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Canon EOS C400 6K Camera Kit with 24-70mm f/2.8 Zoom Lens (Canon RF)

BH #CAC4002470 • MFR #6388C012
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Canon EOS C400 6K Camera Kit with 24-70mm f/2.8 Zoom Lens (Canon RF)
Key Features
  • 6K FF Back-Illuminated CMOS Sensor
  • Full Frame, Super 35 and Super 16 Modes
  • Full Frame | f/2.8 to f/22 Aperture
  • 3 Aspherical and 3 Ultralow ED Elements
Capture detailed cine-style imagery at almost any light level and in a variety of recording formats using the Canon EOS C400 6K Camera Kit with 24-70mm f/2.8 Zoom Lens. This kit comprises an EOS C400 6K digital cinema camera with 12G-SDI output and an RF 24-70mm f/2.8 L IS USM zoom lens featuring fast autofocus.
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Kit Contains:
Canon EOS C400 6K Full-Frame Digital Cinema Camera (Canon RF)
Creators looking to capture a rich cine look while accessing versatile imaging tools can now turn to Canon's RF-mount EOS C400 6K Full-Frame Digital Cinema Camera. Based around a new 6K full-frame, back-illuminated CMOS sensor, the C400 features three ISO bases of 800, 3200, and 12,800, covering a truly wide range of light levels. This digital cinema camera blends high-resolution imagery with both cine-style and broadcast features like an optional Cooke/i PL mount, return video, and both Super35 and Super16 modes with solo shooter-friendly functions such as Dual-Pixel CMOS AF II, internal ND filters, and a compact, lightweight form.
6K Full-Frame Sensor
Canon has placed its new 6K CMOS sensor at the heart of the C400 camera, enabling it to offer exceptionally low noise, increased sensitivity efficiency, and better 4K imagery via 6K oversampling. This is all made possible thanks to the improved light capture technology of the back-illuminated, stacked CMOS sensor.
Triple-Base ISOs
The same 6K CMOS sensor also provides the choice of a trio of ISO speeds: 800, 3200, and 12,800, so you can capture both the brilliance of settings like Times Square or a full-sun landscape and the nuances of available light scenes like an interior location or a nighttime city skyline.
Multiple Recording Formats
  • Different projects demand specific recording formats, and the C400 has you covered with up to 6K60 Cinema RAW and HQ, ST, and LT Cinema RAW Light 12-bit modes. Oversampled 4K with amazing detail is available in 10-bit 4:2:2 with frame rates up to 120p, all without cropping the image on the sensor. Slow- and fast-motion can be captured at rates up to UHD 4K120 and 2K180.
  • Canon has made your editing process easier with two new codecs: XF-AVC S and XF-HEVC S, both featuring an easier naming system and folder structure and metadata preservation, all within the established MP4 format.
Optional PL-Mount Adapter
Widen your lens choices to include a range of beautiful pro cinema "glass" using the separately available PL-RF adapter for the C400. This adapter includes side lock plates for a secure fit and transfers Cooke/i metadata for VF/X and other post-production uses.
Dual Media Slots
Fans of proxy recordings will appreciate the CFexpress Type-B and SD card slots on the C400, which enable sub-recording and proxy capture using the SD card slot while simultaneously recording up to raw using a CFexpress card.
Mechanical ND Filters
Whether you're shooting a cine-style feature or grabbing run-and-gun footage for a documentary or event coverage, you'll appreciate the ability to quickly dial in up to 10 stops of ND filtration with the C400. This near-instant exposure adjustment enables you to maintain your chosen depth of field since it negates the need to stop down on your lens.
Compact, Lightweight Body
Canon's RF lens mount features a short flange back, reducing its lens mount area and overall size, which makes it the ideal camera for gimbal, handheld, or drone capture.
Improved Autofocus Function
For those moments or whole shoots where you're not assisted by a focus puller, the C400 offers Canon's dual-pixel autofocus function, which has been improved by the wider area of the back-illuminated CMOS sensor, which is available for autofocus. Intelligent tracking lets you follow the eyes, face, head, and body areas of a subject with increased accuracy. For nature documentary shooters, the C400 provides the ability to detect the eyes, face, or body of select animals without being affected by their size or facial orientation.
Production and Broadcast Features
  • The versatile C400 incorporates a variety of interfaces that make it suitable for both film- and broadcast-style productions. These ports include 12G-SDI, 3G-SDI, and HDMI video outputs, dual mini-XLR audio inputs, timecode, genlock, and return video DIN connectors, and a 12-pin lens port.
  • An automatic clear-scan mode for the shutter detects your light source's frequency, helping to reduce or eliminate the flickering sometimes found in LED walls.
LCD, Handle, and Grip
Ergonomic improvements featured by the C400 include a new touchscreen LCD, grip, and battery. The LCD mount has both angle and length adjustments for optimal positioning of the LCD whether you're shooting handheld, shoulder-mounted, or on a tripod. The ergonomic, articulated handgrip features a multifunction shoe, three assignable buttons, and captive screws that won't get lost when you're mounting or detaching the grip.
Ethernet/Wi-Fi Control and IP Streaming
Use the C400's Ethernet port and Canon's IP-based XC protocol to add RC-IP1000, RC-IP100, or third-party remote-control shading to your broadcast-style shoot. The Canon RCCA (Remote Control Camera Application) is compatible with the C400, enabling control of camera settings and multicamera control. The C400 also offers IP streaming using the SRT protocol.
UPC: 013803371956
Canon RF 24-70mm f/2.8 L IS USM Lens

