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Sony FX2 Digital Cinema Camera with Control Monitor Kit

BH #SOFX2MCK (B&H Kit)
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Sony FX2 Digital Cinema Camera with Control Monitor Kit
90-Second Intro
Key Features
  • Sony FX2 4K60 Digital Cinema Camera
  • Atomos Shinobi II 5.2" HDMI HDR Monitor
  • 33MP Full-Frame CMOS Exmor R Sensor
  • AI-Powered Automatic Focus and Framing
Prepare to capture stunning stills and up to UHD 4K60 video with the Sony FX2 Digital Cinema Camera with Control Monitor Kit put together by B&H. This kit comprises a compact, full-frame FX2 camera, Atomos Shinobi II 5.2" HDMI HDR monitor, monitor mount, HDMI/Ethernet cable, battery charger, and 2280 and 7800mAh batteries.
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Kit Contains:
Sony FX2 Digital Cinema Camera
Cinematic Video Meets Advanced Photo Capture
Equipped with a 33MP full-frame sensor, the AI-powered Sony FX2 combines the comprehensive video capabilities of the Cinema Line with enhanced still image capturing in a compact, travel-friendly form factor. Ideal for on-the-go filmmakers and content creators, the FX2 features an S-Log3 photo mode with optional LUT application, and it sports a 3.68m-dot OLED viewfinder that tilts from 0 to 90°. Its AI processing unit provides active image stabilization and real-time subject recognition, allowing for maximizing the accuracy of autofocus and framing.
33MP Exmor R BSI CMOS Sensor
Pairing its 33MP back-illuminated Exmor R sensor with a BIONZ XR processor, the FX2 captures vivid 4K video with natural gradations, realistic color, and low noise in both full-frame and Super 35 modes, providing wide lens compatibility without sacrificing resolution. In full-frame mode, the FX2 records 4K30 video with 7K oversampling and full pixel readout for exceptional sharpness and realism. Maximum frame rate at 4K resolution increases to 60 fps when shooting in Super 35 mode. Designed to tackle diverse lighting scenarios, the FX2 features a dynamic range greater than 15 stops, an ISO expandable up to 204800, and updated dual-base ISO technology for capturing footage in S-log3 at 800 or 4000 ISO.
DCI 4K Video Recording
Designed for flexibility, the FX2 shoots DCI 4K footage internally with 10-bit 4:2:2 sampling or outputs 16-bit raw video via an HDMI connection. Capture video in XAVS S, S-I, and HS recording formats in Long GOP, All-Intra, H.264, and H.265 codecs. Color and tone reproduction can be tailored with precision using up to 16 user-imported LUTs or S-Cinematone mode for matching VENICE, FX9, FX6, FX3, and other camera sources. The FX2 features an intuitive Variable FPS setting for creating time-lapses and slow-motion video, and it can de-squeeze 1.3 and 2.0x anamorphic footage, all in-camera.
Hybrid Still Image Capture
The FX2 brings the versatility of a hybrid camera to the Cinema Line, improving still-image capture and adding features such as Log shooting and user-LUT application.

  • Built-in toggle to switch from movie to still mode
  • Shoot 33MP JPG or HEIF images in S-Log3 for streamlined color grading
  • Capture photos from shot marks during internal video recording or playback
  • Apply previously imported user LUTs to captured still images
  • Flex or base ISO settings and S-Gamut3 or S-Gamut3.Cine color spaces
AI Subject Recognition
The FX2's AI processing unit delivers multiple improvements in autofocus, auto framing, and stabilization using deep learning. Analyzing colors, patterns, and depth, the processor maintains sharp focus with real-time subject recognition, identifying people, animals, and vehicles. Human and animal eye recognition is improved by 30% compared to the FX3 and FX30, making the FX2 ideal for fast-paced shooting scenarios, such as capturing wildlife and sporting events. This advanced tracking ability also allows for precise auto framing, adjusting the recorded composition to keep a subject center-frame.
Comprehensive Stabilization
Combining in-body optical image stabilization with AI processing power and E-mount lens metadata for post-production, the FX2 offers an array of ways to eliminate camera shake during handheld shooting.

