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Sony a1 II Mirrorless Camera with Basic Bundle

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Sony a1 II Mirrorless Camera with Basic Bundle
90-Second Intro
Key Features
  • Basic Accessories to Start Shooting
  • Spare Battery & Memory Card
  • 50MP Full-Frame Stacked BSI CMOS Sensor
  • AI Tracking & Human Pose Estimation
Comprising the core accessories needed to begin shooting with a compatible lens, the Sony a1 II Mirrorless Camera with Basic Bundle from B&H combines the full-frame mirrorless body with a memory card and spare battery.
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Kit Contains:
Sony a1 II Mirrorless Camera
Unrivaled: Sony's Upgraded Mirrorless Flagship
The Sony a1 II is their most versatile camera yet, offering the best overall mixture of speed, video capabilities, high-resolution stills, and a robust, professional-worthy body design. It pulls much of the original a1's well-rounded feature-set into an a9 III body and adds the AF and IBIS technologies introduced with the a7R V. It's a camera meant for working professionals, whether they are sports, editorial, product, fashion, or advertising shooters, and it's equally appealing to landscape, portrait, wedding, and event photographers, too. And, beyond photography, it has the video tools the a1-series is known for, including 8K recording, along with useful stabilization and framing aids borrowed from the ZV class of cameras.

