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MOTU M6 USB-C Audio/MIDI Interface with Voiceover Kit

BH #MAM6VOK (B&H Kit)
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MOTU M6 USB-C Audio/MIDI Interface with Voiceover Kit
Key Features
  • Complete Recording Kit for Voiceovers
  • Keeps Speech Clean and Intelligible
  • AC and Bus Powered, Mac/Windows
  • 4 Mic / Line / Hi-Z Preamps, 2 Line In
Whether its for narration, ad reads, or voice acting, this B&H Kit is a great setup to get your voice heard and features a MOTU M6 USB-C Audio/MIDI Interface bundled with a large-diaphragm condenser mic with pop filter, a vocal reflection panel, a pair of over-ear, closed-back studio monitoring headphones, a USB-C to USB-A adapter, and tripod mic stand with boom.
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Kit Contains:

From Manufacturer

Whether its for narration, ad reads, or voice acting, this B&H Kit is a great setup to get your voice heard and features a MOTU M6 USB-C Audio/MIDI Interface bundled with a large-diaphragm condenser mic with pop filter, a vocal reflection panel, a pair of over-ear, closed-back studio monitoring headphones, a USB-C to USB-A adapter, and tripod mic stand with boom.

MOTU M6 USB-C Audio/MIDI Interface

Pristine, versatile, and portable, the MOTU M6 desktop 6x4 (not counting headphone outputs) USB-C audio-MIDI interface combines high-class audio performance, a robust bundle of DAWs, virtual instruments, loops, and samples, and a feature set that makes it equally powerful and user-friendly for musicians, podcasters, and producers, all at a highly affordable price point. With its four mic/line/instrument preamps and two balanced line inputs, the M6 can record anything from dynamic and condenser microphones to electric guitars and drum machines in distortion-free, sparkling clarity. Equipped with top-notch ESS digital-to-analog converters that drive the main outs and the headphone jack, the M6 lets you monitor through your speakers and headphones with the dynamic range normally found only on much more expensive interfaces.

The M6 is equally suitable for producers, thanks to its MIDI 5-pin I/O. Plug in a MIDI keyboard to control virtual instruments or run MIDI from the M6 to your favorite hardware synth to capture its glorious tones through the M6's pristine analog preamps. No matter what you do, the M6's specially engineered drivers ensure ultralow-latency monitoring, so you can rehearse and record in real time without hearing any distracting echo, and the full-color LCD screen shows you high-resolution metering for all inputs and outputs at all times. The MOTU M6 includes Performer Lite and Ableton Live Lite 11, as well as 100+ virtual instruments (Performer Lite), and over 6GB of free loops, samples, and one-shots from industry-leading libraries.

