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Get your voice on the track with this Songwriting Kit from B&H that bundles a Universal Audio Apollo Solo USB Heritage Edition with a large-diaphragm condenser microphone, a tripod mic stand with fixed boom, a pair of studio monitoring headphones, an XLR mic cable, a Thunderbolt 5 cable, and a pop filter for absorbing plosives like p's and t's.
Ready for cranking out tracks at home or on the road with your Windows computer, the Universal Audio Apollo Solo USB Heritage Edition desktop 2x4 USB 3.0 Type-C audio interface combines the sound, feel, and flow of analog studio recording with SOLO Core real-time UAD processing and a hearty bundle of 25 stellar UAD plug-ins.
Furnished with studio-class 24-bit / 192 kHz conversion, the Apollo Solo USB gives musicians, producers, and songwriters the appreciable value of high-resolution recording and mixing with distortion and dynamic performance beyond its price point.
The interface features two XLR-1/4" mic/line combo inputs and a 1/4" Hi-Z input, all with Unison integration for precise UAD emulations of classic analog preamps. Impart vintage character of your choosing on microphone and instrument recordings while bypassing the unpredictable nature of old equipment.
Thanks to the switchable low-cut filter, pad, polarity inversion, 48V phantom power, and stereo linking on each analog input, you can efficiently optimize your incoming signals with straightforward buttons on the Apollo Solo USB's face. It offers a dedicated stereo monitor feed and a front-panel headphone output, plus full input and output metering capabilities.
The built-in SOLO Core processing allows you to monitor and record audio using classic analog emulations with near-zero latency. The plug-in bundle included with the Heritage Edition empowers you with 25 top-notch plug-ins ranging from vintage compressor and EQ collections to virtual guitar/bass amps and time-based processors. The included Console application provides control and recall of all interface and UAD plug-in settings including channel-strip presets, drag-and-drop functionality, and dynamically resizable windows.
Please note, the Apollo Solo USB requires an external power supply (included) and a USB 3.0 port on your computer in order to operate. To see if your computer is compatible with the Apollo Solo USB, refer to the manufacturer website for compatibility information.
- Track, overdub, and mix with high-resolution AD/DA conversion and DSP-powered plug-ins
- UAD-2 SOLO Core processing for tracking through models of vintage compressors, EQs, tape machines, mic preamps, and guitar amps, with near-zero latency, and no burden on your computer’s CPU
- Unison technology nails the tone of sought-after tube and solid-state mic pres by matching the input impedance, gain-stage sweet spots, and component-level circuit behaviors of the original hardware
- High-speed USB 3.0 Type-C connectivity Windows computers (USB SuperSpeed cable available separately)
- Convenient desktop form factor with an external power supply
- Comprehensive front-panel metering and fast, intuitive controls; no menu-diving is required
- Free, industry-leading phone/online technical support from knowledgeable audio engineers
- 2x4 audio interface with two Unison-enabled microphone preamps (via XLR-1/4" combo mic/line inputs), providing emulations of classic analog preamps with near-zero latency
- One front-panel Unison-enabled 1/4" Hi-Z input for direct connection of a guitar, bass, or keyboard
- Stereo 1/4" monitor output and one 1/4" headphone output, each with dedicated level control
- UA 610-A Tube Preamp and EQ (Vintage)
- UA 610-B Tube Preamp and EQ (Modern)
- Marshall Plexi Classic Guitar Amp
- Ampeg SVT-VR Classic Bass Amp
- UA 1176LN Limiting Amplifier (Legacy)
- UA 1176SE Limiting Amplifier (Legacy)
- UA 1176 Classic Limiter Collection (1176LN Rev E, 1176 Rev A, and 1176AE 40th Anniversary Edition)
- Pultec EQP-1A EQ (Legacy)
- Pultec MEQ-5 EQ (Legacy)
- Pultec Passive EQ Collection (EQP-1A, MEQ-5, and HLF-3C)
- Teletronix LA-2A Leveling Amplifier (Legacy)
- Teletronix LA-2A Classic Leveler Collection (LA-2A Silver, LA-2A Gray, and LA-2)
- Raw Distortion
- Precision Channel Strip (Precision Mix Rack Collection)
- Precision Reflection Engine (Precision Mix Rack Collection)
- Precision Delay Mod (Precision Mix Rack Collection)
- Precision Delay Mod L (Precision Mix Rack Collection)
- Pure Plate Reverb
- RealVerb Pro Custom Room Modeler
The versatile AKG C214 Large-Diaphragm Condenser Microphone is designed to record lead vocals, drums, acoustic instruments, and guitar amplifiers in the studio, on stage, or in broadcasting situations. Conceived as a cost-effective alternative to the renowned C414 microphone, this microphone uses the same 1" capsule but in a single-diaphragm, cardioid-only configuration. The transducer features technology that allows the membrane to vibrate freely, resulting in a wide frequency range and detailed transients, even at high sound-pressure levels.
