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Sony FX2 Digital Cinema Camera with XLR Handle Unit and 24-50mm f/2.8 Lens Kit

BH #SOFX2XLR24LK (B&H Kit)
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Sony FX2 Digital Cinema Camera with XLR Handle Unit and 24-50mm f/2.8 Lens Kit
90-Second Intro
Key Features
  • 33MP Full-Frame CMOS Exmor R Sensor
  • 4K up to 60 fps | 1080p up to 120 fps
  • 33MP Stills in S-Log3 at 800/4000 ISO
  • AI-Powered Auto Focus & Framing
Ideal for on-the-go photographers, videographers, and content creators, the Sony FX2 Digital Cinema Camera with XLR Handle Unit and 24-50mm f/2.8 Lens Kit from B&H bundles the full-frame hybrid camera with the FE 24-50mm f/2.8 G midrange zoom lens and an XLR-H1 handle unit, delivering AI-powered image-capturing technology in a portable form factor.
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Kit Contains:
Sony FX2 Digital Cinema Camera
Cinematic Video Meets Advanced Photo Capture
Equipped with a 33MP full-frame sensor, the AI-powered Sony FX2 combines the comprehensive video capabilities of the Cinema Line with enhanced still image capturing in a compact, travel-friendly form factor. Ideal for on-the-go filmmakers and content creators, the FX2 features an S-Log3 photo mode with optional LUT application, and it sports a 3.68m-dot OLED viewfinder that tilts from 0 to 90°. Its AI processing unit provides active image stabilization and real-time subject recognition, allowing for maximizing the accuracy of autofocus and framing.
33MP Exmor R BSI CMOS Sensor
Pairing its 33MP back-illuminated Exmor R sensor with a BIONZ XR processor, the FX2 captures vivid 4K video with natural gradations, realistic color, and low noise in both full-frame and Super 35 modes, providing wide lens compatibility without sacrificing resolution. In full-frame mode, the FX2 records 4K30 video with 7K oversampling and full pixel readout for exceptional sharpness and realism. Maximum frame rate at 4K resolution increases to 60 fps when shooting in Super 35 mode. Designed to tackle diverse lighting scenarios, the FX2 features a dynamic range greater than 15 stops, an ISO expandable up to 204800, and updated dual-base ISO technology for capturing footage in S-log3 at 800 or 4000 ISO.
DCI 4K Video Recording
Designed for flexibility, the FX2 shoots DCI 4K footage internally with 10-bit 4:2:2 sampling or outputs 16-bit raw video via an HDMI connection. Capture video in XAVS S, S-I, and HS recording formats in Long GOP, All-Intra, H.264, and H.265 codecs. Color and tone reproduction can be tailored with precision using up to 16 user-imported LUTs or S-Cinematone mode for matching VENICE, FX9, FX6, FX3, and other camera sources. The FX2 features an intuitive Variable FPS setting for creating time-lapses and slow-motion video, and it can de-squeeze 1.3 and 2.0x anamorphic footage, all in-camera.
Hybrid Still Image Capture
The FX2 brings the versatility of a hybrid camera to the Cinema Line, improving still-image capture and adding features such as Log shooting and user-LUT application.

  • Built-in toggle to switch from movie to still mode
  • Shoot 33MP JPG or HEIF images in S-Log3 for streamlined color grading
  • Capture photos from shot marks during internal video recording or playback
  • Apply previously imported user LUTs to captured still images
  • Flex or base ISO settings and S-Gamut3 or S-Gamut3.Cine color spaces
AI Subject Recognition
The FX2's AI processing unit delivers multiple improvements in autofocus, auto framing, and stabilization using deep learning. Analyzing colors, patterns, and depth, the processor maintains sharp focus with real-time subject recognition, identifying people, animals, and vehicles. Human and animal eye recognition is improved by 30% compared to the FX3 and FX30, making the FX2 ideal for fast-paced shooting scenarios, such as capturing wildlife and sporting events. This advanced tracking ability also allows for precise auto framing, adjusting the recorded composition to keep a subject center-frame.
Comprehensive Stabilization
Combining in-body optical image stabilization with AI processing power and E-mount lens metadata for post-production, the FX2 offers an array of ways to eliminate camera shake during handheld shooting.

