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Canon EOS R5 Mark II Mirrorless Camera with 24-105mm f/4 Lens

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Canon EOS R5 Mark II Mirrorless Camera with 24-105mm f/4 Lens
90-Second Intro
Key Features
  • 45MP Full-Frame Stacked BSI CMOS Sensor
  • DIGIC Accelerator Processing
  • Dual Pixel Intelligent AF, Eye Control
  • 8K 60 Raw/4K 60 SRAW/4K 120 10-Bit Video
Pairing the all-around powerhouse camera with a versatile zoom, the Canon EOS R5 Mark II Mirrorless Camera with 25-105mm f/4 Lens combines the full-frame mirrorless body with the RF 24-105mm f/4 L IS USM lens.
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Kit Contains:
Canon EOS R5 Mark II Mirrorless Camera
The Do-It-All Camera for Multimedia Professionals
Boasting enough horsepower to allow Canon's highest resolution mirrorless sensor to shoot a speedy 30 fps and capture 8K60p raw video, the EOS R5 Mark II Mirrorless Camera is the multimedia professional's solution for versatility, image quality, and intelligence. An all-new 45MP sensor's stacked, back-illuminated design joins a brand new processor to provide upgrades in nearly every category, creating a do-it-all camera that gets the job done.
A Stacked Sensor-Processor Combo
The R5 Mark II's new sensor maintains the high resolution of its predecessor while introducing a stacked, back-illuminated design that makes room for Canon's latest image processor, the DIGIC Accelerator. Operating alongside the stalwart DIGIC X, the camera combines the raw image data with high-volume, deep-learning datasets to produce gains in subject tracking and recognition, pre-continuous capture, blackout-free shooting, video resolution, maximum recording time, and more - making the R5 Mark II a powerful and comprehensive professional creator's toolkit.
Autofocus and Deep Learning
The improved processing speeds benefit the already robust autofocus, incorporating deep learning datasets in its Dual Pixel Intelligence AF to produce advancements in subject recognition and tracking while also improving on the Eye Control Focus feature introduced in the EOS R3.
  • The processor's high-level analyses keep the intended subject locked when similar subjects cross one another
  • Head, eyes, upper body, and joint structures are all tracked, as well as people other than the main subject and the ball
  • Action Priority Menu setting for still photos identifies sport-specific events, actions, and ball positions for soccer, basketball, and volleyball
  • Photograph or upload a person's image to register and prioritize up to 10 subjects
Eye Control Focus
Reintroduced in the EOS R3, Eye Control AF allows shooters to use their eye to initiate where the focus point is simply by looking through the electronic viewfinder. The R5 Mark II boasts newly developed camera optics and a revised line-of-sight detection algorithm to nearly double the detection frame rate. The camera integrates Eye Control Focus with its improved subject tracking and recognition algorithms to keep the sighted subject in sharp focus.
High Speed, High-Quality Stills Performance
Electronic Shutter
Chief among the benefits of the new sensor-processor combination is the ability to shoot high-quality, high-resolution images at blazing speed, unlocking mural-sized moments of athletic brilliance, breaking news, or even history. The R5 Mark II has the power to record the ephemeral and commit it to memory on the biggest scale and in astounding detail.
  • Continuous shooting speeds of up to 30 fps full-frame raw with reduced shutter distortion, with up to 12 fps when using the mechanical shutter
  • Supports always-on blackout-free display when using the electronic shutter
  • For indoor sports shooters, the camera effectively suppresses flicker in LED lighting environments by detecting refresh frequencies
  • Flash sync speeds of up to 1/250s possible when using electronic front-curtain shutter
Pre-Continuous Shooting
Newly available in the EOS R5 Mark II is the ability to bank up to 15 shots of pre-continuous shooting by half-depressing the shutter button before firing. When the shutter button is fully pressed, the previous half-second of images are written to the memory card, allowing users to "go back in time" to recover a decisive moment they might have missed.
Noise Reduction and In-Camera Upscaling
First and foremost, the R5 Mark II is a camera built for image-makers looking to maximize quality and flexibility. As such, the broad native ISO 100-51200 range suits working in a variety of lighting conditions and the DIGIC Accelerator enables the use of Neural Network Noise Reduction for cleaner images, especially at higher sensitivity.

This same processing power also enables the creation of even higher resolution stills-up to 179MP-via In-Camera Upscaling. This deep learning-based tool doubles the number of pixels horizontally and vertically to produce a larger, more detailed image with maintained sharpness and clarity.