  • 5-axis in-body optical image stabilization
  • Dynamic Active Mode for stable handheld shooting
  • Framing stabilizer uses advanced AI
  • Shake metadata is embedded into footage for post-production
Improved Accessibility
Inheriting the BIG6 home screen from high-end CineAlta cameras such as the VENICE, the FX2 allows easy adjustments to FPS, ISO, shutter angle, aperture, look, and white balance when set in Movie Mode. The 3" fold-out touchscreen LCD provides intuitive menu navigation and sports a tiltable design and 1.03m-dot resolution. Unique to the FX2 is a built-in 3.68m-dot OLED electronic viewfinder with a 0.7x maximum magnification. Tilting from 0 to 90°, the EVF has a reversible rubber eyecup and 33mm eye point, allowing pinpoint framing in extreme lighting conditions.
Connectivity & Compatibility
The FX2 features expansive connectivity, with multiple options for power input, internal video recording, data output, and both wireless and USB streaming.

  • USB-C port for PD fast charging or LAN link using a gigabit Ethernet adapter
  • Stream at 2.4/5 GHz over Wi-Fi, or 5 GB/s via USB-C connection
  • One CFexpress Type A/SDXC card slot, one SD card slot, and one HDMI port
  • Multi-interface hot shoe, micro-USB port, and 3.5mm mic and headphone jacks
  • Compatible with XLR-H1 Handle Unit for expanded control and audio options
Ergonomic Design
Built from lightweight, sturdy Magnesium alloy, the FX2 has an updated heat-dissipating structure and built-in cooling fan, ensuring uninterrupted 4K60 recording. The improved handgrip holds a single 16.4Wh NP-FZ100 battery and sports one of the camera's five 1/4"-20 female threads—three for accessories and two for mounting plates. Several functions have dedicated controls, including the power switch, record button, movie/still switch, zoom lever, playback button, and control dials, while seven other buttons serve user-assignable functions.
Improved FX2 Attributes
  • Full-frame, back-illuminated 33MP effective Exmor R CMOS sensor
  • Shoot still images in S-Log3 for flexible color grading in post-production
  • AI-powered AF, framing, and active dynamic image stabilization
  • 7K oversampling in full-frame mode and 4K resolution in Super 35 mode
  • Dual-base 800/4000 ISO during S-Log3 shooting
  • Extract stills during video recording or playback and apply user LUTs
  • 3.68m-dot 0.7x OLED electronic viewfinder with 0 to 90° tilt
Common FX2/FX3 Attributes
  • 10-bit 4:2:2 internal recording or 16-bit raw output via HDMI
  • S-Cinetone, S-Log3, HLG, and Rec. 709 gamma options
  • BIONZ XR processing engine
  • A dynamic range of 15+ stops
  • Compact design for cage-free operation
UPC: 027242932234
Atomos Shinobi II 5.2" HDMI HDR Monitor
Brighten your on-camera monitoring with the Atomos Shinobi II 5.2" HDMI HDR Monitor. The Shinobi II has been designed for vloggers, photographers, and content creators with numerous feature improvements over the original Shinobi, including a slimmer body design, a 50% brighter display at 1500 cd/m², USB-C camera control for Canon/Panasonic/Sony/Z CAM with status indicators, a new AtomOS 11 interface, USB-C PD power I/O, a locking HDMI and USB-C adapter, updated image tools, and ultra-low battery consumption so the monitor can run all day on only a single battery.
Camera Control
Use the USB-C port to control the latest mirrorless or DSLR cameras from Canon, Panasonic, Sony, and Z CAM's E2 line. There is also a 2.5mm LANC port on the side for additional control compatibility. Compatibility includes:
  • Canon EOS R5, EOS R6, EOS R6 Mark III
  • FUJIFILM GFX100S II, GFX100RF
  • Nikon ZR, Z7 II (Stills mode only)
  • Panasonic GH7, S1R M2, S1 M2, S1 M2ES, S1H
  • Sony ILME-FX2, ILME-FX3A, ILCE-7M5 (a7V)
NOTE: This will expand with future support for cameras from OM System and Sigma with firmware updates.

