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Neumann TLM 103 Large-Diaphragm Cardioid Condenser Microphone Kit (Nickel)

BH #NETLM103TCK (B&H Kit)
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Neumann TLM 103 Large-Diaphragm Cardioid Condenser Microphone Kit (Nickel)
Key Features
  • For Speech, Vocals, and Instruments
  • One TLM 103 Cardioid Condenser Mic
  • One Telescoping Boom Mic Stand
  • One XLR Cable, One Gooseneck Pop Filter
Perfect for the recording of speech, vocals, and instruments in studios or for podcasts, this B&H Kit combines one Neumann TLM 103 Large-Diaphragm Cardioid Condenser Microphone with one telescoping boom mic stand, one XLR cable, and a gooseneck pop filter. This kit also includes a wooden box and stand mount.
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Kit Contains:

Perfect for the recording of speech, vocals, and instruments in studios or for podcasts, this B&H Kit combines one Neumann TLM 103 Large-Diaphragm Cardioid Condenser Microphone with one telescoping boom mic stand, one XLR cable, and a gooseneck pop filter. This kit also includes a wooden box and stand mount.

Neumann TLM 103 Large-Diaphragm Cardioid Condenser Microphone (Nickel)

Designed as a budget-friendly alternative to the heralded U 87 microphone for project studios, producers, and vocalists, the nickel Neumann TLM 103 is a large-diaphragm condenser mic offering the classic Neumann sound with elevated presence to impart a crisp, clean, and full tone. It boasts a capsule based on the U 87 married to pristine transformerless circuitry, allowing it to handle high SPLs up to 138 dB without distortion while maintaining superbly quiet self-noise of just 7 dBA.

The combination of the transformerless output stage and heightened treble response makes the TLM 103 a great choice when the sound source needs to clearly cut through the mix. The mic's compact body is ideal for positioning it in tight spots such as over a snare, inside a kick drum, or in front of a small guitar amp. By utilizing a cardioid polar pattern, the mic can effectively reduce ambient noise or instrument bleed behind the mic. The TLM 103 comes with a secure, space-saving swivel mount and a wooden box.

Affordable Alternative to the U 87
Introduced in 1997 as an affordable alternative to the venerable U 87, the TLM 103 has since become a classic in its own right. Today, the TLM 103 defines the standard by which contemporary studio microphones are measured. Its classic, tapered headgrille design gives the TLM 103 a distinct Neumann look.
Large-Diaphragm Capsule
The TLM 103 is a cardioid microphone with a large-diaphragm condenser capsule derived from the classic K67/87 capsule of the legendary Neumann U 87. However, the TLM 103 has a slightly more modern voicing with a wide presence boost for frequencies above 5 kHz.
Refined and Full Sound
Its very direct yet refined sound is perfect for vocals and solo instruments that pop out of the mix without effort. Of course, the TLM 103 also has the famous authoritative midrange that has become the hallmark of Neumann microphones and made them a top choice in studios around the world. A special feature of the TLM 103 is its impressively deep yet controlled low end, perfect for sonorous voices and powerful bass instruments.
Technical Excellence
With an incredibly low self-noise of only 7 dBA, the TLM 103 is among the quietest microphones available. And its high sensitivity of -32.5 dBV ensures ultralow noise, even with budget preamps and audio interfaces or vintage tube equipment. At the same time, the TLM 103 can handle enormous sound pressure levels of up to 138 dB without the need for pre attenuation. Its vast dynamic range of 131 dB makes the TLM 103 a very easy-to-use studio microphone as it will capture anything from a soft whisper to a thunderous bass drum without adding noise or distortion.
Transformerless Output
As a member of Neumann's TLM series, the TLM 103 works with a transformerless output stage, which minimizes transmission losses and ensures a very immediate, uncolored sound, true to the original as well as a clear, powerful bass response, even at highest signal levels.
Applications
The TLM 103 was primarily designed for project studios and broadcast use, but due to its outstanding performance was soon embraced by renowned studios as a more modern sounding alternative to the U 87 for speech, vocals, drums, guitar amps, and piano. The TLM 103 is also often used as a spot mic in classical recordings for cello and double bass.
Features at a Glance
  • Large-diaphragm condenser capsule derived from the classic U 87 microphone
  • Balanced sound with enhanced presence
  • Cardioid pattern reduces background noise
  • Transformerless circuitry with high SPL capability
  • Extremely low self-noise of only 7 dBA
  • XLR 3-pin output
  • 48V phantom powered
  • Includes swivel mount and wooden box
UPC: 615104084308
Auray MS-5230T Tripod Microphone Stand with Telescoping Boom

The Auray MS-5230T Tripod Microphone Stand with Telescoping Boom features durable, steel construction. The telescoping boom arm is adjustable from 19.3 to 33.9" in length, allowing you to angle and extend the mic placement however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and nonslip feet keep it firmly in place. The Auray MS-5230T mic stand collapses for easy transport.

UPC: 847628015593
Kopul Studio Elite 4000 Series Neutrik XLR M to XLR F Microphone Cable (25', Black)

The Kopul Studio Elite 4000 Series XLR M to XLR F Microphone Cable (25') is a studio-quality cable for connecting mics to mixers, preamps, audio interfaces, and recorders or to be used in any other application where XLR connectivity is required. The cable is engineered to be both quiet and durable, and is well suited for critical recording and broadcast situations.