Poised to be the new workhorse zoom, the Canon RF 24-70mm f/2.8 L IS USM is a versatile wide-angle to portrait-length lens characterized by its bright, advanced, and intuitive design. The constant f/2.8 maximum aperture suits working in difficult lighting conditions and also enables greater control over depth of field. The optical design incorporates a series of aspherical and Ultra-Low Dispersion elements, which greatly reduce a variety of aberrations throughout the zoom range in order to produce sharp and clear imagery. An Air Sphere Coating has also been applied to suppress flare and ghosting when working in strong lighting conditions.

Balancing the distinguished optical assets is the Nano USM focus system, which delivers fast, nearly silent autofocus performance with full-time manual focus override. An Image Stabilizer also compensates for up to five stops of camera shake to help produce sharper handheld shots in difficult lighting conditions. A unique Control Ring is also integrated into the lens design for intuitive control over exposure settings from the lens itself. Additionally, this 24-70mm is weather-sealed and has a fluorine coating to protect the front and rear elements.

Standard wide-angle to telephoto zoom lens is designed for use with full-frame Canon RF-mount mirrorless cameras.
Bright f/2.8 constant maximum aperture maintains consistent illumination throughout the zoom range and suits working in low-light conditions as well as affords increased control over depth of field for working with selective focus techniques.
Three UD (Ultra-Low Dispersion) elements help to minimize chromatic aberrations and color fringing in order to provide greater clarity and color accuracy.
Three aspherical elements are used to correct spherical aberrations and distortion for improved sharpness and accurate rendering.
An Air Sphere Coating (ASC) has been applied to lens elements to reduce backlit flaring and ghosting for maintained light transmission and high contrast in strong lighting conditions.
An Optical Image Stabilizer helps to minimize the appearance of camera shake by five stops to better enable working in low-light conditions and with slower shutter speeds.
Nano USM system utilizes both a ring type USM and an STM mechanism to realize quick and accurate focusing that is also smooth and nearly silent to suit both photography and video applications. This focusing system also affords full-time manual focus control when working in the one-shot AF mode.
Configurable Control Ring can be used to adjust a variety of exposure settings, including aperture, ISO, and exposure compensation.
Protective fluorine coating has been applied to the front and rear element to resist fingerprints and smudges and to make cleaning these elements significantly easier.
As a member of the esteemed L-series, this lens has a weather-resistant design that protects against dust and moisture to enable its use in inclement conditions.
Rounded nine-blade diaphragm contributes to a pleasing bokeh quality.
UPC: 013803321555
Kit Contains:

Canon EOS C400 6K Full-Frame Digital Cinema Camera (Canon RF)