The a1 II brings Sony's best technology from every lineup into one all-encompassing camera body making it the do-anything camera solution for professionals.
Upgraded Features and Functions
The original a1 was a standout camera within Sony's lineup, meshing high-end photo and high-end video features within a single, powerful camera body. Version two takes this theme and runs with it, improving on a number of key features to further benefit the professional hybrid image-maker.
  • AI Processing Unit-The addition of this key piece of tech greatly improves autofocus, subject detection, and subject tracking accuracy, speed, and reliability. These new processing capabilities allow the camera to more accurately and intelligently recognize subjects, predict their movements, and generally retain critical focus on them as they move.
  • Pre-Capture and Speed Boost Functions-These two features are dedicated to continuous burst-style shooting and make the a1 II an even better option for action photographers looking to use this camera in high-end sports, wildlife, and birding situations.
  • 8.5-Stop IBIS-It's typical for cameras to have better IBIS figures with each new generation, but the a1 II adds a whopping 3 extra stops to its predecessor's performance, meaning it's possible to use the camera handheld in noticeably dimmer lighting conditions and with slower shutter speeds, opening even more shooting versatility.
  • Video Improvements-The core video specs remain the same between the generations, but the a1 II gains some asked-for features to make it even more of a video powerhouse: Dynamic Active Mode Stabilizer, Framing Stabilizer, and Breathing Compensation are all welcomed additions for content creators.
  • Overhauled Body Design-The a1 II inherits the a9 III's body design, making it more comfortable to use, more robust in terms of weather-sealing, compatibility with the latest VG-C5 Vertical Grip, and an improved LCD and EVF.
Sensor and Processing Improvements
The original a1 was already known for its strong imaging performance and the a1 II improves on this with upgraded BIONZ XR processing, an AI processing unit, more powerful 8.5-stop IBIS, and the impressive 50MP stacked BSI CMOS sensor from its predecessor. The sensor and processor still afford a top 30-fps shooting rate, expandable sensitivity from ISO 50-102400, and an impressive 15-stop dynamic range. Additionally, on the speed front, the a1 II gains the Pre-Capture and Speed Boost functions that debuted on the a9 III.
  • Up to 30 fps continuous shooting with an electronic shutter, or 10 fps with the mechanical shutter, with AF and AE supported.
  • Pre-Capture Shooting records at up to 30 fps for up to 1 second prior to fully pressing the shutter, helping to ensure you don't miss fleeting moments.
  • Speed Boost lets you vary your continuous shooting speed mid-burst; when the C5 button is depressed while burst shooting, you can switch from the chosen continuous shooting speed to a faster or slower one to suit the pace of action you're photographing.
  • Refined 5-axis in-body image stabilization compensates for up to 8.5 stops of camera shake at the center of the frame and 7 stops at the periphery; an improvement of 3 stops of shake control compared to the original a1.
  • Same full-frame 50MP stacked BSI CMOS sensor as the a1, mixing high resolution with the speed and reduced rolling shutter of a stacked design to suit both meticulous and quick-working shooters.
Smarter, Faster Autofocus and Subject Tracking
The a1 II's focusing system received similarly significant upgrades from its predecessor, now sporting an AI Processing Unit and refined subject detection and tracking. The phase-detection AF system itself still comprises 759 points, which cover about 92% of the sensor area, and support focusing down to -4 EV at f/2. Subject tracking and subject detection is improved, too, specifically how the camera is 30% faster at detect human eyes and 50% faster with animal eyes.
  • First seen in the a7R V and a9 III, the a1 II sports a dedicated AI Processing Unit for refined, responsive, and intelligent subject tracking and detection of humans, animals, birds, insects, cars, trains, and airplanes.
  • Human pose estimation tracks body and head positions for accurate focus in portraiture and sports settings and Real-time Eye AF performance has been improved by 30%.
  • Additionally, human pose estimation can distinguish between multiple people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person.
  • Real-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects.
  • Auto Subject Recognition modes no longer necessitate selecting a subject type, letting the camera detect and track the intended subject.
  • XS and XL focus area spot sizes have been added for more versatility or you can customize AF focus areas to suit uniquely sized or shaped subjects.
  • Full-time DMF (Direct Manual Focus) enables using the lens's focus ring for manual focus control at any time, making it easier to switch focus to a different subject even when working with AF.
Alpha's Alpha in Video Capabilities
The core video specs of the original a1 were ahead of their time, and in many ways, still are. The a1 II keeps many of the core resolutions and frame rates but refines the video recording capabilities with more supportive modes and features, including access to Dynamic Area Stabilization and timecode input with an optional adapter. This makes the a1 II just as capable on a professional film set as it is in a photography studio.
  • Familiar recording formats: 8K 30p with 10-bit 4:2:0 sampling and 4K 120p with 10-bit 4:2:2 sampling. When using a Super 35 recording area, 4K footage can use 5.8K oversampling for improved detail and the full-frame area offers 8.6K oversampling for the 8K footage.
  • AI subject recognition, gained from the AI Processing Unit, benefits the Framing Stabilizer mode, which can be used to automatically crop and recompose so the subject remains centered in the image.
  • Dynamic Active Mode Stabilization also helps retain accurate framing while filming, especially when recording while walking or moving.
  • Included S-Cinetone profile, ProRes RAW output over HDMI, and the ability to import LUTs all point to the great amount of color control the a1 II offers.
  • Support for Breathing Compensation mode, which reduces the effects of focus breathing when using select lenses.
Pre-Capture & Speed Boost-Never Miss a Moment
Along with the key technology delivered by the sensor, the a1 II brings additional features to unlock the camera's full potential.
  • Pre-Capture: The a1 II can be configured to begin recording images to the buffer when the shutter button is half-pressed. Users can set this between 0.03-1.0 second. Upon pressing the shutter these images will be saved to the memory card.
  • Speed Boost: With Speed Boost and the C5 button, which is conveniently placed near the grip on the front of the camera, users can instantly switch their camera from their usual continuous shooting frame rate to a faster one to make sure their next shot is just right. Photographers will be able to select various frame rates up to 30 fps.
Professional Body Design and Connectivity
The a1-series has always been a top-of-the-line model for Sony and, as such, had one of the most durable and refined physical designs within the system. The a1 II, though, gains a bit of an upgrade to bring it in line with the a9 III in terms of button layout, screen and EVF implementation, and durability. It's a camera built for professional use and has the strongest, most reliable design in Sony's lineup.
Versatile and Durable Design
  • The a1 II gains the latest Sony mirrorless body design first seen on the a9 III which includes a C5 custom button on the front of camera body and an enhanced grip.
  • For transferring, an upgraded 2.5GBASE-T wired LAN port offers faster transfer speeds to suit high-profile tethered shooting applications. There is also a USB-C port and a full-size HDMI port.
  • USB-C port offers fast USB 3.2 Gen 2 speeds of up to 10 Gb/s.
  • Dual memory card slots both accept either CFexpress Type A or SD-type memory cards. The dual slot design allows for flexible file saving and handling and can be configured to partition file types or can be used for overflow recording. Additionally, both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.
Tru-Finder EVF and Tilting Touchscreen LCD
  • An impressive QXGA OLED Tru-Finder EVF features a high 9.44m-dot resolution and 0.9x magnification for exceptionally bright, clear, and detailed eye-level viewing. There is also a 120-fps option that maintains the higher resolution for a better mixture of clarity and motion fluidity.
  • 3.2" 2.1m-dot 4-axis multi-angle touchscreen LCD-first seen on the a7R V. This screen has a wide color gamut covering the DCI-P3 space.
  • Intuitive menu structure that complements having different workflows with different settings selections for movie recording and stills shooting. The menu system also works in conjunction with the touchscreen design of the rear LCD.
Enhanced Functionality and Usability
Sony has continued to improve the workflows of their professional cameras with upgraded and additional features:
  • A voice memo function promises clearer recording with a microphone located close to the user. These memos can be transferred via FTP and can be converted to text using Sony's Transfer & Tagging application.
  • IPTC metadata can be automatically added to images and up to 20 presets can be saved.
  • Built-in Wi-Fi and Ethernet can be used for fast networked data transfer during shooting.
Composite Shooting Modes
By capturing multiple images and combining them in post-production, users can achieve image quality and resolutions not possible with just the core sensor technology. The a1 II offers two different options for composite shooting:
  • Pixel Shift Multi Shooting: This unique compositing mode allows you to achieve even greater resolution than the 50.1MP sensor affords. Working in conjunction with the sensor-shift image stabilization, this mode shifts the sensor while making 16 consecutive exposures in order to acquire approximately 199MP of information for greater color accuracy and detail than possible with a single exposure. These files can then be merged together during post-production by using the Sony Imaging software suite.
  • Noise Reduction: This method uses multiple images to reduce the noise in an image without sacrificing sharpness and detail. By leveraging the information of several frames, users will be able to improve the legibility of details and minimize the impact of noise without the smoothing effect common with more conventional noise reduction techniques.
UPC: 027242930513
SanDisk 128GB Extreme PRO UHS-II SDXC Memory Card