At a Glance
  • 6-in / 4-out USB audio interface with studio-quality sound
  • Best-in-class audio quality driven by ESS Sabre32 Ultra DAC Technology
  • Best-in-class speed (ultralow latency) for host software processing
  • Best-in-class metering for all inputs/outputs with a full-color LCD
  • 4 mic / line / Hi-Z guitar inputs on combo XLR/TRS
  • Individual preamp gain and 48V phantom power for each mic input
  • 2 balanced 1/4-inch line inputs
  • Hardware (direct) monitoring for all inputs
  • Monitor mix knob to balance live inputs and computer playback
  • A/B switch to compare mix output on two sets of studio monitors
  • Measured -129 dB EIN on mic inputs
  • 4 balanced DC-coupled 1/4-inch TRS outputs
  • Measured 120 dB dynamic range on the 1/4-inch balanced TRS outputs
  • 2 headphone outputs (driven by ESS converters) with independent volume control
  • Switch for optional headphone monitoring through line outputs 3-4
  • MIDI in/out (16 channels to/from USB host)
  • Support for 44.1 to 192 kHz sample rates
  • USB audio class compliant for plug-and-play operation on Mac (no driver required)
  • Windows driver with 2.5 ms roundtrip latency (32-sample buffer at 96 kHz)
  • Mac driver (optional, for 2.5 ms RTL at 32/96 kHz and loopback feature)
  • iOS compatible (USB audio class compliant)
  • Driver loopback for capturing host output, live streaming, and podcasting
  • Bus powered USB-C (compatible with USB-A) with power switch (USB cables included)
  • Multiblade international DC power adapter for standalone operation without a computer
  • Rugged metal construction (extruded case, faceplates, and knobs)
  • Workstation software included (MOTU Performer Lite and Ableton Live Lite 11)
  • 100+ instruments (in Performer Lite)
  • Over 6GB of included free loops, samples, and one-shots from industry leading libraries
  • Kensington security slot
  • Two-year warranty
Professional-Level Audio Quality
Equipped with the same ESS Sabre32 Ultra DAC technology found in audio interfaces the pros use, the M6 delivers 120 dB of dynamic range on its main outputs. ESS converters also drive the headphone output. Ultraclean preamp circuits produce a measured -129 dBu EIN on the mic inputs; this means while recording, you'll only hear the mic, not the mic pre.
Balanced Monitoring
The M6 has balanced 1/4" outputs for professional level monitoring. With two 1/4" headphone outputs, you can also monitor your work privately, plus the 3-4 switch allows for headphone monitoring through line ouputs 3-4.
Loopback Channels for Podcast Recording and Live Streaming
The M6's included driver provides convenient loopback channels to your host computer, so you can easily capture your computer's output. Combine computer audio with live mics while recording in your DAW, allowing you to capture guests over Skype or other VoIP programs. You can also use the loopback function while streaming live to sites like Twitch.
Line Inputs and Line Outputs
In addition to the monitor outputs, the M6 offers two 1/4" line outputs. Use these outputs to feed outboard gear such as compressors, equalizers, stereo-width processors, or whatever else you have in your arsenal. Route audio out channels 3-4, through your favorite hardware pieces, and then back in through the two balanced 1/4" line inputs. This makes the unit suitable for hybrid mix engineers.
Low Latency
The M6 provides ultralow latency for monitoring live inputs through your computer, thanks to MOTU's expertly engineered USB drivers. These deliver 2.5 ms of roundtrip latency, measured with a 32-sample buffer at 96 kHz.
Hardware Monitoring and Input Mix Knob
The M6 gives you one-touch hardware monitoring for all inputs, including line inputs 3-4. You'll also note the mix knob for balancing live inputs with computer playback; this lets you secure your perfect monitor mix, so you can hear your playing without latency, along with playback tracks, all at the same time.
Integrates with MIDI Gear and Analog Synths
The M6 includes full-sized 5-pin DIN MIDI input and output ports, so you can connect a MIDI controller, a sound module, or even a keyboard workstation without having to get a separate MIDI interface. The four 1/4" outputs on the M6 are DC coupled, allowing you to send data from your DAW as control voltage (CV) to hardware analog synthesizers, Eurorack modules, and sequencers.
Audio Interface or Standalone Operation
With the included multiblade international DC power adapter, the M6 can be used as a standalone preamp and basic mixer with no host computer required. Simply engage the monitor button for all six inputs (and 48V phantom power, if needed) and adjust the preamp gain as needed. Connect the main outs to any line-level destination such as a PA or patch bay.
Software Included
The M6 includes Ableton Live Lite and MOTU Performer Lite, popular and capable DAWs geared for music recording and production. Also included are over 100 instruments for Performer Lite, as well as 6GB of loops, sounds, and one-shot samples for either DAW.
UPC: 839128006263
RODE NT1 Signature Series Large-Diaphragm Condenser Microphone (Black)

Sporting the same warm, silky sonic character that made the NT1 series a go-to studio workhorse for millions, the black NT1 Signature Series Studio Condenser Microphone from RODE is the latest edition of the iconic large-diaphragm mic. With an incredibly low self-noise of 4 dBA and a high SPL handling of 142 dB, the NT1 Signature Series is a versatile Swiss Army knife built to deliver a classic studio sound for a range of applications, from vocal and instrument recording to podcasting, content creation, and voice-over work.

The classic RODE HF6 1" true condenser capsule brings a smooth frequency response and high sensitivity to the table. The internal JFET impedance converter and bipolar output buffer help contribute to the low noise and clean sound. The cardioid pickup pattern helps you avoid unwanted sounds to the rear and sides, a vital feature for podcasting and content creation in untreated spaces. The finish is highly durable, resisting scuffs, scratches, and other physical blemishes that can plague well-used workhorse mics. The NT1 Signature Series includes a 20' XLR cable, an SM6 shockmount and pop filter, and a dust cover.

