- Pre-Capture: The a7R VI can be configured to begin recording images at 30 fps with AF/AE to the buffer when the shutter button is half-pressed. Users can set this between 0.03-1.0 second. Upon pressing the shutter these images will be saved to the memory card.
- Speed Boost: With Speed Boost and an assigned custom button, users can instantly switch their camera from their usual continuous shooting frame rate to a faster one to make sure their next shot is just right. Photographers will be able to select various frame rates up to 30 fps.
- The in-body image stabilization (IBIS) system has been revised to support up to 8.5 stops of camera shake compensation in the center of the frame and up to 7 stops at the periphery. This 5-axis stabilization system combines a high-performance gyro sensor with an optimized algorithm for more precise shake control and improved communication between the camera body and lens.
- Additionally, specifically for video, there is also an Active IS mode that adds even more precise stabilization methods for even smoother footage straight out of camera. Also, this digital stabilization system has been updated with a new algorithm that offers the best stabilization performance when paired with select OSS-enabled lenses.
Additionally, multi-image HDR and Noise Reduction modes can also composite between 4-32 raw images into a single frame that exhibits a wider dynamic range or reduced apparent noise, respectively.
- Improved auto-exposure algorithm can detect skin area in faces in order to more accurately balance exposures for portraits. This AE method is approximately 20% more reliable, even in backlit or direct sunlight situations, or even when the subject is not directly facing the camera.
- Deep learning technology, along with external visible light and IR sensors, also contributes to more accurate color reproduction and auto white balance processing.
- Human, which tracks body and head positions for accurate portraits. Real-time Eye AF+ performance has also improved human pose estimation capabilities as well as more tracking stability in crowded scenes, better recognition of smaller and distant subjects, and more persistent tracking of partially obscured subjects.
- Animal, Bird, and Animal/Bird modes recognize a variety of animal types, including dogs, cats, birds and more, with the ability to pinpoint focus on eyes and recognize animal bodies and heads.
- Insect recognition offers even finer performance with the ability to detect the head or entire insect subject.
- Car/Train and Airplane recognition means the camera can detect the front part of a train, nose of an airplane, or easily detect the entire fast-moving subject.
- Real-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects. Also, Human pose estimation allows the camera to distinguish between multiple people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person.
- Covering 94% of the full-frame image area, or 100% of the APS-C cropped area, a Fast Hybrid AF system incorporates a dense 759 phase-detection point grid for quick and precise focusing in a variety of lighting conditions with sensitivity down to -6 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.
- Full-time DMF (Direct Manual Focus) enables using the lens's focus ring for manual focus control at any time, making it easier to switch focus to a different subject even when working with AF.
- For photographic moving subjects, this AF system keeps up with the top 30 fps continuous shooting speeds, offering full-time AF tracking between each consecutive frame at a maximum rate of 60 AF/AE calculations per second.
- XS - XL focus areas can be used, along with custom focus area shapes, to match the subject matter and framing concerns of different scenarios.
- In-camera Focus Bracketing is possible, with the ability to record up to 299 frames with sequentially shifted focus points for creating composite images during post-production with greater-than-possible depth of field.
- Real-time Eye AF is fully supported during video recording, for subject detection and tracking of human, animal, and bird eyes while shooting.
- Focus Map is a unique way of visualizing depth of field and functions in a similar way to peaking with a colorful overlay of the scene that indicates which parts of the scene are in front of and behind the focus point depending on the chosen aperture.
- A feature carried over from the FX6 digital cine camera, AF Assist lets you intuitively switch over to manual focus control for adjusting focus position when working with AF. This is a quick way to shift selective focus between various subjects in a scene while recording.
- A unique solution to compensate for how certain lenses perform when racking focus, Focus Breathing compensation will automatically smooth focus transitions and maintain a consistent field of view when changing the focus position during a shot. This mode crops into the image slightly and corrects for any detected shifts in composition when focusing is happening. This function is compatible with select E-mount lenses, check Breathing Compensation lens compatibility here.
- Recording formats include 10-bit, full-frame 8K 30/24p via 8.2K oversampling and 4K 120p via 5K oversampling with full pixel readout. When using a Super 35 recording area, 4K 60p footage can use 6.3K oversampling for improved detail or 4K 120 high-speed recording is possible when using 4.6K oversampling.
- AI subject recognition, gained from the AI Processing Unit, benefits the Framing Stabilizer mode, which can be used to automatically crop and recompose so the subject remains centered in the image.
- Dynamic Active Mode Stabilization also helps retain accurate framing while filming, especially when recording while walking or moving.
- Included S-Cinetone profile, S-Log2/3 gamma curves, ProRes RAW output over HDMI, and the ability to import LUTs offer a great amount of color control for different recording needs.
- Support for Breathing Compensation mode, which reduces the effects of focus breathing when using select lenses.
- Improved heat dissipation thanks to a sigma-shaped graphite heatsink built into the stabilization unit—4K 120p and 8K 30p recording times up to 120-min are possible when the temperature is 77°F. If it's 105°F, 4K recording times up to 60-min can be expected, or 30-min recording times for 8K footage.
