Easily connect the Apollo Twin X QUAD Gen 2 to professional studio gear with 2 analog line-level I/O, two monitor outs, and a 1/4" Hi-Z instrument input. Add up to eight extra input channels via one optical ADAT input (or two S/PDIF channels) for connection to professional, digital outboard hardware. You can mix with confidence in any room using headphones with Sonarworks Apollo Monitor Correction. Hear all the low-end detail in your mixes using Bass Management to add a subwoofer to your monitor setup. Quickly set up low-latency cues, plug-in scenes with the UAD Console app.
- New look and feel, updated industrial design with new knobs and switch caps
- Improved Elite-Class Gen 2 D/A converters
- Improved monitor and headphone outputs for best-in-class critical listening
- Even lower THD% and increased DNR
- Assistive Auto-Gain, supporting one-click configuration across all input channels with select Unison preamps, for effortless recording
- Built-in room and headphone correction enabling Sonarworks SoundID profiles to run on built-in DSP
- Bass Management for subwoofers in both stereo and surround configurations
- New UAD Console brings Auto-Gain, Unison, Apollo Room Correction, DSP Pairing, Dante Support, Multichannel Immersive Audio Monitoring, Bass Management, Plug-In Scenes over MIDI, and more—together under one roof
- New Studio+ software bundle with UAD plug-ins and Instruments
- With Unison technology, Apollo Twin X QUAD lets you track in real time with the sound of classic EQ and compressors.
- From Neve, API, Manley, Fender, and more, you get the same rich analog textures used on the greatest recordings of our time.
- Apollo Twin X QUAD Gen 2 features UA's highest-resolution A/D and D/A converters, delivering 129 dB of dynamic range.
- Paired with Apollo Monitor Correction powered by Sonarworks. So, you'll not only hear the most pristine representation of your recordings, there will be no surprises when you listen to your final mix or master on any stereo or surround system.
- Track through UAD plug-ins in real time and without latency.
- Along with included LA-2A compressors, Pultec EQs, and amps from Marshall and Ampeg, you can tap into the entire library of over 200 UAD plug-ins to unlock proven hitmaking sounds.
- Set input gain across multiple channels in seconds without fear of clipping using the new Auto-Gain feature—available on all microphone / line / Hi-Z preamp inputs.
- Effortlessly set gain for recording during an auto-training time listening window, without having to worry or take a lot of time to find the perfect recording level.
- Add a subwoofer with the new bass management feature for full-range stereo monitoring.
- Speaker utility panel provides trim, mute, and solo per speaker output.
- Apollo Twin X QUAD’s powerful digital mixing engine lets you control plug-in routing and monitoring.
- With the latest features like Bass Management and Plug-In Scenes, it’s easy to find a flow that fits your needs.
- Combine Apollo Twin X’s QUAD Core DSP with native processing from your computer to produce large sessions with complex plug-in chains.
- Experience a powerhouse hybrid workflow that outpaces any native-only recording setup.
- Build your studio by linking up to four Thunderbolt Apollo interfaces with up to 128 channels of premium I/O to your DAW.
- Control it all from your desktop using Apollo Twin X.
- 10x6 Thunderbolt audio interface with QUAD Core DSP real-time plug-in processing
- Includes up to 50+ UAD plug-ins with Studio+ Edition
- Two Unison mic preamps, Hi-Z instrument input, optical Toslink input (ADAT or S/PDIF)
- Two 1/4" monitor outs, two 1/4" line outs (ALT), one 1/4" TRS headphone out
- Elite-class Apollo X Gen 2 converters with 24-bit / 192 kHz resolution
- Enhanced D/A for critical monitoring and playback with 129 dB dynamic range
- Four SHARC processors
- Calibrate your main monitor and headphone outputs with Apollo Monitor Correction powered by Sonarworks
- Updated UAD Console app featuring Auto-Gain, Plug-In Scenes, subwoofer integration with Bass Management, immersive audio support, and more
- Full-featured monitor controller with alternate speaker switching and integrated talkback for easy communication with talent
- Onboard DSP supports over 200 UAD plug-ins via VST, AU, and AAX 64 formats in all major DAWs
- Compatible with LUNA, Logic Pro, Pro Tools, Cubase, Ableton Live, and more
- Expandable with Thunderbolt Apollo interfaces or select models over Dante
- Free industry-leading technical support from knowledgeable audio engineers
- Avalon VT-737sp Channel Strip
- Century Tube Channel Strip
- CS-1 Channel Strip
- Helios Type 69 Preamp and EQ
- Manley Reference Microphone Preamp
- Precision Channel Strip
- UA 610-A Preamp and EQ
- UA 610-B Preamp and EQ
- V76 Preamplifier
- dbx 160 Compressor/Limiter
- Empirical Labs Distressor
- Fairchild 670 Legacy
- Fairchild 660 Compressor
- Fairchild 670 Compressor
- Teletronix LA-2 Classic Leveler
- Teletronix LA-2A Gray Classic Leveler
- Teletronix LA-2A Silver Classic Leveler
- Teletronix LA-2A Legacy Leveling Amplifier
- Teletronix LA-3A Classic Audio Leveler
- UA 1176 Rev A Classic Limiter
- UA 1176AE Classic Limiter
- UA 1176LN Rev E Classic Limiter
- UA 1176LN Legacy
- UA 1176SE Legacy
- UA 175B Classic Limiter
- UA 176 Classic Limiter
- Helios Type 69 Legacy EQ
- Pultec EQP-1A Legacy EQ
- Pultec EQP-1A Passive EQ
- Pultec HLF-3C Passive EQ
- Pultec MEQ-5 Passive EQ
- Pultec Pro Legacy EQ
- Auto-Tune Realtime Access
- Auto-Tune Realtime X
- Oxide Tape Recorder
- Precision Enhancer Hz
- Studer A800 Multichannel Tape Recorder
- Verve Analog Machines Essentials
- Brigade Chorus Pedal
- Galaxy Tape Echo
- Lexicon 224 Digital Reverb
- Precision Delay Mod
- Precision Delay Mod L
- Studio D Chorus
- Precision Reflection Engine
- Pure Plate Reverb
- RealVerb Pro Custom Room Modeler
- Ampeg SVT-VR Classic Bass Amplifier
- Marshall Plexi Classic Amplifier
- Raw Distortion
- Electra 88 Vintage Keyboard Studio
- Moog Minimoog
- Opal Morphing Synth
- PolyMAX Polyphonic Synth
- Ravel Grand Piano
- Waterfall B3 Organ
The C-80 from Sony is a condenser microphone designed to deliver professional-quality vocal recordings with a powerful and rich midrange along with a hint of added presence to cut through the mix. The mic’s dual-capsule design helps to reduce proximity effect and provide a consistent-sounding response, even if the vocalist moves slightly closer or further away from the mic during a take.