 

Touch to Focus
NEW: With AtomOS 11.07.00, you have the ability to set up the camera's focus point directly via the touchscreen. Compatible cameras include:

  • Canon: EOS R6, EOS R6 Mark II, EOS R1, EOS R5, EOS R5 Mark II, EOS R7
  • FUJIFILM: GFX100, X-S20, GFX100S II, GFX100RF
  • Nikon: Z9, Z8, ZR, Z7 II
  • Panasonic: LUMIX S5 II, S5 II X, S1M, S1H, GH7, S1R
  • Sony: a7 IV, a7S III, ZV-E10 II, FX3, FX30, FX2
Shutter Release
NEW: The shutter release function allows photo capture triggering right from the Shinobi II touchscreen. It is useful when you are shooting multiple exposures for HDR bracketing, focus stacking, or other similar workflows.
Camera Status
A camera status indicator allows you to keep an eye on the camera's internal record settings, battery status, and remaining recording time. A red edge display shows when the camera is recording internally, whether triggered by the camera or from the Shinobi II.
AtomOS 11 & Advanced Image Tools
The Shinobi II includes the latest Atomos AtomOS 11, which introduces numerous new tools and features with a more logical layout and easy-to-navigate interface.

Use the Shinobi II interface to adjust your camera lenses' aperture, shutter speed/angle, and ISO with its built-in exposure tools, such as false color (Atomos, ARRI, and EL ZONE colorized exposure modes), waveforms, zebras, or histogram, and achieve perfect exposure on every shot.

Brighter Display
The 5.2" touchscreen display is 50% brighter than the Shinobi, measuring 1500 cd/m² peak brightness, making it easily readable whether you're shooting indoors or in bright sunlight.
Input Signals
The Shinobi II features an HDMI 1.4 input that allows you to monitor signals in various resolutions and frame rates up to DCI/UHD 4K30 and up to 1080p60.
HDR & LUT Support
The HDR HLG and HDR PQ monitoring modes allow you to preview what your camera's Log output might look like in HDR. Users can also upload up to eight custom LUTs to the monitor's built-in storage to preview their shots with their own favorite looks.
Frame Guides
A variety of built-in cinema-style and social media-focused frame guides help compose your shots, including presets for 2.41, 2.35, 1.91, 1.9, 1.85, 16:9, 9:16, 4:5, 2:3, 1:1, 5:4, 4:3, 3:2.
Lightweight Design
The monitor has been designed with a slimmer form factor, weighing only 7.4 oz, and there are added locating holes alongside the 1/4"-20 threads for anti-twist mounting. A single L-series battery plate on the back has been placed in the center to improve balancing and maneuverability. The included HDMI/USB-C locking adapter allows you to use Atomos' new line of locking cables to prevent disconnecting or pulling.
Power Options
There are multiple methods to power the Shinobi II, including an L-series/NP-F style battery, an optional battery eliminator (dummy battery) in combination with a DC barrel to D-Tap cable, or via a USB-C PD charger with 10W input. You can also charge/power your camera via USB-C PD 13W output while using Shinobi II's camera control features.
UPC: 814164022941
Atomos Sun Hood for Shinobi II (Black)

When monitoring in harsh lighting conditions, this black Sun Hood from Atomos for the Shinobi II 5" HDR monitor will block excess reflections and glare from washing out the displayed image. This is especially important when viewing HDR imagery, which naturally uses a larger contrast range and can easily be overpowered by glare. It also protects the screen during transport. It snaps right onto the monitor's bezel without requiring any tools.

UPC: 814164023078
SmallRig Swivel and Tilt Adjustable Monitor Mount with Cold Shoe Mount

Mount any 5 or 7" monitor with a 1/4"-20 mounting thread on your camera with this Swivel and Tilt Adjustable Monitor Mount with Cold Shoe Mount from SmallRig. This adjustable mount easily attaches to your camera rig using a cold shoe mount. It swivels 360°, tilts 170°, and is lockable in any position to establish the best possible viewing angle.

