 mm
Length
4.8" / 121 mm
Weight
3.28 lb / 1.49 kg
Packaging Info
Package Weight
5.585 lb
Box Dimensions (LxWxH)
13 x 7.4 x 7"
DZOFilm ARLES 5-Len Kit Reviews
INSANELY GOOD!
By Corey
Rated 5 out of 5
Date: 2025-10-29
I could write a novel about these, but there’s enough on YouTube to show you why these are hype…
I think DZOfilm finally figured out a product that can battle the big guns. The build quality feels so good, the ergonomic sizes of all the lenses are the same (MoVI/R2 Op’s will enjoy that), they’re all fast at t/1.4, they’re all 95mm OD, takes screw on filters if needed, and the image is incredible for the price.
Big shocks are how usable t/1.4 is. Stopping down to a t/2 is likely preferred for those pixel peepers, but these are great wide open. The focus breathing is shockingly minimal as well!
There’s a video on YouTube of someone comparing these to Signature primes and it’s honestly crazy to see how good these look next to lenses like SP… And these almost cover the 17K’s full sensor (1mm too small for the A-Set)!
If you get a chance to work with these, I can’t speak highly enough about them. 100% worth the purchase for me, and I’ll never get rid of these.
Glad to have these on the market!
By Jeffrey
Rated 5 out of 5
Date: 2025-08-27
This isn’t a technical chart-based review. It’s just from the perspective of an up-and-coming DP who needed a lens set that could hold up alongside an Alexa Mini without being over $30k
Image Quality & Character
The Arles Primes definitely have their own flare and texture. They carry less overt “character” than the Vespid Primes, but enough that you feel the image isn’t sterile. Personally, I prefer them over the Vespids, the look is balanced, cinematic, and versatile. I'd really say they live in a similar place as the Tokina Vista Primes. I used these on a feature film right after using the Vista primes.
Build Quality
The construction is excellent. The included hard case feels rugged, and the lenses themselves seem like they’ll easily last a decade or more with proper care. Of course, they’re not on the same level as Master Primes, but in this budget class they’re far superior to the norm.
Every AC who’s pulled focus on them so far has been impressed
Downsides
Only two small gripes:
Weight – They’re heavy, but that’s expected for a full-frame cinema prime set.
Case Expansion – The included case has no room for growth. I currently own five lenses, and if I want to expand the set, I’ll need a new case.