An Auto Gain button sets the perfect gain level for your microphones and instruments, hassle-free. You also get two reamp outputs, so you can send audio from your DAW and experiment with amps and effects to sculpt your sounds. A built-in DSP monitor mixer plus loopback audio make creating monitor and streaming mixes quick and easy. Route an external A/D converter into the ADAT I/Os to record and playback up to 16 more channels of audio. You can even utilize the Universal control app to record straight to your mobile device or remotely control the Quantum HD 8. Professional recording software is included to get your productions started right away.
- Presonus' custom low-latency driver provides exceptionally low audio latencies when recording.
- High-performance converters with 124 dB dynamic range let you hear and capture audio with stunning clarity and fidelity.
- The Quantum HD 8 features eight all-new, next-generation PreSonus MAX-HD preamps, which provide transparency and accuracy across the frequency range with +75 dB of gain to maximize the performance of today’s most popular microphones for modern recording and broadcast.
- These proprietary high-definition MAX-HD preamps are transparent, low-noise, and can be digitally controlled from the Studio One DAW or the Universal Control app.
- Discreet phantom power means consistent full power for microphones that require it, so you’ll get the most from your high-performance studio microphones.
- Built by the best ears in the business, guitarists and bassists will love the Hi-Z instrument inputs, codeveloped with Fender engineers—industry experts who designed them specifically for guitar and bass.
- 2 reamp outputs let you send audio from your DAW to your favorite outboard gear or guitar and bass amp and record it again, so you can experiment with different amps, pedals, and mic placement to get the exact sound you want without cutting multiple takes.
- An Auto Gain button sets the perfect gain level for your microphones and instruments, so you get the perfect take every time.
- 2 balanced 1/4" TRS main outputs plus 8 balanced 1/4" TRS line outputs, and 2 high-power headphone outputs give you flexible monitoring, while built-in speaker switching allows you to check your mix on multiple sets of studio monitors.
- 16 channels of ADAT Optical input (up to 48 kHz) plus stereo S/PDIF I/O make connecting your digital gear fast and easy.
- Quantum works on any mobile or desktop device, so you’re ready to record whenever inspiration strikes—whether on your phone, tablet, or in your home studio.
- Control your Quantum HD 8 right from Studio One and the Universal Control app—in addition to hardware. You can adjust preamp gain, toggle phantom power, channel settings, and more without looking away from your recording session. Perfect for dialing in optimal gain staging.
- A full-color, high-resolution display lets you keep an eye on your input and output meters, while an illuminated push encoder provides fast, intuitive control over channel and output settings.
- Leap into 12 months of Studio One+ add-ons, exclusive content, and tools, plus a perpetual license to Studio One Professional Edition.
- 26x30, 32-bit / 192 kHz USB-C desktop audio interface
- Record on desktop, laptop, phone, tablet
- 2 1/4" Hi-Z instrument inputs co-developed with Fender engineers
- 8 balanced combo XLR-1/4"mic/line inputs
- High-performance converters with 124 dB dynamic range
- Custom, low-latency driver provides exceptionally low audio latencies
- 8 next-generation PreSonus MAX-HD preamps, +75 dB of gain
- Switchable +48V phantom power
- 2 1/4" reamp outputs
- 2 balanced 1/4" TRS main outputs, 8 balanced 1/4" TRS line outputs
- 2 high-power headphone outputs
- 16 channels of ADAT I/O (up to 48 kHz)
- Stereo S/PDIF I/O
- Auto gain
- DSP monitor mixer plus loopback audio
- Full-color, high-resolution display
- Control settings via Universal Control app
- Includes Studio One Pro, Studio One+ software
The versatile AKG C214 Large-Diaphragm Condenser Microphone is designed to record lead vocals, drums, acoustic instruments, and guitar amplifiers in the studio, on stage, or in broadcasting situations. Conceived as a cost-effective alternative to the renowned C414 microphone, this microphone uses the same 1" capsule but in a single-diaphragm, cardioid-only configuration. The transducer features technology that allows the membrane to vibrate freely, resulting in a wide frequency range and detailed transients, even at high sound-pressure levels.
