Covering a versatile wide-angle focal length range, the RF 15-35mm f/2.8 L IS USM from Canon is also characterized by its bright f/2.8 constant maximum aperture. This bright design enables working in available light conditions and also affords greater control over depth of field. The range of wide focal lengths suits working in a variety of situations, from landscape to documentary shooting, and this zoom is complemented by an advanced optical design that greatly reduces color fringing and distortion for high clarity and sharpness. An Air-Sphere coating has also been applied to reduce flare and ghosting for improved contrast and color fidelity when working in bright conditions.
Complementing the imaging capabilities is an apt Nano USM focus system, which delivers fast, nearly silent autofocus performance with full-time manual focus override. An Image Stabilizer also compensates for up to five stops of camera shake to help produce sharper handheld shots in difficult lighting conditions. A unique Control Ring is also integrated into the lens design for intuitive control over exposure settings from the lens itself. Additionally, this 15-35mm is weather-sealed and has a fluorine coating to protect the front and rear elements.
- 7K Full-Frame CMOS Sensor
- 7K 3:2 Open Gate, UHD 4K120
- Dual-Base ISO: 800 and 6400
- Full-Size HDMI Output, DIN Timecode Port
Business Financing Options
Canon EOS C50 Full-Frame Cinema Camera (Canon RF)
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Canon C50 Reviews
canon c50 purchase
Shipped fast and came fast. Blessing
I don’t get the hate
In short - this camera is fantastic. I’ve worked mostly with the RED Komodo and FX3 up until making the switch and I have to say - so far the C50 is going above and beyond my expectations. I can confidently say that I’m not going to look back and this is my go to camera for all my upcoming work. The image is stunning, the different formats are amazing and give me so much freedom. Sure, it doesn’t have built in ND filters or IBIS, but neither do many other cinema cameras. Another complaint I’ve seen is the small screen size. Sure, it’s small. But I don’t use it, since I have an external monitor as part of my rig (as do most other professionals). If you’re a “run and gun” shooter who needs to travel light and shoot from the hip, then this camera probably isn’t for you. If you’re like me and most of your projects allow you to set up, light the set and shape the frame - it’s a fantastic camera and delivers so much more than its price suggests.