Internally Shock-Mounted HF6 Cardioid Condenser Capsule
  • Behind the protective mesh grille, the mic features Rode's 1" gold-sputtered HF6 capsule, designed to provide a detailed midrange response with smooth highs and warm bass
  • The cardioid polar pattern focuses audio capture on the source in front of the mic, picking up less unwanted ambient sound from the back and sides
  • The transducer itself is suspended inside the microphone, using Rycote's industry-leading Lyre system, minimizing external vibrations at the capsule level The capsule is then married to high-grade electronics that have been designed to provide an extremely low noise level. The NT1 Signature Series is an incredibly quiet microphone, measuring only 4 dBA of self-noise
  • The mic is powered by phantom power through the XLR connector
Bundled Accessories
  • The NT1 Signature Series is supplied with the SM6, a studio-grade suspension shockmount that provides isolation from external physical factors that may cause unwanted rumble and vibrations in the microphone
  • The SM6 includes a removable pop shield with two axes of adjustment and a telescopic arm for ultimate application versatility
  • The mic also comes with a balanced 20' XLR microphone cable
  • A dust cover is also supplied
UPC: 698813013982
Audio-Technica ATH-M40x Closed-Back Monitor Headphones (Black)

Merging acclaimed features of the M-Series headphones with a foldable, travel-friendly design, and one-ear monitoring capability, the black Audio-Technica ATH-M40x monitor headphones offer pro-grade build quality and audio performance for studio-based production, location recording, DJing, and daily listening. Outfitted with 40mm dynamic drivers and an over-ear, closed-back design, the ATH-M40x headphones deliver a flat, accurate response and wide bandwidth (15 Hz to 24 kHz) while isolating you from outside sounds.

Thanks to the 90° swiveling earcups, pro-quality materials, and generous cushioning on the headband and earpads, the headphones are both durable and comfortable to wear. Two detachable, single-sided cables—one coiled and one straight—are included for optimal operation in the studio or on the go. Each cable sports a gold-plated 3.5mm mini plug for use with mobile devices and computer soundcards, and a 1/4" screw-on adapter is included for easy hookup to audio interfaces, mixers, and stereo receivers. A carrying pouch is supplied with the ATH-M40x for convenient storage and transport of the headphones.

40mm Drivers
The ATH-M40x features 40mm dynamic drivers with rare earth (neodymium) magnets and CCAW (copper-clad aluminum wire) voice coils for high-quality sound reproduction.
Tuned for Flat, Accurate Response
The drivers and headphone design work together to provide a sonic signature tuned flat for accurate sound monitoring across the entire frequency range. With a frequency response of 15 Hz to 24 kHz, the ATH-M40x can reproduce a full spectrum of tones.
Over-Ear, Sound-Isolating Design
The ATH-M40x utilizes a circumaural design that contours around the ears for excellent sound isolation in loud environments. This over-ear, closed-back style is optimal for reducing bleed and separating you from outside sounds.
90° Swiveling Earcups and Foldable Design
Equipped with 90° swiveling earcups, the ATH-M40x ensures a great fit and allows effortless one-ear monitoring, a welcome benefit for DJs and singers. The earcups fold up to meet the headband, saving space during storage. A carrying pouch is supplied for protection and convenience while transporting the headphones.
Two Detachable Single-Sided Cables
To expand its versatility, the ATH-M40x incorporates a detachable cable design that exits from the left side. This enables convenient cable swapping and makes it easier to distinguish the different sides of the headphone. Two cables are included—a 3.9 to 9.8' coiled cable and a 9.8' straight cable.
3.5mm Plug and 1/4" Screw-On Adapter
The attached cable is terminated with a gold-plated 3.5mm TRS mini plug for easy hookup to mobile devices, MP3 players, and computer headphone jacks. A secure 1/4" screw-on adapter is included for compatibility connectivity with audio interfaces, mixers, and dedicated headphone amplifiers. Built-in strain relief on the 3.5mm mini plug reduces the likelihood of damaging the connection if the cable is pulled.
Pro-Grade Build Quality
Thanks to the pro-grade earpad and headband materials used in the ATH-M40x, the headphones provide increased durability and comfort while delivering enhanced audio and effective isolation.
UPC: 042005183531
Auray MS-5230F Tripod Microphone Stand with Fixed Boom

The Auray MS-5230F Tripod Microphone Stand with Fixed Boom features durable, steel construction. The 31.5" boom arm allows you to angle the mic however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and nonslip feet keep it firmly and sturdily in place. The Auray MS-5230F mic stand collapses for easy transport.

UPC: 847628015586
StarTech USB Type-C Male to USB Type-A Female Adapter Cable (6")

Convert your USB Type-C port into a USB Type-A port using this 6" USB Type-C Male to USB Type-A Female Adapter Cable from StarTech. This adapter allows you to use legacy USB Type-A cables or flash drives with your USB Type-C device. This USB 3.0 cable supports transfer rates up to 5 Gbps, making it up to 10x faster than USB 2.0, and is compatible with Thunderbolt 3 ports.

