Kit Contains:
DPA Microphones 2012 Compact Cardioid Condenser Microphone
Great Close Miking for the Live Stage
Sound engineers, producers, and musicians looking for a workhorse microphone to capture precise, natural sound from a wide range of instruments will be delighted by the 2012 from DPA, a cardioid condenser mic that's built to survive the rigors of live stage performances, day after day. Designed to be placed close to instruments, the mic can handle peak SPLs up to 156 dB while the smooth, uniform cardioid polar pattern offers a consistent response across the entire frequency range, helping to ensure sounds are accurately reproduced with precision and nuance.
A Cardioid Mic Ready for a Variety of Instruments
- Equally at home in the orchestra pit, on a live stage, or in the studio, the 2012 is a versatile mic that captures detailed, natural sound from numerous sources, including guitars, horns, percussion, and more.
- The microphone is designed for close-miking and offers a linear frequency response when positioned about 11.8 inches from the source.
- A flat on-axis frequency response with a light presence boost in the 5 to 12 kHz range provides faithful reproduction of instrumental performances.
- The 17mm electret-condenser capsule offers an outstanding transient response to deliver rich, expressive sound and can handle peak SPLs up to 156 dB with a 10% THD, allowing you to use it on loud sources, including snare drums as well as electric guitar and bass cabinets.
- The uniform cardioid polar pattern focuses audio capture in front of the mic and ensures that any bleed from other instruments is a truly accurate reflection of the original sound.
Durable, Performance-Ready Build Quality
- Live performance stages can be difficult environments for equipment, especially for a go-to mic that you'll use on every show.
- The 2012 is built with a thick and robust structure that can stand up to the everyday abuses of touring and performing, with extra-durable surfaces for more graceful aging.
- The compact size makes it easier to optimally place the mic, even on cramped stages packed with equipment.
- The included professional-quality holder provides a firm grip to keep the mic in place.
- Connect the standard 3-pin XLR connector to a wide variety of mixing boards and preamplifiers and power the electret-condenser capsule with 48V phantom power.
DPA Microphones 2015 Compact Wide-Cardioid Condenser Microphone
An Overhead Mic for Ambient Pick Up on the Live Stage
The 2015 from DPA provides sound engineers, producers, and musicians with a versatile wide-cardioid condenser microphone well suited for use on a variety of instruments and built to withstand the rigors of live stage performances. With its ability to handle SPLs up to 147 dB, the mic can be placed close to instruments when needed or further away to capture more ambient sound. The smooth, uniform wide-cardioid polar pattern offers a consistent response across the entire frequency range, helping to ensure sounds are accurately reproduced with precision and nuance.
A Wide-Cardioid Pattern for Instruments and Ensembles
- Equally at home in the orchestra pit, on a live stage, or in the studio, the 2015 is a versatile mic you can use to capture detailed, natural sound from a wide range of instruments, including grand pianos, horn groups, vibraphones, marimbas, xylophones, and other large instruments; it's also an excellent choice for drum overheads.
- Using an additional 2015 (available separately) for stereo recordings can provide many good mix options, especially for overhead, ambient, and ensemble recordings.
- The microphone offers a linear frequency response when positioned about 11.8 inches from the source.
- A flat on-axis frequency response with a light presence boost in the 5 to 15 kHz range provides faithful reproduction of instrumental performances.
- The 17mm electret-condenser capsule delivers rich, expressive sound and can handle SPLs up to 147 dB, allowing you to use it on loud sources.
- The uniform wide-cardioid polar pattern provides 3 dB of attenuation at 90° and 6 dB of attenuation at 135°. This pattern ensures performance that is similar to an omnidirectional microphone from the front, but from the back, it exhibits performance similar to a cardioid mic.
- The uniform off-axis response ensures that any bleed from other instruments is a truly accurate reflection of the original sound.
Durable, Performance-Ready Build Quality
- Live performance stages can be difficult environments for equipment, especially for a go-to mic that you'll use on every show.
- The 2015 is built with a thick and robust structure that can stand up to the everyday abuses of touring and performing, with extra-durable surfaces for more graceful aging.
- The compact size makes it easier to optimally place the mic, even on cramped stages packed with equipment.
- The included professional-quality holder provides a firm grip to keep the mic in place; a foam windscreen is also supplied.
- Connect the standard 3-pin XLR connector to a wide variety of mixing boards and preamplifiers and power the electret-condenser capsule with 48V phantom power.
DPA Microphones 4055 Kick Drum Microphone with Holder
Capture the full, rich sound of your kick drum accurately with the 4055 Kick Drum Microphone from DPA. Unlike other bass drum mics that are tailored to emphasize certain frequencies for specific genres, the 4055 aims for a more linear response with only a subtle 6 dB boost in the 10 kHz range. This more sonically neutral approach captures the true sound of the drum, letting you add your own EQ, if necessary, to work within the context of your mix.
The package includes the UA0961 microphone holder, and the asymmetrical design makes it easy to place the mic inside or outside of the kick drum. Slide the mic into the bass drum for more attack or place it just outside the hole for maximum subs and bottom-end. The linear on- and off-axis response provide a round yet tight sound with extended low end and detailed mid and high frequencies. Robust housing protects the mic from even the most aggressive performers, while wind-damping foam behind the capsule protects the microphone element and keeps excess air noise in check.