Coordinated Control Image Stabilization
A lightweight, compact build encourages users to hand-wield the camera, and here as elsewhere the R5 Mark II's new innards yield performance gains. Coordinated control helps achieve the optimum hand-shake correction effects, benefitting handheld shooting in low-light conditions and reducing shake when recording videos. The five-axis in-body image stabilizer (IBIS) corrects up to 8.5 stops of unwanted camera shake in the center of the frame and 7.5 at the edges when used in conjunction with compatible Canon IS lenses. Additionally, Movie Digital IS uses the optical and sensor-shift stabilization methods along with digital IS to help acquire steadier footage while moving.
A Cinema EOS-Integrated 8K Powerhouse
The R5 Mark II inherits many of innovations that made its other relative, the R5 C, a favorite among combination video-stills shooters, and carries over much of its Cinema EOS cousin's features and workflow. Like its predecessors, the 45MP full-frame sensor enables impressively high-resolution DCI 8K raw video recording internally, now up to 60 fps, along with 4K SRAW also at the full sensor width.
  • Reads out signals for all effective pixels from its full-frame 8K sensor, enabling 4:2:2 10-bit high-definition recording through oversampling during 4K and 2K video recording
  • Record High Frame Rate (HFR) movies with sound at up to 120p at DCI/UHD 4K resolutions (4096 x 2160/3840 x 2160) in 4:2:2 10-bit without cropping the sensor
  • Supports MXF-based XF-AVC, which offers 10-bit 4:2:2 files, as well as the highly versatile MP4 for lightweight proxy files in various professional workflows
  • External raw recording is supported for compatible recorders with a full size, HDMI Type-A port
  • Split saving is possible with raw and proxy video saved to separate memory cards
  • Supports Canon Log3, a gamma designed for simple grading, such as tightening dark areas and adjusting tones, as well as integration with other Cinema EOS system footage
  • The following time code settings are supported: start time setting, movie recording count, movie play count, HDMI time code on/off, HDMI rec. command on/off, drop frame enable/disable)
  • Canon Log2, PQ, and HLG in-camera custom picture profiles also supported
  • High-quality audio supported with 4-Channel, 24-bit LPCM
  • Recording times up to 120 minutes are possible at 4K 60 settings and below or, if paired with an optional grip, larger recording formats or longer recording times are possible
  • Integrated waveform monitor, false color & zebra display, tally lamp
  • Compatible with Canon VR and RF 5.2mm f/2.8 L Dual Fisheye lens
Body and Connectivity
  • A 5.76m-dot, 0.76x-magnification OLED electronic viewfinder is featured for clear, high-resolution eye-level viewing at a 120 fps refresh rate with support for blackout-free viewing
  • 3.2" vari-angle LCD benefits working high, low, and front-facing angles and features a 2.1m-dot resolution with a touchscreen interface for vivid playback, live-view monitoring, and more
  • Dual memory card slots include a CFexpress Type B slot for raw video recording and fast continuous shooting plus a UHS-II SD card for backups or less speed-critical shooting
  • First EOS camera with Wi-Fi 6E/Wi-Fi 6 wireless support for even faster communication across wider frequency bands
  • New, higher-capacity LP-E6P lithium-ion battery necessary for 8K video, top drive speeds, and other high-end capabilities; the camera will accept LP-E6N and LP-E6NH at limited capabilities and life durations
  • Three optional battery grips are available, including two featuring a 2.5G BASE-T Ethernet interface and RJ-45 port for a fast and secure hardwired connection and one with a cooling fan for extended video runtimes
  • Lightweight and compact with a dust- and moisture-sealed construction suitable for working in inclement conditions
UPC: 013803375381
Canon RF 24-105mm f/4 L IS USM Lens

Prized for its versatility, the RF 24-105mm f/4 L IS USM from Canon is a wide-angle to short telephoto zoom characterized by its constant f/4 maximum aperture. Ideal for use in nearly any shooting scenario, this zoom is benefitted by a five-stop-effective Image Stabilizer to minimize the appearance of camera shake for sharper handheld imagery. Also complementing handling is a unique customizable Control Ring, which can be configured to adjust a variety of exposure settings settings, including aperture, ISO, and exposure compensation. Benefitting image quality, the advanced optical design features a Super Spectra Coating, which helps to suppress ghosting and flare in order to improve contrast and color accuracy when working in bright and backlit conditions. Ideal for both photo and video applications, this lens also incorporates a Nano USM autofocus motor, which delivers quick, quiet, and precise focusing performance.