UPC: 065030860789
Auray RF-5P-R Five-Panel Reflection Filter (Black and Red, Plastic)

Great for recording in untreated rooms, the Auray RF-5P-R Five-Panel Reflection Filter isolates your microphone from its surrounding environment to minimize distracting noises and diffuse unwanted acoustic reflections. The five, multilayered panels with perforations and high-density acoustic foam combine to absorb ambient noise without adding coloration to your sound, enhancing the clarity and presence of your voice for professional-sounding podcasts, voiceovers, and vocal recordings at home or in the studio.

The RF-5P-R is compatible with most microphone stands and it has integrated feet for standalone desktop recording. A sliding bracket allows you to mount any condenser, dynamic, or USB microphone and easily adjust the depth of the mic's position inside the filter for precise placement. The panels are made of sturdy, yet lightweight plastic and fold up to a tight ring for convenient storage and travel.

Five-Panel Flexible Design
  • Five adjustable panels, each with a fold-down top panel enable you to configure the filter to meet your acoustic needs. Spread the panels to form a filter wall for miking speaker cabinets, or fold them to create a narrow, 300° enclosure for maximum isolation and dry, clean vocals.
  • The panels feature a stylish black finish with red accents.
Three-Layer Acoustic Isolation
The RF-5P-R filter offers three-layers of isolation that includes a high-density acoustic foam, a layer of acoustic fabric, and perforated screens.

  • The high-density acoustic foam absorbs acoustic reflections and minimizes room ambience.
  • The perforated screens diffuse sound as it passes through the shield, preventing sound reflections from bouncing off surfaces and back into the microphone.
Fold-Down Top Panels
  • The RF-5P-R is equipped with flip-down top panels that help minimize noise coming from above the microphone including overhead air ducts and fluorescent light fixtures.
Mic-Stand and Desktop Isolation
  • Built-in feet let you mount the RF-5P-R on a desktop for recording podcasts at home or in the office.
  • The 5/8"-27 thread enables you to mount the filter on a standard studio mic stand.
Adjustable Microphone Bracket
  • Whether you’re using a large-diaphragm studio condenser or a handheld dynamic mic, the sliding bracket lets you position your microphone inside the filter for the ideal isolation.
Recommended Accessories
  • Auray SHM-SCM1 suspension shockmount for large diaphragm condenser microphones
  • Auray Clamping Suspension Shockmount for side-address microphones
  • Auray Suspension Shockmount for broadcast, podcast, large-diaphragm condenser microphones
  • Auray MC-57DM Mic Clip for Shure SM57, SM58, and similar microphones
  • Auray MC-44WM Slide-In Mic Clip
UPC: 847628055827
Kit Contains:

MOTU M6 USB-C Audio/MIDI Interface

Key Specs
Channels of I/O
Analog:
6 Inputs / 4 Outputs
Maximum Sampling Rate
192 kHz / 24-Bit
Number of Microphone Inputs
4
Analog Audio I/O
4x Combo XLR-1/4" TRS Mic/Line/Hi-Z Input
2x 1/4" TRS Line Input
4x 1/4" TRS Line Output
2x 1/4" TRS Headphone Output
Digital Audio I/O
No
Host Connection
1x USB-C
Power Requirements
AC/DC Power Adapter (Included)
General
Display
1x Color LCD
Channels of I/O
Analog:
6 Inputs / 4 Outputs
Built-In DSP
No
Maximum Sampling Rate
192 kHz / 24-Bit
Number of Microphone Inputs
4
Built-In Microphone
No
Input Level Adjustment
4x Knob
Signal Processing
Pad
No
Gain/Trim Range
Mic Inputs:
0 dB to +60 dB
Line/Hi-Z Inputs:
0 dB to +57 dB
High-Pass Filter
No
Solo/Mute
No
Connectivity
Analog Audio I/O
4x Combo XLR-1/4" TRS Balanced/Unbalanced Mic/Line/Hi-Z Input
2x 1/4" TRS Balanced Line Input
4x 1/4" TRS Balanced Line Output
2x 1/4" TRS Unbalanced Headphone Output
Phantom Power
48 V, Selectable On/Off (Selectable on Individual Inputs)
Digital Audio I/O
No
Host Connection / USB
1x USB-C
Host Connection Protocol
USB 2.0
USB (Non-Host)
No
Sync I/O
No
Network I/O
No
MIDI I/O
1x DIN 5-Pin Input
1x DIN 5-Pin Output
Expansion Slots
No
Wireless
No
Performance
Frequency Response
Mic Inputs:
20 Hz to 20 kHz +0/-0.1 dB
Line, Hi-Z Inputs:
20 Hz to 20 kHz ±0.15 dB
Line Inputs:
20 Hz to 20 kHz ±0.07 dB
Line Outputs:
20 Hz to 20 kHz +0/-0.1 dB
Maximum Input Level
Mic Inputs:
+10 dBu (Max Level In)
Line Inputs:
+16 dBu (Max Level In)
Maximum Output Level
Line Outputs:
+18 dBu (Balanced)
Line Outputs:
+16 dBu (Unbalanced)
Headphone Outputs:
+12.5 dBu
Impedance
Mic Inputs:
2.65 Kilohms
Line Inputs:
2 Megohms
Line Outputs:
100 Ohms
Hi-Z Inputs:
1 Megohm
Dynamic Range
Line Inputs:
114 dBA
Mic Inputs:
115 dBA
Headphone Outputs:
115 dBA
Line/Monitor Outputs:
120 dBA
THD+N
Mic Inputs:
-97 dB
Line Inputs:
< -100 dB / < 0.001% (@ 14 dBu)
Line/Monitor Outputs:
< -110 dB / < 0.00032% (@ -1 dBFS, Unweighted, 1 kHz)
Headphone Outputs:
< -110 dB
EIN
Mic Inputs:
-129 dBu A-Weighted (@ Max Gain, 150 Ohms)
Digital Audio
Sample Rates
Up to 192 kHz
Sample Rate Conversion
No
Bit Depths
24-Bit
Latency
Zero-Latency Direct Monitoring2.5 ms at 96 kHz (Dependent on Buffer Size, Input to Output)
Sync Sources
Internal
Audio Storage & Playback
Media/Memory Card Slot
No
Compatibility
OS Compatibility
macOS 10.11 or Later / macOS 10.13 or Later / Windows 10 or Later
Processor Requirement
Mac:
1 GHz Intel Core i3 (64-Bit)
PC:
1 GHz Intel Pentium
RAM Requirements
2 GB, 4 GB Recommended
Storage Requirements
500 GB
Required Hardware
Available USB 2.0 Port
USB Cable (Included)
Power
Power Requirements
AC/DC Power Adapter (Included)
Physical
Dimensions
9.21 x 4.75 x 1.8" / 23.39 x 12.06 x 4.6 cm (Chassis Only)
Weight
2.2 lb / 1.0 kg
Packaging Info
Package Weight
3.21 lb
Box Dimensions (LxWxH)
13.9 x 7.8 x 3.2"

MOTU M6 Reviews

See any errors on this page?

Are there separate buses for the two headphone ...

Are there separate buses for the two headphone amps, or do they share buses with the line outs?
Asked by: Warren
The Headphone outs on the MOTU M6 USB-C Audio/Midi Interface are mirroring the Line Outs (1/2 and 3/4). You can toggle between monitoring line out 1/2 or 3/4.
Answered by: Alex D
Date published: 2024-11-09

I have 250ohm headphones, can this unit power a ...

I have 250ohm headphones, can this unit power a pair of them?
Asked by: Paul
Thanks Roman! I've attached a 250ohm and another 250ohm and it worked nicely.
Answered by: Paul
Date published: 2025-11-30

It appears that the Monitor 1/2 and Line 1/2 both ...

It appears that the Monitor 1/2 and Line 1/2 both only output Channels 1 and 2. Is that correct? Can Channels 3/4 be outputted
Asked by: James
Both the Monitor 1 and 2, and Line Out 3 and 4 connectors on the MOTU M6 USB-C Audio/MIDI Interface can be used for connecting monitor speakers or sending line level output to another destination, carrying the output signal from all four input channels. Additionally, the Monitor 1 and 2 outputs are labeled as "A" to use for primary monitor speakers, while the Line Out 3 and 4 connectors are labeled as "B" to use for a secondary pair of monitor speakers.
Answered by: Lisa S
Date published: 2024-11-09

Can I connect this to an M2 mac mini using ...

Can I connect this to an M2 mac mini using thunderbolt 4??
Asked by: Michael
The MOTU M6 USB-C Audio/MIDI Interface uses a USB-C connection, so it is compatible with both Thunderbolt 3 and 4.
Answered by: Calvin M
Date published: 2024-11-09

Can this be used as a decent field ...

Can this be used as a decent field mixer/recorder? Given the rear XLR's and USB, it seems to have potential!
Asked by: Echo
Regarding the DC power issue in BHs response to your question, in some cases the M6 (and the M2 and M4) can be powered via USB. The following is copied from the user manual: When the M6 is connected to a USB-C host computer or iPad, it can be powered by its USB connection to the host. When connected to a USB-A host computer, youll need to connect the DC power adapter to supply enough power.
Answered by: eric
Date published: 2023-06-01
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