With the additions of a switchable -20 dB pad and a 160 Hz low-cut filter, the C214 is well suited for close-miking applications as well as overhead placement. The C214 is a rugged microphone built to withstand the severities of professional studios or the road. The integrated capsule suspension helps reduce mechanical noise and resonance for a cleaner sound. The die-cast metal body with shock- and scratch-resistant finish features a double-mesh grille which protects the capsule and ensures efficient rejection of RF interference without affecting acoustics. The C214 comes with a metal carrying case, a foam windscreen, and a spider-type shockmount.
The C214 is designed as a cost-effective alternative to the high-end, industry-leading C414 family. This microphone uses the same 1" dual-capsule as the legendary C414 in a single-diaphragm, cardioid-only design, giving it performance close to that of the C414.
- Cost-effective alternative to the C414 family
- Same capsule as C414 B-XLS in a single-diaphragm, cardioid-only design
- Cardioid polar pattern reduces pickup of stage bleed and room ambience
- 143 dB dynamic range (pad on)
- 156 dB maximum SPL (pad on)
- Switchable -20 dB pad and 160 Hz low-cut filter
- Integrated capsule suspension to reduce mechanical noise
- Rugged double-mesh grille for RF immunity but unaffected acoustics
- Operates on 48V phantom power (accepts 12 to 52 VDC phantom power)
- Spider-type shockmount and metal carrying case included
- All-metal die-cast body with shock- and scratch-resistant finish
- Designed, engineered, and built in Vienna, Austria
The Enova NXT True Mold XLR Microphone Cable (16.4') is a flexible and reliable cable built for connecting mics to mixers, preamps, audio interfaces, and recorders. True Mold technology fully integrates the cable and connectors, providing strain relief that withstands a higher force than conventionally manufactured XLR cables to ensure outstanding strength and durability that stands up to the rigors of live stage and studio applications. This is a weather and Moisture Resistant Cable.
Enova True Mold cables are made from 24 AWG wire with a 98% copper spiral outer shield that makes the cable resistant to EMI and RFI noise. The Swiss-made EnovaNxt connectors are gold-plated to provide a high level of connectivity, and all the solder connections are protected by heat-shrink tubes. The modern and slick design of the body allows for enhanced handling and the tapered design puts an end to drooping cables.
Placed in front of your favorite vocal mic, the 512-Pop Microphone Pop Filter from 512 AUDIO delivers improved recording quality for any mic by reducing commonly problematic sounds from strong p and f consonants, making it a welcome accessory for recording podcasts, voiceovers, and vocal performances.
Its metal mesh design is visually pleasing and sonically effective while being easier to clean and more rugged than traditional nylon pop filters. Via the adjustable swivel C-clamp, the 512-Pop securely attaches to any boom arm or mic stand. The inclusion of a flexible and sturdy gooseneck ensures problem-free positioning of the pop filter.
Updated with a brand new look, the Shure SRH440A closed-back, over-ear studio headphones provide high-quality audio reproduction and effective noise isolation for home recording, studio monitoring, and DJ mixing. Lightweight and sturdy, the headphones can also fold down for easy storage and transportation in the included carrying bag.
The SRH440A have large 40mm drivers that deliver clear, detailed audio with a wide frequency response of 10 Hz to 22 kHz. The closed-back, circumaural design helps reduce ambient noise, and the thick replaceable earpads yield long-lasting comfort. The headband is adjustable and generously cushioned to ensure a pleasing fit on a range of head sizes.
The coiled, single-sided cable allows a variable amount of slack, resists tangles, and can be detached for easy replacement. It has a bayonet clip to keep it securely attached to the earcup. The gold-plated 3.5mm TRS mini plug and 1/4" adapter enable compatibility with MP3 players and mobile devices as well as DJ mixers and audio interfaces.
The Auray MS-5230F Tripod Microphone Stand with Fixed Boom features durable, steel construction. The 31.5" boom arm allows you to angle the mic however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and nonslip feet keep it firmly and sturdily in place. The Auray MS-5230F mic stand collapses for easy transport.
The 1.6' Thunderbolt 5 Cable from Xcellon is a high-performance, passive Intel Thunderbolt-certified cable that supports up to 80 Gb/s transfer speeds, or up to 120 Gb/s with bandwidth boost, and 240W power delivery. It provides an easy USB-C connector solution for high-speed storage drives, multiple 8K, 6K, and 4K displays at up to 120 Hz, docks, and more. You'll enhance your workflow and step up your productivity by daisy chaining up to six compatible devices. The Xcellon Thunderbolt 5 cable is backward compatible with Thunderbolt 4, Thunderbolt 3, USB4, and previous USB speeds. Also supported is DisplayPort 2.1.