This sturdy and durable mount is constructed from aluminum alloy and stainless steel. The package includes an Allen key for adjusting tilt angles and tightening in place.

Compatibility
5 and 7" monitors
SmallRig 1241 Cold Shoe

The aluminum-constructed 1241 Cold Shoe from SmallRig directly mounts to any camera accessory with 1/4"-20 or M2.5 threads so it can be used to mount your camera to rigs, brackets, and cages. You can adapt a microphone, video light, or other accessory to the mount, just follow the arrows at the top that show the direction to slide the accessory in. The bending bevels inside the mount prevent the accessory from sliding out or becoming accidentally removed.

ZILR Hyper-Thin High-Speed HDMI Secure Cable with Ethernet (17.7")

The 17.7" ZILR 4Kp60 Hyper-Thin High-Speed HDMI Secure Cable with Ethernet provides secure connectivity and support for uncompromising resolution while remaining flexible and easy to manage. It is compatible with HDMI 2.0 and features locking 24kt gold-plated Type-A male connectors with a low profile of just 24mm.

The cable integrates an HDMI Ethernet channel, HDCP 2.2 to play protected content, and camera Log formats for color grading workflows. It allows bandwidth up to 18 Gb/s, up to 4096 x 2160 resolution at 60 Hz for one device, Full HD 1920 x 1080p resolution, and HDR for compliant devices.

High Resolution at 4Kp60
Experience Ultra HD image quality for your digital movies, TV shows, video games, and cinema production with support for resolutions up to 4Kp60 UHD (3840 x 2160) for 4K Ultra HD TVs, streaming devices, video game consoles, high-end PC monitors, and video game capture devices.

Unlock full 4K resolution in mirrorless cameras, cinema cameras, and external video recorders for up to 4Kp60 DCI (4096 x 2160) on supported devices for video professionals.
HDR Compatibility
Experience movies and TV shows in stunning HDR with compatible Ultra HD TVs and content.

Creative professionals can monitor on set with HDR displays and external recorders to view camera Log video for color grading workflows.
Secure Type-A Connection
Just plug in your external monitor or recorder and the secure Type-A connection will remain tightly connected into your external device. The secure connection ensures that the signal will always maintain without loss. For professionals this means that you can trust this connection throughout the production.
Hyper-Thin Cable
With a 3.5mm diameter cable diameter and 24mm low-profile Type-A connectors, this cable enables 4K without compromising on features. Enjoy the flexibility of cable management without wrangling thick cables around your setup.
Ideal for a Variety of Devices
The cable is ideal for devices such as the C200/C300/C700, GH5/GH5S, FS5/FS7, URSA, Pocket CC, RED, ARRI, Pico projectors, and Z Cam.
UPC: 743815949637
Watson NP-F975 Lithium-Ion Battery Pack (7.4V, 7800mAh)

The Watson NP-F975 Lithium-Ion Battery Pack works with the same cameras as the Sony NP-F970 series batteries. This replacement battery pack features a capacity of 7800mAh, 7.4V of output power, and 57.72 watt hours. Small and lightweight, lithium-ion batteries can be charged or discharged at any time without developing memory effects.

Compatible Cameras
Sony
  • DCR-SD1000
  • DCR-SR40
  • DCR-TRV900
  • DCR-VX2000
  • DCR-VX2100
  • DCR-VX2200
  • HDR-AX2000
  • HDR-FX1
  • HDR-FX7
  • HDR-FX1000
  • HVR-HD1000
  • HVR-V1
  • HVR-Z1
  • HVR-Z5
  • HVR-Z7
  • HXR-MC1500
  • HXR-MC2000
  • HXR-NX5
  • HXR-NX5R
  • NEX-EA50
  • NEX-FS100
  • NEX-FS700
UPC: 847628541078
Watson Compact AC/DC Charger for L & M Series Batteries

This versatile Compact AC/DC Charger from Watson charges all Sony L & M series type lithium-ion batteries via the included dedicated battery plate. The charger runs on 100 to 240 VAC power, allowing for worldwide use. It features a fold-out 2-prong US plug and is supplied with a European plug adapter as well as a 12 VDC car charger that plugs into a cigarette lighter. This makes the charger ideal for use both at home and on the road.