Achieve pro-level performance with the 128GB Extreme PRO UHS-II SDXC Memory Card from SanDisk, which lets users capture 8K, 4K, and Full HD video as well as raw photos and continuous shutter bursts. This card features a storage capacity of 128GB and takes advantage of the UHS-II bus to support read and write speeds speeds of up to 300 MB/s. Thanks to the V90 Video Speed Class rating, write speeds are guaranteed not to drop below 90 MB/s.

Built for extreme conditions, SanDisk's 128GB Extreme PRO UHS-II SDXC Memory Card is protected against shock, temperatures, and drops up to 19.6'. It is also IP68 rated for protection against water and dust. In the event that you need to recover deleted, lost, or corrupted data, a free download of RescuePRO Deluxe software is available and is valid for two years.

Tap Into Pro Performance
Write speeds of up to 300 MB/s help ensure your camera's buffer clears fast so you capture more shots.
Capture More without Interruption
With up to 128GB storage, you'll be able to shoot 4K UHD video at 60 fps and 8K video at 30 fps without needing to swap cards or offload data.
Accelerated Workflow from Scene to Screen
Read speeds of up to 300 MB/s help streamline your editing process so you can get to delivery faster.
Your Reliable Partner On Set
Designed to withstand extreme conditions and stress, this card is IP68 water and dust resistant and tested to withstand up to drops of up to 19.8'.
Recover What Matters Most
Recover and restore files that have been accidentally deleted, lost, or corrupted with RescuePRO Deluxe data recovery software, free, for two full years.
Built to Last
Backed by a lifetime limited warranty, SanDisk branded cards perform over the long haul, so you can trust them with your most remarkable moments.
UPC: 619659215934
Watson NP-FZ100 V3 Lithium-Ion Battery Pack (7.2V, 2250mAh, 16.2Wh)

The Watson NP-FZ100 V3 Lithium-Ion Battery Pack is compatible with the same camera models as the Sony NP-FZ100 battery, and also supports the latest generation camera models. This replacement battery pack features a capacity of 2250mAh, 7.2V of output power, and 16.2 watt-hours. Small and lightweight, lithium-ion batteries can be charged or discharged at any time in their load cycle without developing memory effect.