Key Specs
Lens Mount
Canon RF
Image Sensor
Full-Frame
Effective Sensor Resolution
19.05 Megapixel (6008 x 3170)
Image Stabilization
Digital
ISO/Gain Sensitivity
Native: 100 to 102,400
Max Recording Modes
Cinema RAW Light 12-Bit
Up to 6K up to 60.00 fps
XF-AVC Intra 4:2:2 10-Bit
Up to DCI 4K up to 120 fps
XF-AVC Long GOP 4:2:2 10-Bit
Up to DCI 4K up to 120 fps
XF-AVC S Intra 4:2:2 10-Bit
Up to DCI 4K up to 120 fps
XF-AVC S Long GOP 4:2:2 10-Bit
Up to DCI 4K up to 120 fps
XF-AVC S Long GOP 4:2:0 8-Bit
Up to DCI 4K up to 180 fps
XF-HEVC S Long GOP 4:2:2/4:2:0 10-Bit
Up to DCI 4K up to 120 fps
Max Video Output
DCI 4K
Media/Memory Card Slot
Slot 1: CFexpress Type B
Slot 2: SD/SDHC/SDXC
Mobile App Compatible
Yes: iOS Only
Functionality: Adjust Settings, Remote Control, View Live Feed
Battery
Canon BP-AN Series
Imaging
Lens Mount
Canon RF
Lens Communication
Yes: Cooke /i
Image Sensor
Full-Frame BSI Stacked CMOS
Effective Sensor Resolution
Effective: 19.05 Megapixel (6008 x 3170)
Actual: 26.67 Megapixel (6202 x 4300)
Image Stabilization
Digital, 5-Axis
Built-In ND Filter
Mechanical Filter Wheel with 2-Stop (1/4), 4-Stop (1/16), 6-Stop (1/64), 8-Stop (1/256), 10-Stop (1/1024) ND Filters
Capture Type
Stills & Video
Exposure Control
Shutter Type
Electronic Rolling Shutter
Shutter Speed
1/2000 to 1 Second
Shutter Angle
11.25 to 360°
ISO/Gain Sensitivity
Native: 100 to 102,400
Advertised Dynamic Range
16 Stops
White Balance
Range: 2000 to 15,000K
Presets: AWB, Daylight, Set A, Set B, Tungsten
Focus
Focus Mode
Continuous-Servo AF, Manual Focus, One-Shot AF
Video Capture
Internal Recording
Cinema RAW Light 12-Bit
6000 x 3164 up to 60.00 fps (552 to 2130 Mb/s)
4368 x 2304 up to 100 fps (916 to 2130 Mb/s)
4096 x 2160 up to 120 fps (258 to 993 Mb/s)
2184 x 1152 up to 180 fps (74 to 574 Mb/s)

XF-AVC Intra 4:2:2 10-Bit
4096 x 2160 up to 120 fps (240 to 1200 Mb/s)
3840 x 2160 up to 120 fps (240 to 1200 Mb/s)
2048 x 2160 up to 180 fps (120 to 300 Mb/s)
1920 x 1080 up to 180 fps (120 to 300 Mb/s)

XF-AVC Long GOP 4:2:2 10-Bit
4096 x 2160 up to 120 fps (150 to 250 Mb/s)
3840 x 2160 up to 120 fps (150 to 250 Mb/s)
2048 x 1080 up to 180 fps (25 to 50 Mb/s)
1920 x 1080 up to 180 fps (25 to 50 Mb/s)

XF-AVC S Intra 4:2:2 10-Bit
4096 x 2160 up to 120 fps (240 to 1200 Mb/s)
3840 x 2160 up to 120 fps (240 to 1200 Mb/s)
2048 x 1080 up to 180 fps (120 to 300 Mb/s)
1920 x 1080 up to 180 fps (120 to 300 Mb/s)

XF-AVC S Long GOP 4:2:2 10-Bit
4096 x 2160 up to 120 fps (130 to 250 Mb/s)
3840 x 2160 up to 120 fps (130 to 250 Mb/s)
2048 x 1080 up to 180 fps (50 Mb/s)
1920 x 1080 up to 180 fps (50 Mb/s)