The Compact AC/DC Charger features a USB power output that allows you to charge and power MP3 players, phones, digital cameras, and other devices with a USB power input--even while charging your camera or camcorder batteries. With its easily interchangeable plate, the charger can also be used for other battery models via the purchase of an additional battery adapter plate.

Compatibility
Compatible with any Sony NP-F550, NP-F570, NP-F730H, NP-F750, NP-F770, NP-F930, NP-F950, NP-F960, NP-F970, NP-FM30, NP-FM50, NP-FM500H, NP-FM55H, NP-FM70, NP-FM90, NP-FM91, NP-QM71, NP-QM71D, NP-QM91, NP-QM91D type batteries.
Compact
Charger features a fold-out AC plug for easy storage and travel.
Versatile
  • Comes with an included Euro plug adapter for charging in Europe.
  • Included DC adapter with car lighter plug lets you charge while on the road.
USB Output
Charge or supply power for MP3 devices, mobile phones, digital cameras, and other related devices with a USB power input.
Safety Features
The charger features protection against overcharging and overheating.
UPC: 847628541566
Kit Contains:

Sony FX2 Digital Cinema Camera

Key Specs
Lens Mount
Sony E
Image Sensor
Full-Frame
Effective Sensor Resolution
33 Megapixel
Image Stabilization
Sensor-Shift
ISO/Gain Sensitivity
Photo
Dual Base: 800 / 4000
Native: 100 to 51,200 (50 to 204,800 Extended)
Video
Dual Base: 800 / 4000
Native: 100 to 51,200 (100 to 102,400 Extended)
Max Recording Modes
H.264 ALL-Intra/H.264 Long GOP/MPEG-4 AVC/XAVC S-I 4:2:2 10-Bit
Up to DCI 4K at 23.98/24.00/25/29.97/50/59.94 fps
H.264 ALL-Intra/H.264 Long GOP/MPEG-4 AVC/XAVC S 4:2:2 10-Bit
Up to UHD 4K at 23.98/25/29.97/50/59.94 fps
H.264 ALL-Intra/H.264 Long GOP/MPEG-4 AVC/XAVC S 4:2:0 8-Bit
Up to UHD 4K at 23.98/25/29.97/50/59.94 fps
H.265 ALL-Intra/H.265 Long GOP/XAVC HS 4:2:2 10-Bit
UHD 4K at 23.98/50/59.94 fps
H.265 ALL-Intra/H.265 Long GOP/XAVC HS 4:2:0 8-Bit
UHD 4K at 23.98/50/59.94 fps
Max Video Output
4:2:2 8/10-Bit
Up to DCI 4K at 23.98/24.00/25/29.97/50/59.94 fps
Raw 16-Bit
4.6K at 23.98/24.00/25/29.97/50/59.94 fps
Media/Memory Card Slot
Slot 1: CFexpress Type A / SDXC (UHS-II)
Slot 2: SD/SDHC/SDXC (UHS-II)
Video I/O
HDMI / USB-C
Mobile App Compatible
Yes: Android & iOS
Battery
NP-FZ100
Imaging
Lens Mount
Sony E
Lens Communication
Yes: with Autofocus Support
Image Sensor
35.9 x 23.9 mm (Full-Frame) CMOS
Effective Sensor Resolution
Effective: 33 Megapixel
Actual: 34.1 Megapixel
Image Stabilization
Sensor-Shift, 5-Axis
Internal Filter Holder
No
Capture Type
Stills & Video
Exposure Control
Shutter Type
Mechanical Focal Plane Shutter and Electronic Rolling Shutter
Shutter Speed
1/8000 to 30 Seconds
1/8000 to 1 Second in Movie Mode
ISO/Gain Sensitivity
Photo
Dual Base: 800 / 4000
Native: 100 to 51,200 (50 to 204,800 Extended)
Video
Dual Base: 800 / 4000