  • 5-axis in-body optical image stabilization
  • Dynamic Active Mode for stable handheld shooting
  • Framing stabilizer uses advanced AI
  • Shake metadata is embedded into footage for post-production
Improved Accessibility
Inheriting the BIG6 home screen from high-end CineAlta cameras such as the VENICE, the FX2 allows easy adjustments to FPS, ISO, shutter angle, aperture, look, and white balance when set in Movie Mode. The 3" fold-out touchscreen LCD provides intuitive menu navigation and sports a tiltable design and 1.03m-dot resolution. Unique to the FX2 is a built-in 3.68m-dot OLED electronic viewfinder with a 0.7x maximum magnification. Tilting from 0 to 90°, the EVF has a reversible rubber eyecup and 33mm eye point, allowing pinpoint framing in extreme lighting conditions.
Connectivity & Compatibility
The FX2 features expansive connectivity, with multiple options for power input, internal video recording, data output, and both wireless and USB streaming.

  • USB-C port for PD fast charging or LAN link using a gigabit Ethernet adapter
  • Stream at 2.4/5 GHz over Wi-Fi, or 5 GB/s via USB-C connection
  • One CFexpress Type A/SDXC card slot, one SD card slot, and one HDMI port
  • Multi-interface hot shoe, micro-USB port, and 3.5mm mic and headphone jacks
  • Compatible with XLR-H1 Handle Unit for expanded control and audio options
Ergonomic Design
Built from lightweight, sturdy Magnesium alloy, the FX2 has an updated heat-dissipating structure and built-in cooling fan, ensuring uninterrupted 4K60 recording. The improved handgrip holds a single 16.4Wh NP-FZ100 battery and sports one of the camera's five 1/4"-20 female threads—three for accessories and two for mounting plates. Several functions have dedicated controls, including the power switch, record button, movie/still switch, zoom lever, playback button, and control dials, while seven other buttons serve user-assignable functions.
Improved FX2 Attributes
  • Full-frame, back-illuminated 33MP effective Exmor R CMOS sensor
  • Shoot still images in S-Log3 for flexible color grading in post-production
  • AI-powered AF, framing, and active dynamic image stabilization
  • 7K oversampling in full-frame mode and 4K resolution in Super 35 mode
  • Dual-base 800/4000 ISO during S-Log3 shooting
  • Extract stills during video recording or playback and apply user LUTs
  • 3.68m-dot 0.7x OLED electronic viewfinder with 0 to 90° tilt
Common FX2/FX3 Attributes
  • 10-bit 4:2:2 internal recording or 16-bit raw output via HDMI
  • S-Cinetone, S-Log3, HLG, and Rec. 709 gamma options
  • BIONZ XR processing engine
  • A dynamic range of 15+ stops
  • Compact design for cage-free operation
UPC: 027242932234
Sony XLR-H1 XLR Handle Unit

Add two XLR inputs and enjoy more ergonomic handling of your FX3, FX30, or FX2 with the Sony XLR-H1 XLR Handle Unit. It has two combo XLR-1/4" inputs along with a 3.5mm mic input. For easier operation, the handle has physical controls and dials located on the side with covers to prevent against accidental changes in the middle of a take.

There is a microphone holder that can be used to mount a shotgun microphone to your system. It securely mounts to the camera's Multi Interface Shoe with two screws. Additionally, there are three 1/4"-20 accessory mounting threads.