Standard wide-angle to telephoto zoom lens is designed for use with full-frame Canon RF-mount mirrorless cameras.
Constant f/4 maximum aperture maintains consistent illumination throughout the zoom range.
Super Spectra coating has been applied to individual elements to minimize ghosting and flare for greater contrast and color neutrality when working in strong lighting conditions.
An Optical Image Stabilizer helps to minimize the appearance of camera shake by five stops to better enable working in low-light conditions and with slower shutter speeds.
Nano USM system utilizes both a ring type USM and an STM mechanism to realize quick and accurate focusing that is also smooth and near-silent to suit both photography and video applications. This focusing system also affords full-time manual focus control when working in the one-shot AF mode.
Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.
As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions.
Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.
UPC: 013803304800
Kit Contains:

Canon EOS R5 Mark II Mirrorless Camera

Key Specs
Lens Mount
Canon RF
Effective Sensor Resolution
45 Megapixel (8192 x 5464)
Image Sensor
Full-Frame
Image Stabilization
Sensor-Shift
ISO/Gain Sensitivity
Native: 100 to 51,200 (50 to 102,400 Extended)
Max Recording Modes
Raw 12-Bit
Up to DCI 8K at 23.98/24.00/25/29.97/50/59.94 fps
H.264/MP4/XF-AVC S/XF-HEVC S 4:2:2/4:2:0 8/10-Bit
Up to DCI 8K at 23.98/24.00/25/29.97 fps
Max Video Output
4:2:2 10-Bit
Up to DCI 4K at 23.98/24.00/25/29.97/50/59.94 fps
Media/Memory Card Slot
Slot 1: CFexpress Type B (CFexpress 2.0) [2 TB Maximum / VPG-400 or Faster Recommended]
Slot 2: SD/SDHC/SDXC (UHS-II) [V90 or Faster Recommended]
Video I/O
1x HDMI Output
Audio I/O
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
1x 1/8" / 3.5 mm TRS Stereo Microphone Input
Power I/O
1x USB-C Input
Other I/O
1x Canon N3 (Remote) Input
1x USB-C 3.1/3.2 Gen 2 (Data) Input/Output (Shared with Power Input)
Wireless
Wi-Fi 6E (802.11ax) / Bluetooth 5.0
Display Type
Articulating 3.2" Touchscreen LCD
Status Display (Top)
Battery
1x LP-E6P Rechargeable Lithium-Ion (Included)
or
1x LP-E6NH Rechargeable Lithium-Ion (Not Included)
or
1x LP-E6N Rechargeable Lithium-Ion (Not Included)
Imaging
Lens Mount
Canon RF
Effective Sensor Resolution
Effective: 45 Megapixel (8192 x 5464)
Actual: 50.3 Megapixel
Image Sensor
36 x 24 mm (Full-Frame) BSI Stacked CMOS
Sensor Crop (35mm Equivalent)
Crop Factor: 1x
Additional Modes: 1.6x
*Additional Crop Occurs in Select Video Modes
Image Stabilization
Sensor-Shift, 5-Axis
Built-In ND Filter
No
Capture Type
Stills & Video
Exposure Control
Shutter Type
Mechanical Focal Plane Shutter and Electronic Rolling Shutter
Shutter Speed
Electronic Shutter
1/32000 to 30 Seconds

Electronic Front Curtain Shutter
1/8000 to 30 Seconds

Mechanical Shutter
1/8000 to 30 Seconds
Bulb/Time Mode
Bulb Mode
ISO/Gain Sensitivity
Native: 100 to 51,200 (50 to 102,400 Extended)
Metering Method
Center-Weighted Average, Evaluative, Partial, Spot
Exposure Modes
Aperture Priority, Auto, Manual, Program, Shutter Priority
Exposure Compensation
-3 to +3 EV (1/3, 1/2 EV Steps)
Metering Range
-3 to 20 EV
White Balance
Presets: Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (White), Shade, Tungsten
Continuous Shooting
Up to 30 fps at Maximum Resolution for up to 93 Frames (Raw) / 200 Frames (JPEG)
Interval Recording
Yes
Self-Timer
2/10-Second Delay
Still Image Capture
Aspect Ratio
1:1, 3:2, 4:3, 16:9
Image File Format
C-RAW, HEIF, JPEG, Raw
Bit Depth
14-Bit
Video Capture
Internal Recording
Raw 12-Bit
8192 x 4320 at 23.98/24.00/25/29.97/50/59.94 fps
4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps

H.264/MP4/XF-AVC S/XF-HEVC S 4:2:2/4:2:0 8/10-Bit
8192 x 4320 at 23.98/24.00/25/29.97 fps
7680 x 4320 at 23.98/25/29.97 fps
4096 x 2160 at 23.98/24.00/25/29.97/50/59.94/100/120 fps
3840 x 2160 at 23.98/25/29.97/50/59.94/100/120 fps
2048 x 1080 at 23.98/24.00/25/29.97/50/59.94/100/120/200/240 fps
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120/200/240 fps
Video Output
4:2:2 10-Bit
4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
3840 x 2160 at 23.98/25/29.97/50/59.94 fps
Fast-/Slow-Motion Support
Slow-Motion Only
Gamma Curve
Canon Log 2, Canon Log 3, HDR-HLG, HDR-PQ, Rec709, Rec2020
Recording Limit
No
IP Streaming
No
Built-In Microphone
Mono
Audio Recording
2-Channel 16-Bit 48 kHz AAC Audio
4-Channel 24-Bit 48 kHz LPCM Audio
Interface
Media/Memory Card Slot
Slot 1: CFexpress Type B (CFexpress 2.0) [2 TB Maximum / VPG-400 or Faster Recommended]
Slot 2: SD/SDHC/SDXC (UHS-II) [V90 or Faster Recommended]
Internal Storage
No
Video I/O
1x HDMI Output
Audio I/O
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
1x 1/8" / 3.5 mm TRS Stereo Microphone Input
Power I/O
1x USB-C Input
Other I/O
1x Canon N3 (Remote) Input
1x USB-C 3.1/3.2 Gen 2 (Data) Input/Output (Shared with Power Input)
Wireless
Wi-Fi 6E (802.11ax) / Bluetooth 5.0
Mobile App Compatible
Yes: Android & iOS
App Name: Canon Camera Connect
Functionality: Access Stored Files, Adjust Settings, Firmware Update, Remote Control, and View Live Feed
Global Positioning (GPS, GLONASS, etc.)
GPS
*Via Connected Smartphone
Monitor
Display Type
Articulating 3.2" Touchscreen LCD
Status Display (Top)
Resolution
2,100,000 Dot
Viewfinder
Type
Electronic (OLED)
Size
0.5"
Resolution
5,760,000 Dot
Eye Point
24 mm
Coverage
100%
Magnification
Approx. 0.76x
Diopter Adjustment
-4 to +2
Focus
Focus Type
Auto and Manual Focus
Focus Mode
Continuous-Servo AF, Manual Focus, One-Shot AF, Single-Servo AF
Autofocus Points
Photo
Phase Detection: 1053
Video
Phase Detection: 975
Autofocus Sensitivity
-7.5 to +21 EV
Flash
Built-In Flash/Light
No
Maximum Sync Speed
1/250 Second
Flash Compensation
-3 to +3 EV (1/3, 1/2 EV Steps)
Dedicated Flash System
eTTL
Shoe Mount
1x Hot Shoe
Non-Shoe Flash Connection
PC Sync Port
General
Battery
1x LP-E6P Rechargeable Lithium-Ion (Included)
or
1x LP-E6NH Rechargeable Lithium-Ion (Not Included)
or
1x LP-E6N Rechargeable Lithium-Ion (Not Included)
Tripod Mount
1x 1/4"-20 Female (Bottom)
Operating Conditions
32 to 104°F / 0 to 40°C up to 85% Humidity
Materials
Magnesium Alloy
Dimensions (W x H x D)
5.45 x 3.87 x 3.48" / 13.84 x 9.83 x 8.84 cm
Weight
1.3 lb / 588 g (Body Only)
1.5 lb / 670 g (With Battery, Recording Media)
Packaging Info
Package Weight
3.34 lb
Box Dimensions (LxWxH)
11.1 x 9.6 x 4.9"

Canon R5 Mark II Reviews

Worth it

By Kory
Rated 5 out of 5
Date: 2026-07-24

I took my time learning photography and cinematography on lesser cameras for a long time before making the jump but if you find yourself in that headspace where you’re ready to make the upgrade, the R5ii is worth it. I jumped up from an R10 so granted it was a significant difference for me but this thing is a beast and performs incredibly well. I’d agree the R6iii is definitely a solid camera and wouldn’t need another for a long time. However, I like the flexibility this provides with the megapixels. I will say it’s a shame that canon couldn’t be bothered to make this a global shutter like the A9 but in my experience, unless you’re specifically doing high demand sports photography or freaking helicopter blades, this does amazingly fine. Don’t overthink it. Spend the money. Or don’t I’m not your dad.