- When using the optional XLR-A4 XLR adapter, 4-channel audio with 32-bit float and a 96 kHz sampling rate can be recorded alongside video. A separate WAV file can also be saved in-camera.
- An integrated noise reference mic has been added to aid background noise reduction when using either the on-board mic or an external microphone.
- The Multi Interface Shoe features a digital audio interface that supports recording 4-channel 24-bit audio with attached mics.
- A revised QXGA OLED Tru-Finder EVF features a high 9.44m-dot resolution and 0.9x magnification for exceptionally clear and detailed eye-level viewing.
- EVF is approximately 3x brighter than the a7R V and also has an improved 10-bit display with DCI-P3-equivalent coverage for improved color accuracy and visibility.
- Viewfinder offers 120 fps playback for smooth motion rendering and the finder's physical design has a long 25mm eye point, 41° field of view, and features a fluorine coating on the outermost viewfinder element to benefit cleaning.
- Sports a highly functional 4-axis multi-angle LCD design that combines the best assets of both tilting and side-open/flip-out vari-angle designs.
- This 3.2" 2.1m-dot LCD also has a touchscreen design and a DCI-P3 wide gamut for accurate color monitoring.
- Magnesium alloy chassis assures rigidity, durability, and stability while remaining lightweight. The lens mount has also been improved to better support heavy lenses, and the grip rigidity has been improved for more comfortable hand-holding.
- Extensive weather-sealing, including enhanced sealing around the battery cover, terminal cover, and chassis joints, has been employed to resist dust and moisture for reliable operation in harsh weather conditions.
- Full-size HDMI A port offers a more reliable connection when working with external recorders.
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Dual USB-C ports offer greater versatility and the ability to simultaneously power the camera or charge the battery while also transferring data to an external storage device.
Port 1 is a USB-C 3.2 Gen2 port intended for data transfer at up to 10 Gbps and Port 2 is a USB-C 2.0 port intended for power delivery and in-camera battery charging. - PC sync terminal for wired flash sync with strobe packs or wireless radio remotes.
- Both 3.5mm headphone and external microphone ports facilitate greater control over audio recording.
- Multi Interface Shoe supports working with the new, optional XLR-A4 XLR Adapter for 32-bit float/96 kHz audio recording. This shoe also supports other external mics, like the ECM-B1M Shotgun Microphone, or external flashes, like the HVL-F60RM2 Flash.
- Built-in Wi-Fi 6 enables the a7R VI to instantly share imagery to mobile devices for direct sharing online. This wireless connectivity supports both 5 and 6 GHz bands, along with 2x2 MIMO, for a strong, reliable connection to enable rapid transfers, remote control, and wireless tethered shooting.
- Bluetooth connectivity allows for location data acquisition.
- Supports wired or wireless 4K livestreaming use and is UVC/UAC compliant for simple operation. Internal recording is also supported while livestreaming.
- USB-C port, when used in conjunction with an optional USB-Ethernet adapter, offers up to 1000BASE-T speeds for quick wired LAN sharing and remote operation.
- Imaging Edge Remote for desktop supports PC Remote shooting via the Wi-Fi connection or tethered by the wired USB-C port. An updated data transfer control also makes it possible to transfer files from a memory card over Wi-Fi using the Imaging Edge Mobile app even when the camera is powered off.
- BC-SAD1 Battery Charger is a dual charger that is capable of charging two NP-SA100 batteries in approximately 115 minutes; up to 26% faster than the previous generation battery-charger system. If only charging one battery, an 80% charge can be achieved in under 1 hour. Additionally, the charger supports battery health checks.
- VG-C6 Vertical Grip has been updated to accommodate two NP-SA100 batteries for longer shooting times and more comfortable handling when working in the vertical orientation. Like its predecessor, this grip supports parallel power supply to provide even longer effective operation times, and the remaining battery life for both batteries can be indicated on the camera display.
- DC-C2 DC Coupler has an updated design to support continuous power to NP-SA100-based cameras via USB power delivery.
- XLR-A4 XLR Adapter enables working with XLR microphones, attaches via the Multi-Interface Shoe, and provides 4-channel audio with 32-bit float and a 96 kHz sampling rate.
- Minimum focus distance of 10.2" enables maximum magnification of 1.4x with a working distance of 3.5".
- The lens' focusing ring can be slide forwards and backwards to quickly shift between manual and autofocus modes.
- Focus distance and magnification scale are printed on top of the lens to aid photographers in more technical, manual-focus applications.
- Focus range limiter switch allows for setting ranges of 10.2-27.6", 19.7" to infinity, or 10.2" to infinity to improve autofocus speed and responsiveness.
- Support for separately available teleconverters can be used to improve maximum magnification up to 2.8x.
- Advanced optical design with 17 elements in 13 groups, including two XA (eXtreme Aspherical) and two ED (Extra-low Dispersion) glass elements, that minimizes aberrations.
