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Neumann KM 183 MT Microphone (Matte Black)

BH #NEKM183MT • MFR #KM 183 MT
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Neumann KM 183 MT Microphone (Matte Black)
Key Features
  • Mini Pressure Condenser Microphone
  • For Live Sound Reinforcement & Broadcast
  • Omnidirectional Pattern
  • KM 100 Based Output Stage
The matte black KM 183 MT Microphone from Neumann is an omnidirectional, pressure condenser microphone intended for live sound reinforcement and broadcast as well as recording applications. The KM 180 series microphones feature an output stage based on the KM 100. Transformerless circuitry and balanced output result in high output gain with a very low noise floor and no coloration to the output signal.

The KM 183 is powered via +48V phantom power. Its 20 Hz to 20 kHz frequency response provides flexibility for use in a wide range of recording situations. The KM 183's omnidirectional polar pattern provides a generous pick up area and is suitable for X,Y (with cardioid mic and baffle plate) stereo miking, ambiance miking or spot miking instruments such as piano, wind instruments organ and choir. The KM 183 handles sound pressure levels up to 140 dB allowing close miking of instruments high in transient (peak) level response.

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Neumann KM 183 Overview

The matte black KM 183 MT Microphone from Neumann is an omnidirectional, pressure condenser microphone intended for live sound reinforcement and broadcast as well as recording applications. The KM 180 series microphones feature an output stage based on the KM 100. Transformerless circuitry and balanced output result in high output gain with a very low noise floor and no coloration to the output signal.

The KM 183 is powered via +48V phantom power. Its 20 Hz to 20 kHz frequency response provides flexibility for use in a wide range of recording situations. The KM 183's omnidirectional polar pattern provides a generous pick up area and is suitable for X,Y (with cardioid mic and baffle plate) stereo miking, ambiance miking or spot miking instruments such as piano, wind instruments organ and choir. The KM 183 handles sound pressure levels up to 140 dB allowing close miking of instruments high in transient (peak) level response.

Omnidirectional Polar Pattern
The omnidirectional polar pattern offers a generous pick up area, suitable for room ambiance capture as well as spot miking on piano, organ, wind instruments and choir.
KM 100 Based Output Stage
The KM 183 features the same output stage electronics as the KM 100. Transformerless circuitry and quiet balanced output design ensure a clean, high gain output signal without any coloration.
Compact Rugged Construction
The slim design and rugged construction allow easy microphone placement while remaining road worthy.
+48 Volt Phantom Power
The KM 183 is powered by +48V phantom power, and its 20 Hz to 20 kHz frequency response provides flexibility for use in a wide range of recording situations. The KM 183 handles sound pressure levels up to 140 dB, allowing close miking of instruments high in transient (peak) level response.
UPC: 615104084384

Neumann KM 183 Specs

Key Specs
Microphone Type
Small Diaphragm
Polar Pattern
Omnidirectional
Element Type
Condenser
Controls
No
Frequency Response
20 Hz to 20 kHz
Maximum SPL
135 dB
Analog Output
1x XLR 3-Pin
Power Sources
Phantom Power
Microphone
Microphone Type
Small Diaphragm
Polar Pattern
Omnidirectional
Element Type
Condenser
Sound Field
Mono
Orientation
End Address
Controls
No
Circuitry
Solid-State
Performance
Frequency Response
20 Hz to 20 kHz
Maximum SPL
135 dB
Sensitivity
12 mV/Pa (at 1 kHz into 1 Kilohms)
Equivalent Noise Level
25 dB (CCIR)
13 dB (A-Weighted)
Connectivity
Analog Output Connector
1x XLR 3-Pin
Power
Power Sources
Phantom Power
Operating Voltage
48 V
Physical
Color
Black
Dimensions
ø: 0.87 x L: 4.21" / ø: 22 x L: 107 mm
Weight
2.82 oz / 80 g
Packaging Info
Package Weight
0.6 lb
Box Dimensions (LxWxH)
9.8 x 3.1 x 2.3"

Neumann KM 183 Reviews

Great for vocals

By Anonymous
Rated 5 out of 5
Date: 2013-08-14

I generally use these for classical vocal ensembles and chamber music. They are very responsive and handle the highs of a soaring soprano line very well. I never have to worry about the sound being distorted.

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