Get ready for big and bold cinema-style capture with the URSA Cine 17K 65 Camera Kit from Blackmagic Design. This kit comprises a 17K cinema camera, an 8TB Media Module, interchangeable PL and LPL lens mounts, a top handle, a top rod mount, a 19mm baseplate, a DaVinci Resolve Studio activation key, and a Pelican 1510 case with custom-cut foam. The camera features a large-format 65mm RGBW sensor with 17,520 x 8040 resolution, interchangeable lens mounts, built-in OLPF, live streaming, and Gen 5 color science. The 8TB media module supports up to 12-bit Blackmagic RAW files and is hot-swappable using an optional Media Dock.
The Blackmagic Design URSA Cine Top Handle mounts to the top of your URSA Cine camera and provides an additional handgrip to carry your camera safely. Built into the top of the handle are 1/4"-20 mounting threads that allow you to integrate additional accessories like the URSA Cine EVF. Not only does the top handle provide a comfortable way to carry your camera, it also allows you to hold your camera steady when shooting low-angle shots.
Secure your URSA Cine 12K camera onto a tripod or shoulder rig using this 19mm Baseplate from Blackmagic Design. The baseplate features both 19mm Studio rod ports and 15mm LWS rod ports for optional rods, and there are standard rosettes on either side of the baseplate for optional extension arms or handles. The bottom of the plate features a shoulder pad and numerous rig mounting possibilities.
This B-mount Battery Plate from Blackmagic Design is specifically designed to work with the URSA Cine camera. The sturdy plate enables the attachment of a single third-party B-mount battery directly to the rear of your camera without the need for any extra cabling.
This set of Rubber Caps for URSA Cine Camera from Blackmagic Design protects your camera's ports when they're not being used. Each of the assorted six caps is made of durable rubber.
Use your high-end cinema lenses on your URSA Cine camera with this LPL Lens Mount from Blackmagic Design. Designed to easily integrate with the URSA Cine camera, this compact, interchangeable adapter facilitates the seamless employment of LPL lenses with your camera. This adapter includes contact pins to read and record lens metadata.
This 24V 250W Power Supply from Blackmagic Design is a power supply for the original one that comes with the URSA Cine camera. It outputs 24V, 250W power, and terminates with an 8-pin LEMO connector and requires a separately available IEC cable for connecting to an AC outlet.
The Folding Sunshade for URSA Cine from Blackmagic Design fits on your camera's integrated 5" touchscreen LCD. This shade protects against glare and folds flat for easy storage.
DaVinci Resolve offers a comprehensive editing experience by combining different editors in one platform, across different tabs at the bottom of the interface. Between these different tabs, you get full-featured advanced solutions for video editing, color correction, visual effects, motion graphics, and audio post-production. DaVinci Resolve is also built to work fast and efficiently and to handle large projects with collaboration. You can work with up to 8K footage and a wide variety of formats. Toolsets are available for advanced HDR editing, 3D stereoscopic workflows, social media content, and much more.
Your order provides you with an activation card by mail. The card has a code for downloading and running the software on up to two computers.
The activation code comes only on a physical card that is shipped at the time of purchase. This code cannot be sent electronically.
- Blackmagic Cloud to host and manage cloud-based project libraries.
- Collaborate securely over the internet using Blackmagic ID.
- Support for intelligent path mapping to relink files automatically.
- Vastly improved project library performance for network workflows.
- Improved project performance, especially when working on large projects.
- New Proxy Generator app for auto-creating proxies within watch folders.
- Ability to choose between prioritizing proxies or camera originals.
- Proxy files in subfolders are automatically assigned in the media pool.
- Stabilize Blackmagic Pocket Camera clips with camera gyro metadata.
New subtitle improvements, including:
- Support for timed text TTML, XML, and embedded MXF/IMF subtitles.
- Ability to view and import subtitles from media storage.
- Support for relinking subtitle clips from the media pool.
- Subtitle region support with multiple simultaneous captions per track.
- Set individual presets and text positions, and intuitively edit between regions.
- Add, rename, and manage regions from the timeline context menu.
- Ability to export TTML subtitles from the track header context menu.
- Ability to import, export, and embed multiple subtitle tracks as TTML.
- Support for reversing shape, iris, and wipe transitions on the edit page.
- Support for showing up to 25 simultaneous multicamera angles on the viewer.
- Edit Index now shows clip duration.
- Ability to navigate keyframes outside trimmed clip extents.
- Ability to navigate retime keyframes using hotkeys.
- Smart bin filter for disabled timelines.
- Render in place and open in Fusion actions can be assigned shortcuts.
- Reset Fusion composition now works on multiple clip selections.
- New object mask capability in Magic Mask.
- Adjustment clips and Fusion generators can bypass color management.
- Support for syncing clip groups in remote grading sessions.
- Ability to trigger bidirectional tracking from advanced and mini panels.
- Support for matte finesse and 3D qualifier in advanced and mini panels.
- Dolby Vision highlight clipping support in advanced panels.
- Support for bypassing color outputs from advanced panels.
- Add key mixers with auto-connected key outs from advanced panels.