Native: 100 to 51,200 (100 to 102,400 Extended)
Advertised Dynamic Range
15 Stops
White Balance
Range: 2500 to 9900K
Focus
Focus Mode
Continuous-Servo AF, Automatic, Touch AF & Shutter, Manual Focus
Autofocus Points
Photo
Phase Detection: 759
Video
Phase Detection: 627
Autofocus Sensitivity
4 to +20 EV
Video Capture
Internal Recording
H.264 ALL-Intra/H.264 Long GOP/MPEG-4 AVC/XAVC S-I 4:2:2 10-Bit
4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps (240 to 600 Mb/s)
3840 x 2160 at 23.98/25/29.97/50/59.94 fps (240 to 600 Mb/s)
1920 x 1920 at 23.98/25/29.97/50/59.94 fps (89 to 222 Mb/s)
*Sensor Crops During Recording
H.264 ALL-Intra/H.264 Long GOP/MPEG-4 AVC/XAVC S 4:2:2 10-Bit
3840 x 2160 at 23.98/25/29.97/50/59.94 fps (100 to 200 Mb/s)
1920 x 1920 at 23.98/25/29.97/50/59.94 fps (50 Mb/s)
H.264 ALL-Intra/H.264 Long GOP/MPEG-4 AVC/XAVC S 4:2:0 8-Bit
3840 x 2160 at 23.98/25/29.97/50/59.94 fps (60 to 100 Mb/s)
1920 x 1080 at 23.98/25/29.97/50/59.94/100/120 fps (16 to 100 Mb/s)
H.265 ALL-Intra/H.265 Long GOP/XAVC HS 4:2:2 10-Bit
3840 x 2160 at 23.98/50/59.94 fps (50 to 200 Mb/s)
H.265 ALL-Intra/H.265 Long GOP/XAVC HS 4:2:0 8-Bit
3840 x 2160 at 23.98/50/59.94 fps (30 to 150 Mb/s)
Video Output
4:2:2 8/10-Bit
4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps
3840 x 2160 at 23.98/25/29.97/50/59.94 fps
1920 x 1080 at 29.97/50/59.94 fps
Raw 16-Bit
4672 x 2628 at 23.98/24.00/25/29.97/50/59.94 fps
Fast-/Slow-Motion Support
Yes
Gamma Curve
Sony S-Log 3, HDR-HLG, S Cinetone, Standard, Rec709
Built-In Microphone
Stereo
Audio Recording
4-Channel at 48 kHz via LPCM Audio
IP Streaming
RTMP, RTMPS, SRT
1280 x 720 to 3840 x 2160 at 50p, 59.94p, 25p, 29.97p
Interface
Media/Memory Card Slot
Slot 1: CFexpress Type A / SDXC (UHS-II)
Slot 2: SD/SDHC/SDXC (UHS-II)
Internal Storage
No
Video I/O
1x HDMI Output
1x USB-C 3.0 / 3.1/3.2 Gen 1 Output
Audio I/O
1x 1/8" / 3.5 mm TRS Stereo Microphone Input
1x 1/8" / 3.5 mm TRS Stereo Headphone Output
Power I/O
1x USB-C Input
Other I/O
1x Micro-USB
Wireless
802.11a/b/g Wi-Fi / Bluetooth 5.0
Mobile App Compatible
Yes: Android & iOS
App Name: Sony | Creators' App
Global Positioning (GPS, GLONASS, etc.)
No
Monitor
Display Type
Primary Monitor: 180° Tilting 3" Touchscreen LCD
Viewfinder
Type
Electronic (OLED)
Resolution
3,686,400 Dot
Power
Battery
NP-FZ100
Power Consumption
≤6.6 W
Environmental
Operating Conditions
32 to 104°F / 0 to 40°C
Storage Conditions
-4 to 131°F / -20 to 55°C
General
Shoe Mount
1x Intelligent Hot Shoe
Tripod Mount
2x 1/4"-20 Female (Bottom)
Accessory Mounting Thread
3x 1/4"-20 on Camera Body
Materials
Magnesium Alloy
Dimensions (W x H x D)
5.1 x 4.1 x 3.1" / 129.7 x 103.7 x 77.8 mm
Weight
1.3 lb / 594 g (Body Only)
1.5 lb / 679 g (With Recording Media, Battery)
Packaging Info
Package Weight
2.03 lb
Box Dimensions (LxWxH)
7.5 x 6.4 x 4.8"