Compatibility
  • Sony Alpha a1
  • Sony Alpha a9
  • Sony Alpha a9 II
  • Sony Alpha a7 III
  • Sony Alpha a7R III
  • Sony Alpha a7R IV
  • Sony Alpha a7S III
  • Sony Alpha a7C
  • Sony Alpha a6600
  • UPC: 847628039186
    Think Tank Photo Retrospective 7M Shoulder Bag for DSLR/Mirrorless Cameras (Pinestone)

    The Retrospective 7M Shoulder Bag from Think Tank Photo stores and protects your DSLR or mirrorless camera with an attached 24-70mm lens, an additional 70-200mm lens, a flash, and accessories. Alternatively, it accommodates a small drone with controller and accessories. Designed to look like a shoulder bag rather than a camera bag for a low profile, it offers dedicated compartments for your camera gear.

    Made from durable and water-resistant cotton canvas, it has a large flap with dual turn buckles to keep it securely closed. The interior is lined with nylon and padded with closed-cell foam for protection. The main compartment has padded touch-fastening PE-reinforced dividers for organizing your gear. A large pocket under the flap stores and organizes memory cards, cables, your wallet, keys, and more.

    A rear pocket enables quick access to documents, maps, boarding passes, and notebooks. The exterior water bottle accessory pocket collapses and compresses to the bag with the integrated strap for a streamlined profile. A simple webbing rail accommodates modular pouches or a carabineer, so you can further customize the bag to your needs. Carry the Retrospective 7M with the padded removable top handle, or wear it using the adjustable padded shoulder strap. You can also attach it to the handle of a rolling carry-on bag. To further protect your valuable gear, a seam-sealed rain cover is included for wet weather conditions.

    UPC: 874530007187
    Kit Contains:

    Sony a1 II Mirrorless Camera

    Key Specs
    Lens Mount
    Sony E
    Effective Sensor Resolution
    50.1 Megapixel (8640 x 5760)
    Image Sensor
    Full-Frame
    Image Stabilization
    Sensor-Shift
    ISO/Gain Sensitivity
    Photo
    Native in Manual Mode: 100 to 32,000 (50 to 102,400 Extended)
    Native in Auto Mode: 100 to 12,800
    Video
    Native in Manual Mode: 100 to 32,000
    Native in Auto Mode: 100 to 12,800
    Max Recording Modes
    H.265/XAVC HS 4:2:2 10-Bit
    Up to UHD 8K at 23.98/25/29.97 fps
    H.265/XAVC HS 4:2:0 10-Bit
    Up to UHD 8K at 23.98/25/29.97 fps
    H.264/XAVC S-I 4:2:2 10-Bit
    Up to UHD 4K at 23.98/25/29.97/50/59.94 fps
    H.264/XAVC S 4:2:2 10-Bit
    Up to UHD 4K at 23.98/25/29.97/50/59.94/100/120 fps
    H.264/XAVC S 4:2:0 8-Bit
    Up to UHD 4K at 23.98/25/29.97/50/59.94/100/120 fps
    Max Video Output
    4:2:0 8-Bit
    Up to UHD 8K at 23.98/25/29.97 fps
    4:2:2 10-Bit
    Up to UHD 4K at 23.98/25/29.97/50/59.94 fps
    Raw 16-Bit
    4.3K at 23.98/29.97/59.94 fps
    Media/Memory Card Slot
    Dual Slot: CFexpress Type A / SDXC (UHS-II)
    Video I/O
    1x HDMI Output
    Audio I/O
    1x 1/8" / 3.5 mm TRS Stereo Headphone Output
    1x 1/8" / 3.5 mm TRS Stereo Microphone Input
    Power I/O
    1x USB-C Input
    Other I/O
    1x RJ45 (Data) Output
    1x Sony Multi/Micro-USB (Remote/Time Code) Input
    1x USB-C 3.1/3.2 Gen 2 (Data/Remote) Input/Output (Shared with Power Input)
    Wireless
    Wi-Fi 5 (802.11ac) / Bluetooth 5.0
    Display Type
    Free-Angle Tilting 3.2" Touchscreen LCD
    Battery
    1x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Included)
     • Approx. 420 Shots
    Imaging
    Lens Mount
    Sony E
    Effective Sensor Resolution
    Effective: 50.1 Megapixel (8640 x 5760)
    Actual: 50.5 Megapixel
    Image Sensor
    35.9 x 24 mm (Full-Frame) Stacked CMOS
    Sensor Crop (35mm Equivalent)
    Crop Factor: 1x
    Additional Modes: 1.5x
    *Additional Crop Occurs in Select Video Modes
    Image Stabilization
    Sensor-Shift, 5-Axis
    Built-In ND Filter
    No
    Capture Type
    Stills & Video
    Exposure Control
    Shutter Type
    Mechanical Focal Plane Shutter and Electronic Rolling Shutter
    Shutter Speed
    Electronic Shutter
    1/32000 to 30 Seconds
    1/8000 to 1/4 Second in Movie Mode