I couldn't be happier

By Ed
Rated 5 out of 5
Date: 2026-07-17

I could not be happier with this purchase. B&H Photo/Video has been my photography supplier for over 25 years, and during that time I have bought every new model camera Canon (and Nikon before that) offered. My camera bag is always looking for the next new thing. I already had the R5 and then upgraded to the MII. My two go-to lenses are the RF 24-70 ƒ/2.8 and the new RF 70-200mm ƒ/2.8 L IS USM Z. When I went shopping for an additional camera for more serious sports shooting, I looked at the R1. In fact, I got one from Canon through their CPS loan program and used it for 20 days. Impressive, no doubt, but 3 things troubled me. Cost, for one. Almost double the R5. The pixel count and the noise at high ISO levels which I shoot at. I’ve been told it’s unheard of to use an ISO of 5000 in daylight, but al allows me to set my lens to ƒ/5.6 or higher with a shutter speed of 1/36000 sec. As you can see from the images, with the R5 there is no noise at all in those images and I have the ability to stop a baseball in flight to the point you can count the stitches and read the lettering, and that’s with the ball travelling perpendicular to the lens, not toward it. When I can catch the compression of the ball against the bat, it’s always pretty cool. I couldn’t do that with the R1. Not that it’s not capable, as I’m sure it is, but the image noise at that setting required removing the noise in post with PS. Now I have two identical cameras with the exact same setup attached to 2 different lenses and I can works faster and smarter. Plus it’s a heck of a lot more fun. The R5 is one great camera. The only thing I added to each was the battery grip. Makes handling more comfortable, especially when I have the 70-200 with the RF 2X Extender attached, and improves shooting time immensely... especially at the FPS I use.

See any errors on this page?

Is there an option to have the electronic shutter ...

Is there an option to have the electronic shutter make a sound?
Asked by: Dave
YES This is from the R5 Mark II Manual: Electronic Electronic shutter Enables reduced sound and vibration from shutter operations, compared to mechanical shutter or electronic first-curtain. Recommended when shooting with the aperture of a bright lens wide open. Maximum shutter speed can be set higher than for mechanical shutter or electronic first-curtain. A white frame blinks on the screen when you press the shutter button completely. Shutter operations are accompanied by beeps. You can disable beeping in [Set-up: Beep].
Answered by: Paul
Date published: 2025-11-05

How many stops of image stabilization would the ...

How many stops of image stabilization would the body provide when using EF lenses with an adapter?
Asked by: Peter
The Canon EOS R5 Mark II Mirrorless Camera in-body image stabilization is 8.5 stops with Rf lenses and EF lenses with the adapter.
Answered by: Lawrence C
Date published: 2024-12-27

If there is no smartphone connectivity will the ...

If there is no smartphone connectivity will the R5-II still be able to extract GPS data ? GPE2 sounds like a better solution.
Asked by: Don
To add GPS data to photos on the Canon EOS R5 Mark II Mirrorless Camera with 24-105mm f/4 Lens you can either connect the camera to a smartphone using the Canon Camera Connect app, or you can use the Canon GPS Receiver GP-E2, B&H # CAGPE2.
Answered by: Kenneth C
Date published: 2025-03-16

Is a manufacturer warranty included in this ...

Is a manufacturer warranty included in this bundle?
Asked by: Shimon
Yes, the Canon EOS R5 Mark II Mirrorless Camera with 24-105mm f/4 Lens comes with a 1 year Canon USA warranty.
Answered by: Dan W
Date published: 2025-03-18

Is the Canon R5 EOS Mark II compatible with the ...

Is the Canon R5 EOS Mark II compatible with the EL-1 flash?
Asked by: Sergio
The Canon Speedlite EL-1 can be used on the EOS R5 MKII when using this adapter: https://bhpho.to/3z4xSjE.
Answered by: Michael S
Date published: 2024-08-22

How are the R5 Mk II in-camera upsampling and ...

How are the R5 Mk II in-camera upsampling and denoise capabilities better than existing post processing solutions?
Asked by: Dave
The upscaling feature in the Canon R5 Mark 2 is a deep-learning processing can double the vertical and horizontal pixel counts and quadruple the total pixel count of your JPEG or HEIF images. Upscaling is available for images captured as JPEGs or HEIFs with an image size of Large.
Answered by: Dan W
Date published: 2024-07-23

Does the R%-II record in 14-bit RAW for stills?

Does the R%-II record in 14-bit RAW for stills?
Asked by: Don
Yes, the Canon EOS R5 Mark II mirrorless camera records in 14-bit raw for stills.
Answered by: Idris A
Date published: 2025-03-16

Will this camera have a low pass filter ? Just ...

Will this camera have a low pass filter ? Just hoping for a cleaner image
Asked by: mitch
Yes, the Canon EOS R5 Mark II Mirrorless Camera does have a low pass filter.
Answered by: Daniel C
Date published: 2024-07-22
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