Compatibility
  • Sony FX3
  • Sony FX30
  • Sony FX2
UPC: 027242927841
Sony FE 24-50mm f/2.8 G Lens (Sony E)
A Portable, High-Quality Mid-Range Zoom Lens
Bringing a bright, wide maximum aperture to an easy-to-carry form factor, the Sony FE 24-50mm f/2.8 G Lens is a versatile mid-range zoom lens built for everyday mobility. The lens's outstanding image quality benefits both stills and video shooters, yielding high resolution and smooth bokeh.
Image Quality and Optical Design
Featuring 16 elements in 13 groups, this zoom's optics have been optimized to provide greater resolution, clarity, and bokeh quality.
  • Bright f/2.8 constant aperture allows users to capture images in dim lighting conditions and with a shallow depth of field. Combined with its 11-blade circular aperture, the lens yields a large and smooth bokeh.
  • Four aspherical elements help minimize spherical aberrations, distortion, and also reduce 'onion ring' bokeh, while two extra-low dispersion elements effectively suppress chromatic aberrations and color fringing for greater clarity and color fidelity.
  • The lens boasts strong close-up performance thanks to a minimum focusing distance of 7.1" and a maximum magnification of 0.33x.
  • Autofocus
    Faster focusing performance, improved close-up shooting, and enhanced control are all benefits of the redesigned focusing system.
    • The autofocus system's linear motors contribute to improved focusing performance, resulting in a faster, quieter, and more precise AF ideal for both video and stills.
    • Faster AF means improved focusing when working with fast-moving subjects; support is available for shooting at up to 120 fps with the Sony a9 III, full AF is maintained even when shooting stopped down, and focus tracking is possible even when in shooting slow motion 4K 120p and Full HD 240p.
    Improved Control and Video Capabilities
    Just as camera design has grown to appeal to both photo and video shooters, this lens has also been updated with attributes that specifically appeal to the needs of video shooters.
    • The lens supports Dynamic/Active Mode image stabilization in compatible cameras.
    • Supports the Breathing Compensation function in select cine-line and Alpha cameras.
    • Manual aperture ring can be de-clicked for silent operation, and the zoom smoothness can be adjusted depending on the desired torque.
    Compact, Lightweight, and Robust Design
    Bringing a bright, f/2.8 maximum aperture to a compact and lightweight optic, the lens is primed for a broad spectrum of use cases and remains a weather-sealed, durable lens for use in trying working conditions.
    • Fit with a manual aperture ring, tactile exposure control is possible. This ring can be de-clicked for smooth and silent iris pulls, or it can be locked in the 'A' position for camera-based aperture switching.
    • One programmable focus hold button and a focus mode switch for intuitive focus control.
    • Dust- and moisture-resistant design for use when working in inclement weather conditions. The front lens element has a fluorine coating that repels water, oil, and other contaminants and makes the lens easier to clean.
    • Included lens hood has been redesigned to complement the lens's sleek design by reducing both its diameter and length.
    UPC: 027242925151
    Kit Contains:

    Sony FX2 Digital Cinema Camera

    Key Specs
    Lens Mount
    Sony E
    Image Sensor
    Full-Frame
    Effective Sensor Resolution
    33 Megapixel
    Image Stabilization
    Sensor-Shift
    ISO/Gain Sensitivity
    Photo
    Dual Base: 800 / 4000
    Native: 100 to 51,200 (50 to 204,800 Extended)
    Video
    Dual Base: 800 / 4000
    Native: 100 to 51,200 (100 to 102,400 Extended)
    Max Recording Modes
    H.264 ALL-Intra/H.264 Long GOP/MPEG-4 AVC/XAVC S-I 4:2:2 10-Bit
    Up to DCI 4K at 23.98/24.00/25/29.97/50/59.94 fps
    H.264 ALL-Intra/H.264 Long GOP/MPEG-4 AVC/XAVC S 4:2:2 10-Bit
    Up to UHD 4K at 23.98/25/29.97/50/59.94 fps
    H.264 ALL-Intra/H.264 Long GOP/MPEG-4 AVC/XAVC S 4:2:0 8-Bit
    Up to UHD 4K at 23.98/25/29.97/50/59.94 fps
    H.265 ALL-Intra/H.265 Long GOP/XAVC HS 4:2:2 10-Bit
    UHD 4K at 23.98/50/59.94 fps
    H.265 ALL-Intra/H.265 Long GOP/XAVC HS 4:2:0 8-Bit
    UHD 4K at 23.98/50/59.94 fps
    Max Video Output
    4:2:2 8/10-Bit
    Up to DCI 4K at 23.98/24.00/25/29.97/50/59.94 fps
    Raw 16-Bit
    4.6K at 23.98/24.00/25/29.97/50/59.94 fps
    Media/Memory Card Slot
    Slot 1: CFexpress Type A / SDXC (UHS-II)
    Slot 2: SD/SDHC/SDXC (UHS-II)
    Video I/O
    HDMI / USB-C
    Mobile App Compatible
    Yes: Android & iOS
    Battery
    NP-FZ100
    Imaging
    Lens Mount
    Sony E
    Lens Communication
    Yes: with Autofocus Support
    Image Sensor
    35.9 x 23.9 mm (Full-Frame) CMOS
    Effective Sensor Resolution
    Effective: 33 Megapixel
    Actual: 34.1 Megapixel
    Image Stabilization
    Sensor-Shift, 5-Axis
    Internal Filter Holder
    No
    Capture Type
    Stills & Video
    Exposure Control
    Shutter Type
    Mechanical Focal Plane Shutter and Electronic Rolling Shutter
    Shutter Speed
    1/8000 to 30 Seconds
    1/8000 to 1 Second in Movie Mode
    ISO/Gain Sensitivity
    Photo
    Dual Base: 800 / 4000
    Native: 100 to 51,200 (50 to 204,800 Extended)

