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Forget about digital clipping and focus on the shot with the Zoom F6, an ultra-compact, multitrack field recorder with 32-bit float technology for distortion-free dynamic range, and up to 14 tracks of simultaneous recording for professional and enthusiast applications on set and in the field. Slide it in a sound bag, sling it over your shoulder, or mount it to a camera; the F6 packs quantity and quality into a rugged frame that's more than ready for filmmaking, production/location sound mixing, sound effects recording, and electronic news gathering (ENG).
From the large, informative color display and user-friendly controls to the flexible powering options and precision timecode functionality, the F6 is properly equipped to please novices and demanding veterans alike. Whether you need long-duration stereo recording for an interview, redundant capture of multi-mic setups for a video shoot, or Ambisonics sound files for virtual reality and 360-audio projects, the F6 has the modes, resolutions, and media support to handle your crucial audio tasks. Plus, its operational versatility ensures that the F6 will always enhance your workflow, be it simple, complex, or always changing. You can feel confident using it as your main recorder, a USB audio interface for your dedicated computer rig, or a backup unit for added safety.
Forget about digital clipping and focus on the shot with the Zoom F6, an ultra-compact, multitrack field recorder with 32-bit float technology for distortion-free dynamic range, and up to 14 tracks of simultaneous recording for professional and enthusiast applications on set and in the field. Slide it in a sound bag, sling it over your shoulder, or mount it to a camera; the F6 packs quantity and quality into a rugged frame that's more than ready for filmmaking, production/location sound mixing, sound effects recording, and electronic news gathering (ENG).
From the large, informative color display and user-friendly controls to the flexible powering options and precision timecode functionality, the F6 is properly equipped to please novices and demanding veterans alike. Whether you need long-duration stereo recording for an interview, redundant capture of multi-mic setups for a video shoot, or Ambisonics sound files for virtual reality and 360-audio projects, the F6 has the modes, resolutions, and media support to handle your crucial audio tasks. Plus, its operational versatility ensures that the F6 will always enhance your workflow, be it simple, complex, or always changing. You can feel confident using it as your main recorder, a USB audio interface for your dedicated computer rig, or a backup unit for added safety.
With a transparent and high-output 100mW headphone amplifier tied to a 3.5mm stereo output, the F6 provides clean, efficient monitoring of pre- or post-fader levels and alerts for battery and recording status.
For convenient wireless remote control from an iOS mobile device, connect a Zoom BTA-1 Bluetooth adapter (available separately), then use the free F-Control app to quickly monitor and tweak levels, operate transport controls, add metadata, and more.
Designed for SD devices that can capture Full HD, 3D, and 4K video, as well as raw and burst photography, the Extreme PRO UHS-I SDXC Memory Card from SanDisk has a capacity of 128GB, is compatible with the UHS-I bus, and features a speed class rating of V30, which guarantees minimum write speeds of 30 MB/s. Read speeds are supported up to 250 MB/s and write speeds max out at 120 MB/s. A built-in write-protect switch helps to safeguard against the accidental erasure of card data.
As with most SanDisk cards, this memory card is shockproof, x-ray proof, waterproof, while also being able to withstand temperatures from -13 to 185°F, allowing you to take this card with you into extreme environments, such as snow, deserts, and pools.
The Watson NP-F770 Lithium-Ion Battery Pack works with the same cameras as the Sony NP-F770 and NP-F750. This replacement battery pack features a capacity of 4400mAh and 7.4V of output power. Small and lightweight, lithium-ion batteries can be charged or discharged at any time without developing memory effects.
- DCR-SD1000
- DCR-SR40
- DCR-TRV900
- DCR-VX2000
- DCR-VX2100
- DCR-VX2200
- HDR-AX2000
- HDR-FX1
- HDR-FX7
- HDR-FX1000
- HVR-HD1000
- HVR-V1
- HVR-Z1
- HVR-Z5
- HVR-Z7
- HXR-MC1500
- HXR-MC2000
- HXR-NX5
- HXR-NX5R
- NEX-EA50
- NEX-FS100
- NEX-FS700
This versatile Compact AC/DC Charger from Watson charges all Sony L & M series type lithium-ion batteries via the included dedicated battery plate. The charger runs on 100 to 240 VAC power, allowing for worldwide use. It features a fold-out 2-prong US plug and is supplied with a European plug adapter as well as a 12 VDC car charger that plugs into a cigarette lighter. This makes the charger ideal for use both at home and on the road.
The Compact AC/DC Charger features a USB power output that allows you to charge and power MP3 players, phones, digital cameras, and other devices with a USB power input--even while charging your camera or camcorder batteries. With its easily interchangeable plate, the charger can also be used for other battery models via the purchase of an additional battery adapter plate.
- Comes with an included Euro plug adapter for charging in Europe.
- Included DC adapter with car lighter plug lets you charge while on the road.
Upgrade the audio quality in your video productions by switching from the built-in mic on your camera to the Sennheiser MKE 600 battery- or phantom-powered shotgun microphone. Its focused directional characteristics and resistance to structure-borne noise offer sonic results well suited to a variety of production scenarios from independent films and web series to nature shows and documentaries.
