From Manufacturer
Get started mixing music right away with this B&H Kit that combines a RME Fireface UCX II USB/MIDI Audio Interface with two studio monitor speakers, two balanced 1/4" TRS to XLR cables, and two isolation pads designed to reduce vibration transfer from your speakers for clearer, distortion-free audio reproduction.
Compact, portable, and packed with features from their premier interfaces, the RME Fireface UCX II is a desktop 20x20 USB audio/MIDI interface that effectively serves as a mobile version of RME's respected UFX rackmount models, earning it the flexibility to benefit musicians, content creators, and serious engineers alike. Not only is it a capable interface with plenty of analog and digital I/O for your DAW-based productions, but it also supports powerful remote-control options and standalone operation to accommodate a myriad of workflows and recording scenarios. Additionally, it can record all I/O channels directly to USB flash storage thanks to the internal DURec digital recorder.
Since it has eight analog inputs—two high-gain mic/line preamps, two line / Hi-Z inputs, and four rear-panel line inputs, the Fireface UCX II can easily handle dynamic and condenser mics, electric instruments, and professional line-level devices. With six balanced TRS line outputs and a stereo headphone jack, it has no problem feeding monitors, headphones, and even CV/gate inputs on synth gear. Reference-class clocking and compliance with resolutions up to 24-bit / 192 kHz enable the interface to perform at its best, and a crisp color display shows metering for all inputs and outputs at the same time.
With up to 20 channels for recording and playback, SteadyClock FS, high-performance microphone inputs, parametric EQ, dynamics processing, echo, reverb, DURec (Direct USB Recording), MIDI I/O, a powerful headphone output, and full standalone operation, the Fireface UCX II excels with RME's highest feature-to-space ratio ever.
- The Fireface UCX II comes with the TotalMix FX DSP mixer offering comprehensive routing and monitoring options, as well as the DIGICheck Analyzer allowing to measure and analyze the digital data feed in both directions with maximum precision.
- The integration of Room EQ adds room calibration to the RME eco-system, making your Fireface perfect for Immersive audio setups including Dolby ATMOS. Room EQ consists of nine bands of fully parametric EQ, individual output delay, and volume calibration. Users can freely assign up to twenty 20 Room EQs at once to any output(s) they wish including stereo, headphone, and digital outputs for maximum flexibility. Settings can be input manually or imported using tools like Sonarworks or Room EQ Wizard.
- Also added is a feature called Binaural Crossed. This functionality provides speaker emulation in headphones-perfect for mixing stereo or ATMOS in headphones. The Crossfeed function emulates speaker behavior in terms of channel separation, so the extremely wide ambience experienced in headphones can be set in 5 stages.
- Full standalone operation, no computer required
- DURec-integrated digital recorder allows you to record directly to USB memory devices
- All channels (20 inputs and 20 outputs) can be individually chosen for recording and playback
- CV/gate low-latency voltage control for automating synthesizers, mixing consoles, and effects
- SteadyClock FS reference-class digital clocking
- USB out for ARC USB remote control (available separately)
- Compatible with TotalMix FX for iPad
- DIGICheck turns the interface into a highly versatile front-end for audio measurements and software development
- Class-compliant mode for Linux environments and compatibility with iPads and iPhones (separately available connection kits may be needed)
- Crisp high-resolution color display shows metering for all input and output channels
- Two XLR-1/4" combo mic/line preamps with phantom power and up to 75 dB of gain, plenty even for low-output dynamic mics such as the Shure SM7B
- Two 1/4" TRS inputs for balanced line-level sources or unbalanced Hi-Z instruments
- Input sensitivity for line/Hi-Z inputs switchable to 19 or 13 dBu
- Four rear-panel balanced 1/4" TRS line-level inputs with up to 12 dB of gain, perfect for patching in synths or outboard gear
- All analog inputs are digitally controlled
- Six balanced 1/4" TRS line outputs with high dynamic range (115 dBA) and three selectable output levels (+19, +13, or +4 dBu)
- High-power 1/4" stereo headphone output
- 8-channel ADAT I/O via TOSLINK optical ports
- 2-channel AES3 I/O via breakout cable
- 2-channel S/PDIF I/O via breakout cable
- USB-B host connection for Mac/Windows/Linux supports USB 2.0 and 3.0 standards
- DIN 5-pin MIDI I/O for connecting keyboard controllers, arranger workstations, and synthesizers
- BNC wordclock jack can be assigned as an input or output
- Barrel input for included power adapter
The Focal Alpha 50 Evo Monitor is all about one thing: giving any engineer access to a stellar sound at a relatively wallet-friendly price point. With its bass-reflex rounded cabinet, versatile filtering, clean class-D amplification, and its bevy of connection points, this monitor can suit a wide variety of mixing rooms, giving mixing and post-production engineers a sound they can rely upon.
Between its frequency range of 45 Hz to 22 kHz, the monitor is neutral and accurate. You can drive it with unbalanced or balanced audio and adjust the sensitivity to match. Mount it against the wall or on the wall itself for multichannel immersive audio formats. An IEC power cable is included, as is a protective grille for the woofer.
The 5' Balanced 1/4" TRS Male to 3-Pin XLR Male Audio Cable from Hosa Technology is a professional audio cable that's perfect for touring and live sound applications where a device with a balanced 1/4" phone output needs to be connected to a device with an XLR input. The cable has top-quality REAN connectors for excellent durability and superior signal transfer.
The conductors are made from 24 AWG oxygen-free copper to maintain a clear signal path. The cable also has 90% OFC spiral shielding for terrific flexibility and effective EMI and RFI rejection. The cable is 5' long and has a 1/4" TRS phone connector at one end and a 3-pin XLR male connector at the other.
The small IP-S Isolation Pad from Auray is a monitor speaker isolation pad made from high-density acoustic foam. It is designed to decouple your monitor speakers from its resting surface by absorbing the monitor's vibrations. This stops reverberation through the desk or speaker stands, therefore preventing unwanted resonance. Removing these unwelcome vibrations results in greater depth of field, tighter low end and transient response, and a higher level of detail across the frequency spectrum.