Photogenic StudioMax III Three Light Basic Studio Kit (120V)

The Photogenic AKC160 Studiomax III 160W/s Monolight is an ideal way to add a lightweight (2.6 lb) fixture to your kit for a main light, backlight or fill light. The AKC160 offers a six stop power range from 5.0 to 160W/s, steplessly adjustable via a simple knob. Constant Color technology ensures that the color balance remains within 200K of an ideal 5,400K regardless of the power level chosen, to insure shot to shot consistency and minimize post-production work.

The AKC160 comes with a UV color corrected, user-replaceable flash tube that renders fabrics and flesh tones accurately. The monolight comes with a 7.5" high-gain reflector but accepts the entire line of Photogenic Quick-Change reflectors, grids, snoots, and diffusers. An AC cord, sync cord, 100W quartz modeling lamp and a protective cap are also included.

This Impact Heavy-Duty Air-Cushioned Light Stand is a black anodized aluminum support that rises to a height of 9.5' and folds down to 42" for storage and transport. The stand will handle up to 22 lb and is topped with a removable 5/8" spigot with 1/4"-20 and 3/8"-16 threads. It has a wide footprint of 52" for greater stability. Air cushioning gently lowers the light when making height adjustments to protect equipment and fingers.

This 3' Impact Back Light Stand consists of a base and riser. Use the lower part as a base to place a mounted light at floor or table level, as low as 5.5". Add the extension to the base to raise the height of the light from 22.8" (57.9 cm) to a maximum of 3' (90 cm). The stand is constructed of black anodized aluminum.

The black Light Kit Bag #2 (34 x 13.5 x 12") from Impact makes transporting your lighting kit easy and secure. The bag is designed to hold three monolights along with their reflectors (such as Impact VC500LR), four stands, boom, umbrellas, cables and other support gear but can also be used to hold other lighting equipment instead. You'll have plenty of room to take along enough lighting gear for a portrait session - all packed in an organized and accessible way. A touch fastened divider tray separates the stands, boom and umbrellas from the lights preventing them from bumping together and causing scratches or damage. For additional smaller equipment such as cables and small accessories, there are three interior 10.5 x 8.0" zippered mesh pockets.

The bag is made from soft, padded water-resistant nylon and contains six movable touch fastened interior dividers (6 large, 2 small) that will permit you to configure the bag to accommodate the gear you need that day. The Light Kit Bag is carried by its two 2" wide overlapping top carry handles that can easily be extended into dual shoulder straps. The contents are accessed via dual zippers that when placed together will accept a user-supplied lock. For even more protection, the bottom of the bag contains three rubber feet for when the bag is placed on the ground. And the bag folds down to a quarter of its height for convenient storage and easy setup. Whether for storage or transport, the Impact Light Kit Bag will serve both pro or amateur well.

The ability to shape and control the light from a flash source is essential. This is one of many different reflectors available for the Photogenic line of flash heads and monolights. It is used for lighting a background evenly, and softly.

This 43" White Translucent Umbrella from Impact is a versatile all-around light modifier that will create a pleasing light that's far less harsh than a bare light source. It can be used with flash, LED, or fluorescent light sources. As a shoot-through umbrella, it broadens and softens the light source output and minimizes shadows, making it ideal for portrait photography. The translucent fabric's diffusing properties allow light source to be placed close to a subject for a softer light that's also great for weddings and fashion. It has a standard size 8mm umbrella shaft that is compatible with most umbrella mounts.

This 43" diameter umbrella is useful for lighting one or two people for mid- and full-length portraits. It can also be reversed to use as a bounce-style umbrella to cover a larger image area.