The GO-Kit 88 4-Section Boompole Kit with Shockmount, Headphones, and Windscreen from KTek is perfect for run-and-gun recording, documentary production, education, interviews on the go, and almost any other scenario in which professional or independent film and TV production is taking place. The kit also includes an extra XLR cable and universal mount.
Designed for independent filmmakers, documentarians, and creators, the lightweight and durable KC88CC Indie 4-Section Carbon Composite Boompole is crafted from proprietary carbon composite material with an internal coiled XLR cable, ensuring precise and effortless handling in even the most demanding shooting environments.
The KC88CC features a 4-section design, a collapsed length of 28.7", and an extended reach of 7.3', allowing the user to capture clean audio while staying out of frame. The knurled collars provide a secure grip, while the smooth tube finish allows for seamless extension and retraction. A standard 3/8"-16 screw on the top attachment ensures compatibility with a wide range of shockmounts and microphones. With a specialized lightweight design, the KC88CC is ideal for tackling long shooting days without fatigue.
- 4-section carbon composite, cabled boompole
- Collapsed length: 28.7"
- Extended length: 7.3'
- Lightweight at 0.95 lb (uncabled)
- Top attachment: standard 3/8″-16 male screw
- Knurled collars for a firm grip
- Smooth finish on tubes for clean extension
The ASM1 Shockmount 1 from Airo by K-Tek is a rugged shockmount designed for boompoles and mic stands. It can be used to securely isolate a shotgun microphone from swinging and eliminate handling noise in ENG, EFP, and other field recording applications. The shockmount features two molded rubber suspenders. In addition, a threaded adapter is included to accommodate 5/8" mic stands.
The K-Tek Airo Fuzzy Windscreen 1 is designed to mitigate wind noise while recording on location. The windscreen uses open-cell foam and is covered by faux fur, which is made from natural-looking black and gray medium length fibers. The seamless front panel ensures optimal recording performance. The Airo Fuzzy Windscreen 1 fits most common shotgun microphones, such as the Rode NTG Series or Aputure Deity range. This windscreen can also accommodate microphones up to 0.89″ in diameter and has an internal length of 8.7″. Additionally, the internal length allows for most common microphones to be covered in a way that leaves an open "bubble" between the tip of the microphone and the fuzzy windscreen for clearer sound capture.
- Aputure Deity
- DPA 4017
- Neumann KMR81
- Rode NTG1
- Rode NTG2
- Rode NTG3
- Rode NTG4+
- Sanken CS1e
- Sanken CS3e
- Schoeps CMC641
- Schoeps CMIT5u
- Schoeps SuperCMIT 5u
- Sennheiser ME66/K6
- Sennheiser MKH416
- Sennheiser MKH8060
The Halter Technical Scene Monitor is designed for creative professionals who need headphones they can wear all day without fatigue. Whether you’re on set, on location, or working in the office, its featherlight build ensures long-lasting comfort, so you can stay focused on creating.
The K-Tek KPCS Coiled XLR Jumper Cable is a short XLR cable designed to connect nearby devices, optimizing power sources and removing the need for extra bulky batteries.
The coiled cable extends from 7 to 24". It has a Neutrik, right-angle female connector at one end and a Neutrik, straight male connector at the other.
The K-Tek KSQD1—or the Squid, as it’s more commonly known—is a convenient, stretchy solution for mounting a transmitter, mobile device, remote, and more to a tripod, handgrip, and yes, even a boompole. The Squid is made of silicone, quite elastic and strong, and stretches to provide a solid grip over the device. The silicone doubles as a barrier to shield the equipment, behaving in some ways as a shock absorber. As the Squid is translucent, you can see your controls and status indications quite easily.
Attaching something like a transmitter to the top end of your boompole with the Squid you can achieve better RF range, as well as stability as you swing the boom to and fro. Also, the silicone material adds little weight to the endeavor, which, as any boompole operator can tell you, is a plus. You can even attach a camera with a gimbal to the top of the boom, achieving drone-like shots. You can also use this device on tripod legs, antenna masts, or indeed, any tube-shaped object.