With the additions of a switchable -20 dB pad and a 160 Hz low-cut filter, the C214 is well suited for close-miking applications as well as overhead placement. The C214 is a rugged microphone built to withstand the severities of professional studios or the road. The integrated capsule suspension helps reduce mechanical noise and resonance for a cleaner sound. The die-cast metal body with shock- and scratch-resistant finish features a double-mesh grille which protects the capsule and ensures efficient rejection of RF interference without affecting acoustics. The C214 comes with a metal carrying case, a foam windscreen, and a spider-type shockmount.
The C214 is designed as a cost-effective alternative to the high-end, industry-leading C414 family. This microphone uses the same 1" dual-capsule as the legendary C414 in a single-diaphragm, cardioid-only design, giving it performance close to that of the C414.
- Cost-effective alternative to the C414 family
- Same capsule as C414 B-XLS in a single-diaphragm, cardioid-only design
- Cardioid polar pattern reduces pickup of stage bleed and room ambience
- 143 dB dynamic range (pad on)
- 156 dB maximum SPL (pad on)
- Switchable -20 dB pad and 160 Hz low-cut filter
- Integrated capsule suspension to reduce mechanical noise
- Rugged double-mesh grille for RF immunity but unaffected acoustics
- Operates on 48V phantom power (accepts 12 to 52 VDC phantom power)
- Spider-type shockmount and metal carrying case included
- All-metal die-cast body with shock- and scratch-resistant finish
- Designed, engineered, and built in Vienna, Austria
The Enova NXT True Mold XLR Microphone Cable (16.4') is a flexible and reliable cable built for connecting mics to mixers, preamps, audio interfaces, and recorders. True Mold technology fully integrates the cable and connectors, providing strain relief that withstands a higher force than conventionally manufactured XLR cables to ensure outstanding strength and durability that stands up to the rigors of live stage and studio applications. This is a weather and Moisture Resistant Cable.
Enova True Mold cables are made from 24 AWG wire with a 98% copper spiral outer shield that makes the cable resistant to EMI and RFI noise. The Swiss-made EnovaNxt connectors are gold-plated to provide a high level of connectivity, and all the solder connections are protected by heat-shrink tubes. The modern and slick design of the body allows for enhanced handling and the tapered design puts an end to drooping cables.
Placed in front of your favorite vocal mic, the 512-Pop Microphone Pop Filter from 512 AUDIO delivers improved recording quality for any mic by reducing commonly problematic sounds from strong p and f consonants, making it a welcome accessory for recording podcasts, voiceovers, and vocal performances.
Its metal mesh design is visually pleasing and sonically effective while being easier to clean and more rugged than traditional nylon pop filters. Via the adjustable swivel C-clamp, the 512-Pop securely attaches to any boom arm or mic stand. The inclusion of a flexible and sturdy gooseneck ensures problem-free positioning of the pop filter.
Updated with a brand new look, the Shure SRH440A closed-back, over-ear studio headphones provide high-quality audio reproduction and effective noise isolation for home recording, studio monitoring, and DJ mixing. Lightweight and sturdy, the headphones can also fold down for easy storage and transportation in the included carrying bag.
The SRH440A have large 40mm drivers that deliver clear, detailed audio with a wide frequency response of 10 Hz to 22 kHz. The closed-back, circumaural design helps reduce ambient noise, and the thick replaceable earpads yield long-lasting comfort. The headband is adjustable and generously cushioned to ensure a pleasing fit on a range of head sizes.
The coiled, single-sided cable allows a variable amount of slack, resists tangles, and can be detached for easy replacement. It has a bayonet clip to keep it securely attached to the earcup. The gold-plated 3.5mm TRS mini plug and 1/4" adapter enable compatibility with MP3 players and mobile devices as well as DJ mixers and audio interfaces.
The Auray MS-5230F Tripod Microphone Stand with Fixed Boom features durable, steel construction. The 31.5" boom arm allows you to angle the mic however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and nonslip feet keep it firmly and sturdily in place. The Auray MS-5230F mic stand collapses for easy transport.