The MKE 600's high sensitivity and low-noise circuitry unlock improved sound quality without extreme gain on noisy camera preamps. With a natural roll-off at 40 Hz and a selectable low-cut filter at 100 Hz, the MKE 600 can deliver clear intelligibility while attenuating low-frequency noise such as rumble. Plus, its frequency response incorporates a gentle rise in treble to enhance speech clarity.
The lightweight and durable metal housing ensures reliable toughness without weighing down your rig. The included shoe shockmount accommodates mounting the MKE 600 to a camera or tripod. Connect the mic's XLR output to an XLR-equipped mic preamp or use the supplied adapter cable to plug it into the 3.5mm mic input on a camera.
When using devices that don't offer phantom power, the MKE 600 may optionally be powered for up to 150 hours by a single AA battery (available separately). Approximately 8 hours of operating time remain once the low-battery indicator lights up red. Use the on/off switch to prevent unnecessary battery drain.
For maximum reduction of handling noise and wind noise in indoor or outdoor environments, consider a complete windjammer, windshield, and shockmount suspension system such as the Rycote Super-Blimp NTG or the large Rycote Super-Shield Kit (both available separately).
An internal, coiled cable with a side-exit XLR connector makes it easy to extend or retract the boompole while streamlining your setup with fewer cables to carry. The custom, removable head tip and drop-through design allow for cable reconfiguration without any soldering required. High-quality Rean and Neutrik connectors are used for reliable signal transfer and uncompromised performance, even in challenging environments.
The durable anodized aluminum construction can handle the bumps and impacts of demanding travel and location shoots in all kinds of weather.
Solid Grip and Smooth Telescoping
- The ergonomic twist locks are covered with rubber grips that are easy on your hands and comfortable to operate, making length adjustment smooth and effortless. Improved shims ensure a firm and secure hold until you loosen the locks.
Anti-Twist Alignment Tubing for One-Handed Operation
- Quick length adjustment when you're recording on the go is crucial for keeping from interrupting the shoot. With an anti-twist design, adjacent tubes won't twist when you're expanding or retracting the boompole. This allows for one-handed twist lock operation and makes setup and length adjustment fast and easy.
- The integrated, coiled XLR cable is engineered to minimize unwanted radio frequency (RF) and electromagnetic (EM) interference that can degrade the audio signal. The coiled design allows the cable to smoothly extend and retract with the telescoping tubes.
- The tip's strain-relief system absorbs tension, secures the cable, and protects the cable from damage at the edges of the tip exit. Additional strain relief at the bottom of the pole protects and preserves the connections between the cable and the TA3 connector.
Side-Exit Connector
- The side-exit XLR connector allows the operator to rest the pole on its end without damaging the wiring or connector. To protect the pole, a rubber end cap provides a durable rubber pad at the bottom end.
- BP Series boompoles feature a removable Arrowhead tip designed to reduce weight at the top of the pole.
- The tip also allows easy drop-through cable insertion for quick and uncomplicated cable replacement.
- Thanks to the solderless design, you won't need special tools to replace the XLR cable using the cable replacement kit (available separately).
- The internal cable is equipped with high-quality XLR and TA3 (mini XLR) connectors manufactured by Rean. The connectors ensure flawless signal transfer and secure locking connections, preventing the cable from disconnecting, even if there's stress or an accidental tug on the cable.
- The Neutrik bottom-exit connector is housed in its own casing and ensures a secure connection to the boompole that won't jeopardize signal flow by twisting or jiggling.
Standard 3/8"-16 Threaded Mount
- The boompole is outfitted with a standard 3/8"-16 threaded mount to ensure compatibility with most professional shotgun mics and shockmounts.
The Orca OR-268 is a low-profile audio mixer bag ideal for use with the Zoom F6 field recording mixer. The case features a compact and lightweight design, a rigid frame, access from all sides, and front and back pockets for wireless systems and batteries. The OR-268 includes a shoulder strap and a transparent top cover.
- Compact and low-profile design
- Easy access from all sides
- Rigid internal frame consisting of four aluminum rods and PE Board
- Front and back pockets for wireless systems and batteries
- Comes with a top transparent cover and shoulder strap
The ASM1 Shockmount 1 from Airo by K-Tek is a rugged shockmount designed for boompoles and mic stands. It can be used to securely isolate a shotgun microphone from swinging and eliminate handling noise in ENG, EFP, and other field recording applications. The shockmount features two molded rubber suspenders. In addition, a threaded adapter is included to accommodate 5/8" mic stands.
The MZH 600 Windshield by Sennheiser is an accessory for the MKE 600 shotgun mic. The MZH 600 Windshield features a combination of foam and faux fur that diffuses wind noise during outdoor use.
The Kopul Studio Elite 4000 Series XLR M to XLR F Microphone Cable (10') is a studio-quality cable for connecting mics to mixers, preamps, audio interfaces, and recorders or to be used in any other application where XLR connectivity is required. The cable is engineered to be both quiet and durable, and is well suited for critical recording and broadcast situations.
Studio Elite 4000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. A 98% braided outer shield makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.