- Nano AR Coating II effectively suppresses flare, ghosting, and internal reflections for improved contrast.
- Internal focus for a consistent lens size throughout the focus range.
- Floating focus design allows for a more compact form factor.
- An 11-blade circular aperture diaphragm creates smooth, rounded bokeh.
- Four near-silent XD linear motors power the autofocus system for speeds up to 1.9x faster than the FE 90mm f/2.8 Macro G OSS and full compatibility with the 120 fps burst shooting of the a9 III and 4K 120p shooting modes.
- Floating focus helps minimize aberrations at close-focus distances and also helps keep overall lens length to a minimum.
- Internal focus keeps a consistent lens size no matter the focus distance.
- Advanced Optical SteadyShot image stabilization has been optimized for close-up macro shooting.
- Built-in stabilization supports body-lens coordinated control for maximizing effectiveness of the stabilization when the lens is used in combination with a camera body with sensor-shift stabilization.
- Focus range limiter switch allows user to constrain focus range for speedier AF.
- Manual focus ring can be slid back and forth to switch between auto and manual focus. It also features printed distance and magnification scales.
- Physical aperture ring for quick, tactile adjustment of the aperture setting.
- De-click switch removes click stops from the aperture ring for smooth aperture adjustments during video.
- Iris lock switch will prevent the lens from being accidentally shifted from the A and manual aperture settings.
- Full-time DMF switch for turning on/off the Direct Manual Focus setting.
- SteadyShot switch turns optical image stabilization on or off.
- Two focus hold buttons will hold the focus position while held or can be set to a number of custom functions.
- Focus mode switch for setting manual or autofocus from the lens.
- Dust- and moisture-resistant construction along with a fluorine coating on the front element protect the lens from the elements and allow for easier cleaning of the lens.
- Includes ALC-SH173 Lens Hood for minimizing flare from off-axis light sources.
- The 1.4x Teleconverter allows for a 2x maximum magnification with an effective focal length of 140mm and an f/4 maximum aperture.
- The 2x Teleconverter allows for a 2.8x maximum magnification with an effective focal length of 200mm and an f/5.6 maximum aperture.
Optimized for close-up dental photography, the MF12 Dental Macro Flash Kit from Godox makes macro photography easy. This kit includes two flash heads that enable you to shoot teeth at an extremely close distance. The bundle is packed with multiple mounting options and two dedicated silicon diffusers. The MF12 flashes can be mounted on the included flash stands and feature an adjustable head for quick positioning. For added versatility, both flashes can be mounted simultaneously to the included dental bracket, specifically designed for improved dental work. As an off-camera TTL flash, the MF12 can work with any optional flash trigger for a variety of camera brands. Featuring an optical lens, the MF12 provides soft, even light distribution.
- Easy-to-use interface
- Battery fully recharges in 55 minutes
- Optical mode offers S1 and S2 settings
- LED modeling lamp
- Clear OLED display
- Includes storage case for protection and portability
- Built-in touchscreen, selector dial, and buttons for easy operation
- The touchscreen panel displays modeling lamp control, battery level indicator, power output level, and others crucial parameters
- The brightness of the touchscreen is conveniently adjustable
- Buzz control functionality
- Godox's TCM transforms your TTL shooting value into the output value in the M mode
- Memory function for storing and getting back to your last settings
- Compact design at just 1.8 x 1.6 x 1.5"
- Lightweight at only 1.7 oz
- Compatible with optional X1R/XTR receivers
Dedicated to select Sony cameras, the NP-SA100 Battery is a 2670 mAh rechargeable lithium-ion battery. This high-capacity battery can be charged inside compatible cameras or is compatible with the BC-SAD1 Battery Charger. Also, it supports Sony's Battery Health Check system, which is visible on a camera's monitor, to avoid unexpected battery issues and identify the right time to replace.
The 128GB Professional 1667x UHS-II SDXC Memory Card from Lexar features a storage capacity of 128GB and takes advantage of the UHS-II bus to support advanced DSLR functions such as continuous shutter bursts and rapid shooting, as well as raw and JPEG captures. This card is also well-suited for video capture, including 4K, 3D, and Full HD video, and can achieve maximum read speeds of up to 250 MB/s and maximum write speeds of up to 120 MB/s. Thanks to its V60 speed class rating, minimum write speeds are guaranteed not to drop below 60 MB/s.
UHS-II cards achieve their speed through an extra row of pins and while this card has been designed for cameras that are UHS-II / V60 compatible, it may be used in devices that do not support UHS-II / V60. However, bear in mind that this card will then default to your device's speed class and bus rating, such as UHS-II and V30, which supports minimum write speeds of 30 MB/s, or UHS-I and U3, which also supports minimum write speeds of 30 MB/s. If your device does not support U3, this card is compatible with the U1 and Class 10 standards, each of which guarantee minimum write speeds of 10 MB/s.
To help protect against accidental file deletion, there is a built-in write protect switch. To further safeguard against possible data loss, users can download free Image Rescue software that is designed to recover most photo and video files.
