The mic capsule features a supercardioid pickup pattern that focuses sound capture tightly on the bass drum or bass amp, helping to greatly reduce bleed from other instruments and keep feedback from onstage monitors under control. The mic features an XLR connector and requires 48V phantom power for the condenser capsule. An M2-R ball-mount mic clip is provided that allows you to quickly and easily mount the DM6 to any standard mic stand or boom and precisely adjust the positioning for optimal results. A windscreen is also included.
- Condenser capsule for natural, detailed reproduction of kick drum and bass amp
- For stage and studio use
- Handles up to 150 dB SPL
- 20 Hz to 20 kHz frequency response
- Supercardioid polar pattern isolates source for less bleed and feedback
- M2-R ball mount included for easy setup and precise positioning
- Windscreen included
- Stainless steel chassis with black grille
- XLR connector
- Requires 48V phantom power
Capable of withstanding SPLs up to 155 dB, the DM17 is built to handle even the heaviest players with ease, consistently reproducing snares and toms with tight transients and a full-range, natural tonality. It's durable tour-worthy construction and rugged build quality ensure performance you can rely on, gig after gig.
- Built for toms and snare drums
- Designed for live stage performances, but works equally well for televised productions, live streams, houses of worship, and studio recordings
- RM3 RimMount makes for easy setup
- 155 dB SPL handling prevents clipping from even the loudest drummers
- Designed for very high gain before feedback
- Tight cardioid polar pattern
- Balanced, vibrant, and natural sound right out of the box
- Frequency response from 20 Hz to 20 kHz
- Designed, tuned, and assembled in the USA
The SR20 Gen 2 from Earthworks is a cardioid condenser instrument microphone designed to handle the demands of professional sound reinforcement and recording applications. The SR20 Gen 2 features a condenser element that requires 48V phantom power and can handle a whopping 155 dB SPL, making it well suited for use on a wide variety of loud instruments, including guitar cabinets, drums and percussion, brass, pianos, and more.
The tight cardioid polar pattern focuses audio capture on the source in front of the mic, rejecting rear and off-axis sound to reduce bleed from other instruments and feedback from on-stage monitors. A windscreen, mic clip, and storage bag are included.