At a Glance
- Picks up the clear, true sound of the kick drum
- Flat frequency response, so you can shape the sound your way
- Built tough to withstand rough use on the live stage
- Asymmetric design for easy placement inside or outside the kick drum
- Open cardioid pickup pattern
- 40 Hz to 18 kHz effective frequency range with 6 dB soft boost at 10 kHz
- 132 dB dynamic range
- 164 dB maximum input SPL (at 10% THD)
- Requires 48V phantom power
DPA Microphones 4099 CORE+ Supercardioid Instrument Microphone with Drum Clip (Extreme SPL)
The DPA 4099 CORE+ Instrument Microphone with Drum Clip (Extreme SPL) is designed to deliver uncompromising sound quality and unmatched versatility for close-miking a wide variety of instruments in both live and studio environments. The mic can handle SPLs up to 152 dB, allowing it to easily capture drums, percussion, and other very loud instruments. This discreet supercardioid condenser microphone captures the true character of each instrument with pristine clarity—even in extreme-SPL settings. This configuration includes a D-CLIP drum clip.
Engineered for Demanding Performances
At the heart of the 4099 CORE+ is DPA's updated CORE+ technology, which provides a wider dynamic range and increased headroom. With a peak SPL handling of 152 dB before clipping, this Extreme SPL version (identified by a yellow marking on the gooseneck) easily manages very loud instruments and powerful drum strikes, ensuring a natural and distortion-free signal. The microphone's supercardioid polar pattern offers well-balanced isolation from surrounding instruments, enhanced by a new advanced shockmount and improved gooseneck design for exceptional rejection of vibration and handling noise.
Drum Clip Included
Mount the 4099 CORE+ microphone onto most drums with the included D-CLIP Microphone Clip for Drum from DPA Microphones. Employing a proprietary G-MOUNT locking mechanism, the clip boasts a 90° adjustment system and can be paired with the optional XLR-MOUNT.
Refined Mounting and Isolation
The integrated gooseneck mount (G-MOUNT) provides intuitive, one-handed operation and precise mic positioning. It enhances stability and isolation, streamlines the setup process, and ensures reliable performance under the pressures of live sound. A refined windscreen and low-reflective finish help maintain an unobtrusive visual profile, on camera or onstage.
Versatile and Durable Design
The 4099 CORE+ is built to adapt. Its upgraded mounting system offers a wide range of clip options (available separately) that securely attach to virtually any acoustic instrument—no matter the shape or size—without causing damage. The detachable MicroLock connector provides compatibility with a variety of wireless and wired systems, while IP58 certification ensures the microphone stands up to moisture, dust, and the rigors of travel. With a single mic body and a selection of dedicated clips, the 4099 CORE+ offers an elegant and scalable solution for everything from solo gigs to orchestral performances and rock-and-roll tours.
Product Details
- CORE+ technology: offers a wider dynamic range (10 dB more than previous CORE models) and 3 dB higher clipping point for greater headroom and detail
- Extreme SPL version: withstands up to 152 dB SPL, ideal for close-miking very loud instruments and percussion
- Supercardioid polar pattern: provides focused pickup with excellent rejection of off-axis sound for clear, isolated capture with less bleed and feedback
- G-MOUNT gooseneck mechanism: enables precise placement with one-handed operation and improved vibration isolation
- Advanced shockmount: reduces structure-borne noise and stage vibration for a cleaner, more consistent sound
- Flexible mounting system: securely attaches to a wide variety of instruments with improved grip and minimal impact on surfaces
- MicroLock connector: ensures a stable connection and allows for quick changes between wireless and wired setups
- Discreet and lightweight design: blends easily into performance environments without distracting from the instrument or performer
- IP58 certified: resistant to dust, water, and humidity, ensuring reliable operation under challenging conditions
- Modular design: one microphone can be used across multiple instruments—just change the mounting clip to match
DPA Microphones DAD9001 MicroLock to 3-Pin XLR Adapter with Belt Clip
The DPA DAD9001 is a rugged MicroLock to 3-pin XLR adapter with integrated belt clip, designed to power DPA miniature microphones using standard 48V phantom power. It features a solid metal housing and a repositionable belt clip for durability and ease of use in the field.
Optimized for DPA’s CORE+ microphones, the DAD9001 delivers top-tier audio performance with enhanced circuitry that resists interference from high-RF environments, like LED walls and wireless-heavy productions. Its flexible design enables you to switch easily between wired and wireless setups—saving cost and hassle by eliminating the need for multiple mic systems.
Whether you’re working on a broadcast, recording session, theater production, or live performance, the DAD9001 provides a clean, stable, and professional connection from your miniature mic to your audio chain.
Details
- Converts MicroLock to standard 3-pin XLR
- Use to power DPA miniature mics via 48V phantom
- Optimized for best CORE+ performance
- Durable rugged metal housing
- Repositionable belt clip for convenient mounting
- Enhanced RF immunity for challenging environments
- Enables easy switching between wireless and wired setups
- Preserves full audio quality during adapter changes
DPA Microphones Heavy-Duty MicroLock Extension Cable (5.9', Black)
This black, 5.9' Heavy-Duty MicroLock Extension Cable from DPA will work with any DPA miniature microphone. With this extra thick and sturdy, reinforced cable, any DPA adapter for wireless systems can be used. The reinforced cable features a 2.2mm diameter and is well suited for use in physically challenging environments like the live stage.