XF-AVC S Long GOP 4:2:0 8-Bit
4096 x 2160 up to 180 fps (100 to 150 Mb/s)
3840 x 2160 up to 180 fps (100 to 150 Mb/s)
2048 x 1080 up to 180 fps (35 Mb/s)
1920 x 1080 up to 180 fps (35 Mb/s)

XF-HEVC S Long GOP 4:2:2/4:2:0 10-Bit
4096 x 2160 up to 120 fps (100 to 225 Mb/s)
3840 x 2160 up to 120 fps (100 to 225 Mb/s)
2048 x 1080 up to 180 fps (35 to 50 Mb/s)
1920 x 1080 up to 180 fps (35 to 50 Mb/s)
*Sensor Crops During Recording
Video Output

4096 x 2160
Fast-/Slow-Motion Support
Yes
Gamma Curve
Canon Log 2, Canon Log 3
Audio Recording
Cinema RAW Light: 4-Channel, 24-Bit at 48 kHz via LPCM Audio
XF-AVC: 4-Channel, 24-Bit at 48 kHz via LPCM Audio
XF-AVC S, XF-HEVC S: 4-Channel, 24-Bit at 48 kHz via LPCM Audio
XF-AVC S, XF-HEVC S: 2-Channel, 16-Bit at 48 kHz via AAC Audio
IP Streaming
RTP, RTSP, SRT, UDP
1920 x 1080 at 50i, 50p, 59.94i, 59.94p (4.0 to 9.0 Mb/s)
Interface
Media/Memory Card Slot
Slot 1: CFexpress Type B
Slot 2: SD/SDHC/SDXC
Internal Storage
No
Video I/O
1x BNC (12G-SDI) Output
1x BNC (3G-SDI) Monitor Output
1x HDMI Output
Audio I/O
2x Mini XLR Input
1x 1/8" / 3.5 mm TRS Stereo Microphone Input on Camera Body
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O
1x XLR 4-Pin (12VDC) Input
Other I/O
1x USB-C Monitor
1x DIN 1.0/2.3 (Genlock, Return, Sync)
1x DIN 1.0/2.3 (Timecode)
1x RJ45 (XC) Control
1x Hirose 12-Pin (Lens Control)
Wireless
Wi-Fi 5 (802.11ac)
Mobile App Compatible
Yes: iOS Only
App Name: Canon Multi-Camera Control App
Functionality: Adjust Settings, Remote Control, View Live Feed
Global Positioning (GPS, GLONASS, etc.)
No
Monitor
Display Type
Primary Monitor: Included External 3.5" Touchscreen LCD
Power
Battery
Canon BP-AN Series
Power Consumption
≤32.5 W
General
Shoe Mount
1x Intelligent Hot Shoe
1x Intelligent Hot Shoe on Included Handle
Accessory Mounting Thread
1x ARRI/Hirth Rosette
Netflix Approved
Yes
Dimensions (W x H x D)
5.6 x 5.3 x 5.3" / 142 x 135 x 135 mm
14.2 x 10.8 x 14.3" / 361 x 274 x 363 mm (With Grip, Handle, Mic Holder, Monitor Attachment)
Weight
3.4 lb / 1.5 kg (Body Only)
Packaging Info
Package Weight
10.13 lb
Box Dimensions (LxWxH)
14.9 x 11.7 x 8.9"

Canon C400 RF Mount Reviews

Ditched My FX3, Red Komodo And C300 II For The C400.

By Steve
Rated 5 out of 5
Date: 2025-11-05

Had A Sony FX3, Enjoyed It. Had An Fx6, Loved It. Had A Canon C300 MKII, Loved It. Had A Red Komodo, Disliked It Immensely. Just Tried A Nikon ZR, MEH, Returned It. The C400 Rules Them All And It Is Not Even Close. Amazing Controls, Amazing Image. Easy To Use And Has It All Besides IBIS But With This Kind Of Quality, I Can Forgive That. Best Cinema Camera I Have Ever Owned.

Perfection

By William
Rated 5 out of 5
Date: 2025-04-28

Basically a better C500II. High frame rates. Compact body. Super happy. Everything works as it should. AF working great. Perfect A cam for commercials and travel docs.

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