    Video
    Dual Base: 800 / 4000
    Native: 100 to 51,200 (100 to 102,400 Extended)
    Advertised Dynamic Range
    15 Stops
    White Balance
    Range: 2500 to 9900K
    Focus
    Focus Mode
    Continuous-Servo AF, Automatic, Touch AF & Shutter, Manual Focus
    Autofocus Points
    Photo
    Phase Detection: 759
    Video
    Phase Detection: 627
    Autofocus Sensitivity
    4 to +20 EV
    Video Capture
    Internal Recording
    H.264 ALL-Intra/H.264 Long GOP/MPEG-4 AVC/XAVC S-I 4:2:2 10-Bit
    4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps (240 to 600 Mb/s)
    3840 x 2160 at 23.98/25/29.97/50/59.94 fps (240 to 600 Mb/s)
    1920 x 1920 at 23.98/25/29.97/50/59.94 fps (89 to 222 Mb/s)
    *Sensor Crops During Recording

    H.264 ALL-Intra/H.264 Long GOP/MPEG-4 AVC/XAVC S 4:2:2 10-Bit
    3840 x 2160 at 23.98/25/29.97/50/59.94 fps (100 to 200 Mb/s)
    1920 x 1920 at 23.98/25/29.97/50/59.94 fps (50 Mb/s)

    H.264 ALL-Intra/H.264 Long GOP/MPEG-4 AVC/XAVC S 4:2:0 8-Bit
    3840 x 2160 at 23.98/25/29.97/50/59.94 fps (60 to 100 Mb/s)
    1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps (16 to 100 Mb/s)

    H.265 ALL-Intra/H.265 Long GOP/XAVC HS 4:2:2 10-Bit
    3840 x 2160 at 23.98/50/59.94 fps (50 to 200 Mb/s)

    H.265 ALL-Intra/H.265 Long GOP/XAVC HS 4:2:0 8-Bit
    3840 x 2160 at 23.98/50/59.94 fps (30 to 150 Mb/s)
    Video Output
    4:2:2 8/10-Bit
    4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
    3840 x 2160 at 23.98/25/29.97/50/59.94 fps
    1920 x 1080 at 29.97/50/59.94 fps

    Raw 16-Bit
    4672 x 2628 at 23.98/24.00/25/29.97/50/59.94 fps
    Fast-/Slow-Motion Support
    Yes
    Gamma Curve
    Sony S-Log 3, HDR-HLG, S Cinetone, Standard, Rec709
    Built-In Microphone
    Stereo
    Audio Recording
    4-Channel at 48 kHz via LPCM Audio
    IP Streaming
    RTMP, RTMPS, SRT
    1280 x 720 to 3840 x 2160 at 50p, 59.94p, 25p, 29.97p
    Interface
    Media/Memory Card Slot
    Slot 1: CFexpress Type A / SDXC (UHS-II)
    Slot 2: SD/SDHC/SDXC (UHS-II)
    Internal Storage
    No
    Video I/O
    1x HDMI Output
    1x USB-C 3.0 / 3.1/3.2 Gen 1 Output
    Audio I/O
    1x 1/8" / 3.5 mm TRS Stereo Microphone Input
    1x 1/8" / 3.5 mm TRS Stereo Headphone Output
    Power I/O
    1x USB-C Input
    Other I/O
    1x Micro-USB
    Wireless
    802.11a/b/g Wi-Fi / Bluetooth 5.0
    Mobile App Compatible
    Yes: Android & iOS
    App Name: Sony | Creators' App
    Global Positioning (GPS, GLONASS, etc.)
    No
    Monitor
    Display Type
    Primary Monitor: 180° Tilting 3" Touchscreen LCD
    Viewfinder
    Type
    Electronic (OLED)
    Resolution
    3,686,400 Dot
    Power
    Battery
    NP-FZ100
    Power Consumption
    ≤6.6 W
    Environmental
    Operating Conditions
    32 to 104°F / 0 to 40°C
    Storage Conditions
    -4 to 131°F / -20 to 55°C
    General
    Shoe Mount
    1x Intelligent Hot Shoe
    Tripod Mount
    2x 1/4"-20 Female (Bottom)
    Accessory Mounting Thread
    3x 1/4"-20 on Camera Body
    Materials
    Magnesium Alloy
    Dimensions (W x H x D)
    5.1 x 4.1 x 3.1" / 129.7 x 103.7 x 77.8 mm
    Weight
    1.3 lb / 594 g (Body Only)
    1.5 lb / 679 g (With Recording Media, Battery)
    Packaging Info
    Package Weight
    2.03 lb
    Box Dimensions (LxWxH)
    7.5 x 6.4 x 4.8"