    Mechanical Shutter
    1/8000 to 30 Seconds
    Bulb/Time Mode
    Bulb Mode
    ISO/Gain Sensitivity
    Photo
    Native in Manual Mode: 100 to 32,000 (50 to 102,400 Extended)
    Native in Auto Mode: 100 to 12,800

    Video
    Native in Manual Mode: 100 to 32,000
    Native in Auto Mode: 100 to 12,800
    Metering Method
    Average, Center-Weighted Average, Highlight Weighted, Multi, Spot
    Exposure Modes
    Aperture Priority, Auto, Manual, Program, Shutter Priority
    Exposure Compensation
    -5 to +5 EV (1/3, 1/2 EV Steps)
    Metering Range
    -3 to 20 EV
    White Balance
    2500 to 9900K
    Presets: Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (Cool White), Fluorescent (Day White), Fluorescent (Daylight), Fluorescent (Warm White), Incandescent, Shade, Underwater
    Continuous Shooting
    Up to 30 fps at Maximum Resolution for up to 240 Frames (Raw) / 400 Frames (JPEG)
    Interval Recording
    Yes
    Self-Timer
    2/5/10-Second Delay
    Still Image Capture
    Aspect Ratio
    1:1, 3:2, 4:3, 16:9
    Image File Format
    HEIF, JPEG, Raw
    Bit Depth
    14-Bit
    Video Capture
    Internal Recording
    H.265/XAVC HS 4:2:2 10-Bit
    7680 x 4320 at 23.98/25/29.97 fps (260 to 520 Mb/s)
    3840 x 2160 at 23.98/25/50/59.94/100/120 fps (50 to 280 Mb/s)

    H.265/XAVC HS 4:2:0 10-Bit
    7680 x 4320 at 23.98/25/29.97 fps (200 to 400 Mb/s)
    3840 x 2160 at 23.98/25/50/59.94/100/120 fps (30 to 200 Mb/s)

    H.264/XAVC S-I 4:2:2 10-Bit
    3840 x 2160 at 23.98/25/29.97/50/59.94 fps (240 to 222 Mb/s)
    1920 x 1080p at 23.98/25/29.97/50/59.94 fps (89 to 222 Mb/s)

    H.264/XAVC S 4:2:2 10-Bit
    3840 x 2160 at 23.98/25/29.97/50/59.94/100/120 fps (100 to 280 Mb/s)
    1920 x 1080p at 23.98/25/29.97/50/59.94/100/200/240 fps (50 Mb/s)

    H.264/XAVC S 4:2:0 8-Bit
    3840 x 2160 at 23.98/25/29.97/50/59.94/100/120 fps (60 to 200 Mb/s)
    1920 x 1080p at 23.98/25/29.97/50/59.94/100/120/200/240 fps (16 to 100 Mb/s)
    Video Output
    4:2:0 8-Bit
    7680 x 4320 at 23.98/25/29.97 fps
    3840 x 2160 at 23.98/29.97/59.94 fps
    1920 x 1080p at 23.98/29.97/50/59.94 fps
    1920 x 1080i at 50/59.94 fps