- Support for bidirectional tracking in advanced panels.
- Support for fast review playback mode in advanced panels.
- ACES support for Blackmagic Gen 5 camera formats.
- Support for the HDR Vivid standard.
- Reference gamut compression is enabled by default in ACES 1.3.
- New Resolve FX Depth Map to generate 3D depth-based keys in Studio.
- New Resolve FX Fast Noise.
- New Resolve FX Despill.
- New Resolve FX Surface Tracker for tracking warped surfaces in Studio.
- Improved Resolve FX Beauty with new ultra mode.
- Improved edge strength and filter controls in Resolve FX Edge Detection.
- Option to composite from a second input in Resolve FX Transform.
- New bokeh preset for Resolve FX Lens Reflections.
- Green-purple control for Resolve FX Chromatic Aberration.
- Sizing awareness option in Resolve FX lens flare and radial and zoom blurs.
- Ability to convert fixed bus projects to FlexBus in project settings.
- Ability to freely order tracks and buses in the mixer via the track index.
- Ability to nudge custom millisecond or sub-frame intervals in the timeline.
- Improved quality for time-stretched audio.
- Improved Dolby Atmos immersive mixing, including binaural monitoring.
- Native support for Dolby Atmos production for Linux and Apple silicon.
- Independent controls to enable automation and expose parameters.
- Improved behavior of automated tracks under VCA control.
- Improved meters with configurable decay, peak hold, and display modes.
- Ability to ctrl-alt click to remove gain and elastic wave keyframes.
- Ability to double-click a clip in the timeline to rename.
- Ability to set record clip name prefix at a per-track level.
- Support for renaming underlying tracks when renaming a linked group
- Equalizers with improved Q controls and mouse wheel inputs.
- Dynamics with enhanced metering, gain display, and enable controls.
- Dynamics with improved dry mix, soft knee, and metering in FlexBus.
- Improved plug-in management with replace and copy settings in the mixer.
- New built-in presets for equalizers and dynamics.
- Hold shift and double-click clips to extend the edit selection range.
- Support for applying audio gain on range selection.
- Improved waveform display accuracy under crossfades.
- Origination time metadata is now persisted when bouncing mix to track.
- Option to trim from unity on the Fairlight Desktop Console.
- Support for VCA and bus spill on the Fairlight Desktop Console.
- Support for using the Fairlight Desktop Console on Linux systems.
- Studio monitoring support for FlexBus on consoles.
- Fairlight console option to mute speakers on timeline load.
- Support for chasing timecode via Fairlight audio interfaces.
- Support for user views in the Fairlight Desktop Console.
- Improved mapping for audio effects on the Audio Editor panel.
- Ability to use alt + solo to invoke solo safe in the Audio Editor panel.
- Support for a new clear mutes action in the timeline menu.
- Enabling track mixer controls brings a window to focus if already open.
- Grid and list modes are persisted for patch, bus, and VCA assign.
- Multi-button mode selection in the inspector for multiple tools.
- Support for all modern and future Python 3 versions for scripting.
- Support for live previews when using the Text+ color picker.
- Multiple new composition blend modes.
- New expression animated Custom Poly modifier for masks and strokes.
- Faster GPU-accelerated paint tool with smoother strokes.
- Faster duplicate tool with additional blur, glow, and size controls.
- Improved fade-on and text ripple title performance.
- Improved performance for night vision, glitch, TV, and other effects.
- Support for Blackmagic RAW SDK 2.6.
- Support for video uploads to internet accounts using custom presets.
- Support for encoding mono and stereo MP3 audio.
- New HyperDeck export preset in the Quick Export and Deliver page.
- Ability to render individual clips with timeline effects.
- Ability to embed Blackmagic RAW metadata in QuickTime renders.
- Custom quality and profile media management options where available.
- Support for rendering Dolby Vision compatible H.265 clips.
- Support for decoding CMYK format TIFF files.
- Support for retaining reel name metadata in rendered EXRs.
- Support for record date and time metadata for JPEG stills.
- Alpha channel support in the IO Encode Plug-in SDK.
- Support for RED SDK 8.3.
- Support for the ARRI Alexa 35 camera.
- New 1440p YouTube preset.
- Render option to override ACES gamut compression for round trips.
- Main10 is now the default H.265 encoding profile on Mac.
- Support for Blackmagic RAW SDK 2.6.
- Support for video uploads to internet accounts using custom presets.
- Support for encoding mono and stereo MP3 audio.
- New HyperDeck export preset in the Quick Export and deliver page.
- Ability to render individual clips with timeline effects.
- Ability to embed Blackmagic RAW metadata in QuickTime renders.
- Custom quality and profile media management options where available.
- Support for rendering Dolby Vision compatible H.265 clips.
- Support for decoding CMYK format TIFF files.
- Support for retaining reel name metadata in rendered EXRs.
- Support for record date and time metadata for JPEG stills.
- Alpha channel support in the IO Encode Plug-in SDK.
- Support for RED SDK 8.3.
- Support for the ARRI Alexa 35 camera.