Studio Elite 4000 Series cables are made from 24 AWG OFC copper wire that's wrapped with PE insulation and a conductive PVC inner shield. A cotton-yarn inner layer helps reduce electrostatic and microphonic noise. A 98% braided outer shield makes the cable resistant to EMI and RFI noise. The Neutrik XX silver connectors provide a high level of connectivity, and all the solder connections are shrink-wrapped for protection.

98% braided shield offers protection from EMI and RFI noise.
Twin-conductive PVC inner shielding provides 100% coverage of the core conductor. It helps keep the cable's signal from radiating and affecting nearby cables, and also helps prevent external EMI from penetrating to the cable's core.
24 AWG oxygen-free stranded copper inner core provides the best possible conductivity.
Cotton yarn reduces electrostatic and microphonic noise.
All solder points shrink-wrapped for protection.
Neutrik XX silver connectors offer high conductivity.
Cast zinc shell and chuck style strain relief.
UPC: 847628551206
Auray PFNY-6 Nylon Pop Filter with Gooseneck and C-Style Clamp for Mic Stands and Booms

Designed for use with microphones, the Auray PFNY-6 is a pop filter that minimizes vocal plosives and reduces errant breath noise. It's suitable for home and pro studios alike and lends itself to all sorts of recording applications including vocals, voiceovers, broadcasts, and podcasts.

The PFNY-6 utilizes a double-layered nylon screen, affording a clear view of the capsule, so the PFNY-6 won't impede a vocalist from giving a robust-sounding performance, captured on-axis. Additionally, this screen protects your microphone capsule from corrosive moisture.

Its 13" flexible gooseneck will give you plenty of room to maneuver, allowing you to place the screen as close to the capsule as you'd like. A sturdy C-clamp with a thumbscrew fastener protects against slippage, while a rubber grommet and padding protect your mic stand's finish.

General Features
Prevents Vocal Plosives
Anyone who has recorded vocal tracks knows what the sound of the letters p and b can do to the take when a microphone is left unprotected. This double-layered nylon screen dissipates the rush of air caused by vocal plosives, minimizing the popping sounds that can compromise your recording.
Robust Vocal Tracks
By minimizing vocal plosives, vocalists can move closer to the microphone and train their voices directly on the mic capsule for a more rich, centered, warm, and robust track.
Protects Against Corrosive Moisture
In addition to protecting your take from vocal plosives, the PFNY-6 protects your mic capsule from corrosive moisture.
Easy to Attach
The PFNY-6 is outfitted with a sturdy C-clamp that attaches easily to a mic stand or mic boom. Its thumbscrew fastener adjusts to most sizes, and the rubber grommet won't scratch your mic stand's finish.
UPC: 847628000858
Kit Contains:

Neumann TLM 103 Large-Diaphragm Cardioid Condenser Microphone (Nickel)

Key Specs
Microphone Type
Large Diaphragm
Polar Pattern
Cardioid
Element Type
Condenser
Controls
No
Frequency Response
20 Hz to 20 kHz
Maximum SPL
138 dB (.5% THD)
Analog Output
1x XLR 3-Pin Male
Power Sources
Phantom Power
Microphone
Microphone Type
Large Diaphragm
Polar Pattern
Cardioid
Element Type
Condenser
Sound Field
Mono
Orientation
Side Address
Controls
No
Pad
No
Circuitry
Solid-State
Performance
Frequency Response
20 Hz to 20 kHz
Maximum SPL
138 dB (.5% THD)
Off-Axis Rejection
>2 dB at 60°
>10 dB at 120°
>25 dB at 180°
Sensitivity
-32.5 dBV (at 1 kHz into 1 Kilohms)
Dynamic Range
131 dB (A-Weighted)
Equivalent Noise Level
7 dB (A-Weighted)
17.5 dB (CCIR)
Connectivity
Analog Output Connector
1x XLR 3-Pin Male
Power
Power Sources
Phantom Power
Operating Voltage
48 V (Phantom Power)
Physical
Color
Nickel
Dimensions
ø: 2.4 x L: 5.2" / ø: 6 x L: 13.2 cm
Weight
15.87 oz / 450 g
Packaging Info
Package Weight
2.615 lb
Box Dimensions (LxWxH)
19.3 x 7.35 x 3.95"

Neumann TLM 103 Reviews

Serious Authenticity Issues

By Justin
Rated 2 out of 5
Date: 2025-12-28

So I rarely leave negative reviews, especially for a microphone at this level, but this situation is genuinely disappointing… I purchased this Neumann TLM 103 from B&H expecting the well-known clarity, openness, and top-end detail the 103 is famous for. Unfortunately, the unit I received sounds unusually dull, boxy, and mid-forward — the opposite of what a TLM 103 should deliver. I’ve used and owned many professional condensers over the last many years, including Neumann products, and this immediately stood out as “off.” Visually, there are also concerns: the grille appears slightly uneven/open compared to other verified TLM 103 units I’ve seen and used. Combined with the sonic issues, this raised serious questions about whether the mic is defective or potentially not legitimate. This has been genuinely disheartening. I saved up for this mic specifically because of Neumann’s reputation and B&H’s trusted status as a retailer. To open the box and immediately feel doubt and frustration instead of excitement was not the experience I expected. I’ve reached out to Neumann directly for serial verification and guidance. I’m posting this in hopes that B&H will also take notice and help make this right — whether that’s a replacement or further inspection. I want to trust that what I received matches the quality and authenticity B&H is known for.

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