Sony FX2 E Mount Reviews

Good B camera to the FX3

By Patrick
Rated 5 out of 5
Date: 2026-06-27

A few improvements over the FX3. Firstly the viewfinder is huge outside in full sun. The autofocus works better too. Great B-roll camera to the FX3. I like the XLR handle with the Tilta brace.

The best Hybrid photo/video camera

By Spencer
Rated 5 out of 5
Date: 2026-02-16

This is the hybrid camera I always dreamed of. I own an fx6 and bought a a7rV for photo and to use as a b cam for video, but found the A7rV was overkill for my photo needs and underwhelming in video. The fx2 solves this. Video on par with fx6....it looks great, AI autofocus is better, and the OLPF is a great add that is missing in the other a7 cameras. The IO is awesome and I love the dual base iso of 4,000. 12,800 always felt to much on the fx3 so this is the perfect sweet spot for me. On the photo side I was afraid I might miss the 62MP of the a7rV but 33 is plent for my need. Still room to crop, but not massive files! I am now running 2 of these and use them more than anything else. I'll also add that I love the EVF. I think this was a missundersood camera when it came out...but its perfect for my needs

See any errors on this page?

Can this shoot live for imag?

Can this shoot live for imag?
Asked by: avclub
Yes, the Sony FX2 Digital Cinema Camera can output video via HDMI whether recording or not.
Answered by: John W
Date published: 2025-11-05

What is the bit depth of photos when shooting ...

What is the bit depth of photos when shooting continuous hi+ with mechanical shutter?
Asked by: Jonas
The photo bit depth of the Sony FX2 Digital Cinema Camera would be 14-bit uncompressed and 12-bit compressed.
Answered by: John W
Date published: 2025-12-30

Can the BlackMagic Assist be used to record BRaw ...

Can the BlackMagic Assist be used to record BRaw from the FX2?
Asked by: s
No, the Sony FX2 Digital Cinema Camera does not produce BRAW into the Blackmagic Design Video Assist monitors.
Answered by: Jonathan S
Date published: 2025-06-04

Does the FX2 have an optical low-pass filter?

Does the FX2 have an optical low-pass filter?
Asked by: brian
Yes, the Sony FX2 Digital Cinema Camera comes equipped with an OLPF.
Answered by: Jonathan S
Date published: 2026-03-12

Can this use the same audio handle as the FX3?

Can this use the same audio handle as the FX3?
Asked by: Joe
Yes, the Sony XLR-H1 XLR Handle Unit (B&H # SOXLRH1) can be used on the Sony FX2 Digital Cinema Camera as well.
Answered by: Marvin C
Date published: 2025-06-10

I'm reading mixed things in the ANSWERS, some say ...

I'm reading mixed things in the ANSWERS, some say FX2 CANNOT import LUTs and others say, you CAN import a False Color LUT. True?
Asked by: s
Yes, the Sony FX2 Digital Cinema Camera can import a 32x32x32 cube LUT.
Answered by: Jonathan S
Date published: 2025-06-04

During USB livestreaming, can the camera send ...

During USB livestreaming, can the camera send SLOG3 signal with a user LUT applied?
Asked by: jeffrey
can you say more about what camera settings and output methods mean? Can the LUT be applied to SLOG3 over USB-C live streaming? Seems like yes or no!
Answered by: jeffrey
Date published: 2025-07-01

Does the FX2 have an intervalometer?

Does the FX2 have an intervalometer?
Asked by: James
Yes, the Sony FX2 Digital Cinema Camera has a time-lapse/intervalometer shooting function. Sony calls this the Interval Shoot Function. Manual: https://bhpho.to/3Jez7I1
Answered by: Chris H
Date published: 2025-08-14
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