- New 1440p YouTube preset.
- Render option to override ACES gamut compression for round trips.
- Main10 is now the default H.265 encoding profile on Mac.
- Support for 10-bit viewers on Windows and Linux in Studio.
- Stream video output to remote monitoring in Windows and Linux in Studio.
- Apple Neural Engine support for DaVinci Neural Engine on M1 and M1 Pro.
- Support for Korean localizations in DaVinci Resolve.
- PostgreSQL 13 is now bundled with Project Server.
- Support for desktop notifications for collaboration chat.
- User preference to import Finder tags as clip keywords on Mac.
- Support for importing and exporting Final Cut Pro v1.10 XMLs.
- Ability to unlink Dropbox comments and marker sync for timelines.
- Playback and render now prevent Mac systems from sleeping.
- Render jobs now show progress bars for uploads.
- Support for per-system project working paths in collaboration and cloud.
- Support for per-system render cache mode in collaboration and cloud.
- Support for setting current project settings as default.
- Drag and drop project archives to the project manager to restore.
- Scripting API support for creating Fusion compositions.
- Scripting API support for exporting project archives.
- Scripting API support to get and set timeline start timecode.
- Scripting API support to detect stale media bins and refresh them.
- Scripting API support for updating camera raw sidecar files.
- General performance and stability improvements.
- Support for 10-bit viewers on Windows and Linux in Studio.
- Stream video output to remote monitoring in Windows and Linux in Studio.
- Apple Neural Engine support for DaVinci Neural Engine on M1 and M1 Pro.
- Support for Korean localizations in DaVinci Resolve.
- PostgreSQL 13 is now bundled with Project Server.
- Support for desktop notifications for collaboration chat.
- User preference to import Finder tags as clip keywords on Mac.
- Support for importing and exporting Final Cut Pro v1.10 XMLs.
- Ability to unlink Dropbox comment and marker sync for timelines.
- Playback and render now prevent Mac systems from sleeping.
- Render jobs now show progress bars for uploads.
- Support for per-system project working paths in collaboration and cloud.
- Support for per-system render cache mode in collaboration and cloud.
- Support for setting current project settings as default.
- Drag and drop project archives to the project manager to restore.
- Scripting API support for creating Fusion compositions.
- Scripting API support for exporting project archives.
- Scripting API support to get and set timeline start timecode.
- Scripting API support to detect stale media bins and refresh them.
- Scripting API support for updating camera raw sidecar files.
- General performance and stability improvements.
- Metadata view and clip sorting
- Trimming against audio waveforms
- Smart Reframe for social media
- Fast effects search and live preview
- Import ATEM Mini projects
- Updated clip inspector
- Proxy media workflows
- Easily sync multicamera clips
- Keying and compositing
- Render in place
- Source clip adjustments
- Share timelines and bins
- Improved editing with interlaced material
- Enhanced timeline organization
- Scene cut detection
- PostgreSQL 9.0 is the minimum supported version.
- PostgreSQL 13 is the recommended version.
- 10-bit viewers on Windows and Linux need a capable graphics card and display.
- macOS 11 Big Sur
- 8GB of system memory, 16GB when using Fusion
- Blackmagic Design Desktop Video version 12.0 or later
- Integrated GPU or discrete GPU with at least 2GB of VRAM
- GPU that supports Metal or OpenCL 1.2
- Windows 10 Creators Update
- 16GB of system memory, 32GB when using Fusion
- Blackmagic Design Desktop Video 10.4.1 or later
- Integrated GPU or discrete GPU with at least 2GB of VRAM
- GPU that supports OpenCL 1.2 or CUDA 11
- NVIDIA/AMD/Intel GPU Driver version–as required by your GPU
- CentOS 7.3
- 32GB of system memory
- Blackmagic Design Desktop Video 10.4.1 or later
- Discrete GPU with at least 2GB of VRAM
- GPU that supports OpenCL 1.2 or CUDA 11
- NVIDIA/AMD Driver version–as required by your GPU
The 1510 Protector Carry-On Case from Pelican is made from ultrahigh-impact structural copolymer for strength and durability. Virtually unbreakable, it has a neoprene O-ring to make it airtight. Resistant to water, dust, chemicals, and corrosion, it keeps your sensitive equipment protected from the elements. The automatic pressure release valve ensures the case remains easy to open, even after air travel. The hinged lid has double ABS latches that accept user-supplied padlocks for added security.
Convenient transport is provided by long side handles, a long front handle, a retractable pull handle, and smooth-rolling polyurethane wheels with stainless steel bearings.
- Comfortable rubber overmolded top and side handles
- Retractable extension pull handle
- Strong built-in polyurethane wheels with stainless-steel bearings
- Ideal for easy and secure transport of sensitive photo or video gear
- Easy transports equipment for camping, travel, weekend photo jobs
- Strong and durable ultrahigh-impact structural copolymer
- Resistant to water, dust, chemicals, and corrosion
- Secure ABS latches accept user-supplied padlocks
- Built-in pressure release valve for changes in altitude or temperature
- Withstands extreme temperatures from -40° to 190°F