    4:2:2 10-Bit
    3840 x 2160 at 23.98/25/29.97/50/59.94 fps
    1920 x 1080p at 23.98/29.97/50/59.94 fps
    1920 x 1080i at 50/59.94 fps

    Raw 16-Bit
    4332 x 2446 at 23.98/29.97/59.94 fps
    Fast-/Slow-Motion Support
    Yes
    Gamma Curve
    S Cinetone, Sony S-Log 3
    Recording Limit
    No
    IP Streaming
    No
    Built-In Microphone
    Stereo
    Audio Recording
    2-Channel 16-Bit 48 kHz LPCM Audio
    Interface
    Media/Memory Card Slot
    Dual Slot: CFexpress Type A / SDXC (UHS-II)
    Internal Storage
    No
    Video I/O
    1x HDMI Output
    Audio I/O
    1x 1/8" / 3.5 mm TRS Stereo Headphone Output
    1x 1/8" / 3.5 mm TRS Stereo Microphone Input
    Power I/O
    1x USB-C Input
    Other I/O
    1x RJ45 (Data) Output
    1x Sony Multi/Micro-USB (Remote/Time Code) Input
    1x USB-C 3.1/3.2 Gen 2 (Data/Remote) Input/Output (Shared with Power Input)
    Wireless
    Wi-Fi 5 (802.11ac) / Bluetooth 5.0
    Mobile App Compatible
    Yes: Android & iOS
    App Name: Creators' App
    Functionality: Access Stored Files, Adjust Settings, Remote Control, View Live Feed
    Global Positioning (GPS, GLONASS, etc.)
    GPS
    *Via Connected Smartphone
    Monitor
    Display Type
    Free-Angle Tilting 3.2" Touchscreen LCD
    Resolution
    2,095,104 Dot
    Viewfinder
    Type
    Electronic (OLED)
    Size
    0.64"
    Resolution
    9,437,184 Dot
    Eye Point
    25 mm
    Magnification
    Approx. 0.9x
    Diopter Adjustment
    -4 to +3
    Focus
    Focus Type
    Auto and Manual Focus
    Focus Mode
    Continuous-Servo AF, Direct Manual Focus, Manual Focus, Single-Servo AF
    Autofocus Points
    Phase Detection: 759
    Autofocus Sensitivity
    -4 to +20 EV
    Flash
    Built-In Flash/Light
    No
    Flash Modes
    Auto, Fill Flash, Hi-Speed Sync, Off, Rear Sync, Red-Eye Reduction, Slow Sync
    Maximum Sync Speed
    1/400 Second
    Flash Compensation
    -3 to +3 EV (1/3, 1/2 EV Steps)
    Dedicated Flash System
    TTL
    Non-Shoe Flash Connection
    PC Sync Port
    General
    Battery
    1x NP-FZ100 Rechargeable Lithium-Ion, 7.2 VDC, 2280 mAh (Included)
     • Approx. 420 Shots
    Shoe Mount
    1x Intelligent Hot Shoe
    Tripod Mount
    1x 1/4"-20 Female (Bottom)
    Materials
    Magnesium Alloy
    Operating Conditions
    32 to 104°F / 0 to 40°C
    Dimensions (W x H x D)
    5.4 x 3.8 x 3.3" / 136.1 x 96.9 x 82.9 mm
    Weight
    23.2 oz / 658 g (Body Only)
    26.2 oz / 743 g (With Battery, Recording Media)
    Packaging Info
    Package Weight
    2.89 lb
    Box Dimensions (LxWxH)
    9.6 x 6.5 x 6.5"

    Sony A1 II Reviews

    Noticeably Better Than The Fabulous A1

    By Jerome
    Rated 5 out of 5
    Date: 2026-05-14

    I love my Sony a1, but it was getting time to upgrade, so I had the opportunity to buy the a1 Mk II. I love the slightly larger grip, the extra function buttions, and the Pre-capture capabilities. Images are razor sharp thanks to the new AI sensor, and I'm grateful for having purchased the 240 GB Sony Tough cards; I'm filling them up very quickly with bird photos. I see the draw of the new Sony a7RVI but still consider the a1 II Sony's Flagship!