    Sony FX2 E Mount Reviews

    The best Hybrid photo/video camera

    By Spencer
    Rated 5 out of 5
    Date: 2026-02-16

    This is the hybrid camera I always dreamed of. I own an fx6 and bought a a7rV for photo and to use as a b cam for video, but found the A7rV was overkill for my photo needs and underwhelming in video. The fx2 solves this. Video on par with fx6....it looks great, AI autofocus is better, and the OLPF is a great add that is missing in the other a7 cameras. The IO is awesome and I love the dual base iso of 4,000. 12,800 always felt to much on the fx3 so this is the perfect sweet spot for me. On the photo side I was afraid I might miss the 62MP of the a7rV but 33 is plent for my need. Still room to crop, but not massive files! I am now running 2 of these and use them more than anything else. I'll also add that I love the EVF. I think this was a missundersood camera when it came out...but its perfect for my needs

    Perfect for my kit

    By Eric
    Rated 5 out of 5
    Date: 2026-01-07

    Love this camera. Upgraded from an a7iii. Needed those newer features, uninterrupted recording, etc. No regrets. Currently have an FX30 and this pairs perfectly with it in my multicam live streaming/event work. Right now the FX2 is an A-cam but it will probably become a go-to B-cam dedicated to tripod work as I fill out my kit with an FX3 or FX6 (or both). I appreciate the body is video-centric with the fan and overall layout but that it still has the EVF for still photography when I need it. I do mostly event work and it's already been clutch when my a7iii just wasn't serving me ideally with the lens options I have and use cases of long recording times, etc.

    See any errors on this page?

    Can this shoot live for imag?

    Can this shoot live for imag?
    Asked by: avclub
    Yes, the Sony FX2 Digital Cinema Camera can output video via HDMI whether recording or not.
    Answered by: John W
    Date published: 2025-11-05

    What is the bit depth of photos when shooting ...

    What is the bit depth of photos when shooting continuous hi+ with mechanical shutter?
    Asked by: Jonas
    The photo bit depth of the Sony FX2 Digital Cinema Camera would be 14-bit uncompressed and 12-bit compressed.
    Answered by: John W
    Date published: 2025-12-30

    Can the BlackMagic Assist be used to record BRaw ...

    Can the BlackMagic Assist be used to record BRaw from the FX2?
    Asked by: s
    No, the Sony FX2 Digital Cinema Camera does not produce BRAW into the Blackmagic Design Video Assist monitors.
    Answered by: Jonathan S
    Date published: 2025-06-04

    Does the FX2 have an optical low-pass filter?

    Does the FX2 have an optical low-pass filter?
    Asked by: brian
    Yes, the Sony FX2 Digital Cinema Camera comes equipped with an OLPF.
    Answered by: Jonathan S
    Date published: 2026-03-12

    Can this use the same audio handle as the FX3?

    Can this use the same audio handle as the FX3?
    Asked by: Joe
    Yes, the Sony XLR-H1 XLR Handle Unit (B&H # SOXLRH1) can be used on the Sony FX2 Digital Cinema Camera as well.
    Answered by: Marvin C
    Date published: 2025-06-10

    I'm reading mixed things in the ANSWERS, some say ...

    I'm reading mixed things in the ANSWERS, some say FX2 CANNOT import LUTs and others say, you CAN import a False Color LUT. True?
    Asked by: s
    Yes, the Sony FX2 Digital Cinema Camera can import a 32x32x32 cube LUT.
    Answered by: Jonathan S
    Date published: 2025-06-04

    During USB livestreaming, can the camera send ...

    During USB livestreaming, can the camera send SLOG3 signal with a user LUT applied?
    Asked by: jeffrey
    can you say more about what camera settings and output methods mean? Can the LUT be applied to SLOG3 over USB-C live streaming? Seems like yes or no!
    Answered by: jeffrey
    Date published: 2025-07-01

    Does the FX2 have an intervalometer?

    Does the FX2 have an intervalometer?
    Asked by: James
    Yes, the Sony FX2 Digital Cinema Camera has a time-lapse/intervalometer shooting function. Sony calls this the Interval Shoot Function. Manual: https://bhpho.to/3Jez7I1
    Answered by: Chris H
    Date published: 2025-08-14
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