Great care has been taken to ensure that the mic provides sonic character and little else. The two-part metallic construction is based on the highly regarded C-800G and C-100 models and prevents acoustic vibrations, helping to keep inherent noise and unwanted sonic artifacts out of your recordings.
The large-diaphragm condenser element yields a true frequency response of 20 Hz to 20 kHz, with a dynamic range of more than 125.5 dB. The C-80 plays quite nicely, even with loud singers, as the capsule offers a -10 dB pad and can handle SPLs up to 138 dB. A high-pass filter is also on board to help reduce low-end rumbles and other unwanted low-end frequencies, while a suspension shockmount is included to isolate the mic from vibrations and handling noise. A carrying case is also supplied for storage and transport.
The Enova NXT True Mold XLR Microphone Cable (16.4') is a flexible and reliable cable built for connecting mics to mixers, preamps, audio interfaces, and recorders. True Mold technology fully integrates the cable and connectors, providing strain relief that withstands a higher force than conventionally manufactured XLR cables to ensure outstanding strength and durability that stands up to the rigors of live stage and studio applications. This is a weather and Moisture Resistant Cable.
Enova True Mold cables are made from 24 AWG wire with a 98% copper spiral outer shield that makes the cable resistant to EMI and RFI noise. The Swiss-made EnovaNxt connectors are gold-plated to provide a high level of connectivity, and all the solder connections are protected by heat-shrink tubes. The modern and slick design of the body allows for enhanced handling and the tapered design puts an end to drooping cables.
Placed in front of your favorite vocal mic, the 512-Pop Microphone Pop Filter from 512 AUDIO delivers improved recording quality for any mic by reducing commonly problematic sounds from strong p and f consonants, making it a welcome accessory for recording podcasts, voiceovers, and vocal performances.
Its metal mesh design is visually pleasing and sonically effective while being easier to clean and more rugged than traditional nylon pop filters. Via the adjustable swivel C-clamp, the 512-Pop securely attaches to any boom arm or mic stand. The inclusion of a flexible and sturdy gooseneck ensures problem-free positioning of the pop filter.
With 80-ohm impedance, this configuration sits in a balanced place between being able to power demanding 250-ohm and consumer-grade 32-ohm headphones, providing a versatile design that will excel on high-end audio sources while being easily driven by smart devices. The wide frequency range of 5 Hz to 35 kHz reproduces nuance and detail within audio signals, and the DT 770 PRO sports an optimized impulse response for clear transients and accuracy. The ergonomics are refined for long-lasting durability and comfort, thanks to soft and replaceable velour earpads and a padded headband with a sturdy spring steel hoop. The DT 770 PRO includes a 1/4" TRS plug adapter.
- Super sound quality, especially when paired with a dedicated headphone amp
- A wider soundstage with more precise imaging
- High scalability, with the ability to improve sound quality when a better audio source or amp is used
- Breathable velour: The soft velour earpads offer breathability, for a high level of comfort and long-lasting durability.
- Flexible temple construction: The robust spring steel hoop gives the headphones a secure fit.
- Lightweight construction: At a mere 13.2 oz including the cable, the headphones are surprisingly light and yet sturdy, so nothing stands in the way of long studio sessions.
The Auray MS-5230F Tripod Microphone Stand with Fixed Boom features durable, steel construction. The 31.5" boom arm allows you to angle the mic however you need it. An ergonomic twist-action clutch helps adjust the height of the stand, while the reinforced tripod base and nonslip feet keep it firmly and sturdily in place. The Auray MS-5230F mic stand collapses for easy transport.
The 1.6' Thunderbolt 5 Cable from Xcellon is a high-performance, passive Intel Thunderbolt-certified cable that supports up to 80 Gb/s transfer speeds, or up to 120 Gb/s with bandwidth boost, and 240W power delivery. It provides an easy USB-C connector solution for high-speed storage drives, multiple 8K, 6K, and 4K displays at up to 120 Hz, docks, and more. You'll enhance your workflow and step up your productivity by daisy chaining up to six compatible devices. The Xcellon Thunderbolt 5 cable is backward compatible with Thunderbolt 4, Thunderbolt 3, USB4, and previous USB speeds. Also supported is DisplayPort 2.1.