    Nothing but the best

    By Neal
    Rated 5 out of 5
    Date: 2026-03-22

    I've owned this now for about 9 months. I'm coming from a Sony A7RIV Here's my observations: Pros - Pre-capture is a game changer for wildlife photography. It totally changes how I photograph now - Huge cache for capturing a long burst of images. You'll take so many photos that you should use something like FastRawViewer to avoid importing everything to your computer - Customizable autofocus shapes is a cool new feature - Crazy awesome autofocus speed, especially on Sony lenses - There is a cool feature for when shooting bursts it will automatically add a star rating to the first image in the burst which makes reviewing images quicker Cons - Expensive - Third party lenses are limited to 15 shots per second - The third focus dial isn't very useful to my style of shooting - Battery life continues to get worse with each new Sony camera - The new articulating LCD screen is cool, but I almost never need this functionality - Sony still does not allow disabling the stupid flashing red light for shutter delayed photos which is annoying for astrophotography with other photographers.

    See any errors on this page?

    Can Canon RF Lenses be adapted to the Sony A1 II?

    Can Canon RF Lenses be adapted to the Sony A1 II?
    Asked by: David
    No, there is not any Canon RF lens adapter for the Sony A1 II.
    Answered by: Idris A
    Date published: 2025-06-08

    Can the Sony a1 mkii shoot stills during video ...

    Can the Sony a1 mkii shoot stills during video recording? Or, can it place markers during video recording to find stills later??
    Asked by: Gregory
    Unfortunately no, the Sony a1 II Mirrorless Camera cannot shoot stills while shooting video. However, you can grab frames from the video and save them as stills later. Using the still frames from 8k video would produce the best results.
    Answered by: Naftoli G
    Date published: 2024-12-04

    Is precapture only for stills ? or does it work ...

    Is precapture only for stills ? or does it work for video as well ?
    Asked by: sam
    The Sony a1 II Mirrorless Camera's pre-capture feature is only for when the camera is shooting stills.
    Answered by: Paige K
    Date published: 2024-12-04

    Does anyone know if the Sony ECM-B1M mic is ...

    Does anyone know if the Sony ECM-B1M mic is compatible? Or is there a better solution (sony or other brand).
    Asked by: Eddie
    Yes, the Sony ECM-B1M Camera-Mount Digital Shotgun Microphone for Sony Cameras is compatible with the Sony a1 II Mirrorless Camera.
    Answered by: Llinelva D
    Date published: 2025-02-13

    Can you record to ssd

    Can you record to ssd
    Asked by: Matt
    No, the Sony a1 II Mirrorless Camera cannot record directly to an SSD via its USB-C port. The camera records footage internally to either a CFexpress Type A card or an SD card.
    Answered by: Marvin C
    Date published: 2025-10-28

    Does the A1 MarkIi have new imaging sensor or ...

    Does the A1 MarkIi have new imaging sensor or does it recycle the sensor on the original A1?
    Asked by: Rohan
    Yes, the Sony a1 II Mirrorless Camera uses the same sensor as the original a1. The main improvement is that the a1 II autofocus system has an AI chip that gives the camera better subject detection and tracking. The other major difference is that the camera's IBIS system has been improved to up to 8.5 stops compared to 5.5 stops on the original a1. Also, the a1 II has a fully articulated LCD screen instead of just a tilting screen.
    Answered by: Elliot
    Date published: 2025-06-06

    Has anyone had any issues with image quality? ...

    Has anyone had any issues with image quality? Noise at low iso, not sharp? I have 2 and both have poor image quality.
    Asked by: David
    We are not aware of image quality issues with the Sony a1 II Mirrorless Camera. Reviews have all been very positive.
    Answered by: Daniel C
    Date published: 2025-01-08

    What formats does the Pre-capture use? JPG and ...

    What formats does the Pre-capture use? JPG and Lossless raw only?
    Asked by: Zachary
    it also has HIF files as an option instead of jpg. This is a much better file that has a huge color space and much smaller file sizes even with the added color space.
    Answered by: Patrick
    Date published: 2025-09-19
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