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Schoeps CMC641 Set Colette Series Supercardioid Microphone Set (Gray)

BH #SCCMC641S • MFR #CMC641G SET
 27 reviews
Schoeps CMC641 Set Colette Series Supercardioid Microphone Set (Gray)
Key Features
  • Dialog Boompole Microphone
  • Includes CMC 6 Amplifier
  • Includes MK 41 Supercardioid Capsule
  • Includes SG 20 Mount
Popular among professional field audio engineers, the gray Schoeps CMC641 Set is a Colette Series modular microphone system featuring the CMC 6 preamplifier and MK 41 supercardioid capsule for a high-quality alternative to shotgun microphones when recording dialog and sound effects indoors. The system is based on the modular CMC 6 preamplifier and MK series capsules, which are capable of wide, linear frequency response curves and superior audio quality. This system includes the CMC 6 preamplifier, an MK 41 capsule, the SG 20 microphone mount, a B5 pop filter, and a storage case.
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$1,664.00
$139/mo. suggested payments for 12 Mos.
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Schoeps CMC641G SET Overview

  • 1Description
  • 2Modular Design
  • 3Wide Frequency Response
  • 4Superior Sound Characteristics

Popular among professional field audio engineers, the gray Schoeps CMC641 Set is a Colette Series modular microphone system featuring the CMC 6 preamplifier and MK 41 supercardioid capsule for a high-quality alternative to shotgun microphones when recording dialog and sound effects indoors. The system is based on the modular CMC 6 preamplifier and MK series capsules, which are capable of wide, linear frequency response curves and superior audio quality. This system includes the CMC 6 preamplifier, an MK 41 capsule, the SG 20 microphone mount, a B5 pop filter, and a storage case.

The CMC 6 preamplifier features Class-A transformerless electronics, resulting in a low noise floor and light weight. The high-impedance input signal of the modular capsules are accurately converted to low-impedance energy, allowing for long cable runs without noise and radio-frequency interference.

The MK 41 capsule is a supercardioid condenser capsule with a wide frequency range and high SPL handling. The supercardioid capsule is effective in minimizing noise and ambient audio at the off-axis sections of the microphone capsule. The microphone system is optimized for crucial capturing of dialog and ambience for film, professional video, and professional audio applications.

Modular Design
The CMC 6 is designed to be used with any of the Schoeps Colette series modular capsules. The capsules provide various polar patterns and frequency response curves.
Wide Frequency Response
The CMC 6 modular preamplifier features transformerless Class-A electronics that result in a linear, transparent frequency response.
Superior Sound Characteristics
The superior quality of the capsule and preamplifier result in detailed, pristine audio quality with a very low noise floor.

Schoeps CMC641G SET Specs

Key Specs
Element Type
Condenser
Polar Pattern
Supercardioid
Frequency Range
40 Hz to 26 kHz
Maximum SPL
131 dB SPL
Microphone
Sound Field
Mono
Operating Principle
Pressure Gradient
Element Type
Condenser
Polar Pattern
Supercardioid
Pad
None
Performance
Frequency Range
40 Hz to 26 kHz
Maximum SPL
131 dB SPL
Impedance
42 Ohms
Load Impedance
1 Kilohms
Sensitivity
-36 dBV/Pa
Signal-to-Noise Ratio
80 dB A-Weighted
Equivalent Noise Level
14 dB A-Weighted
23 dB CCIR
CMRR
60 dB
Power
Operating Voltage
12 to 48 V
Operating Current Consumption
4 mA
Physical
Dimensions
ø: 0.79 x L: 5.43" / ø: 20 x L: 138 mm
Weight
2.72 oz / 77 g
Packaging Info
Package Weight
1.42 lb
Box Dimensions (LxWxH)
8.75 x 5.6 x 3.25"

Schoeps CMC641G SET Reviews

Holy Heck!! This mic IS worth the $$!!

By Michael
Rated 5 out of 5
Date: 2023-02-06

For film, I usually do post/dialog editing, but started on a new film and decided to throw my hat into the on-set recording ring because I am soooo frustrated with receiving lackluster deliverables that need WAAAAAY too much cleanup work. Used this mic in with a Zoom F6 for interior shots at a residence, near a fridge. I also purchased the Cut 60 low cut filter, but didn't even need it. I never even heard the fridge and it was 15 feet away from the mic(They offered to unplug it, but I told them not to)!! Kept it centered between the talent (2X actors) and about a foot and 1/2 above and got an absolutely PRISTINE recording. And with the Zoom F6, I didn't have any clipping when shouting was involved and the quieter dialog was clear as day(Thank you 32-bit float!)! It did pick up some unwanted noise from the talent (I.e., shoes tapping on tile floor, paper rustling, etc.), but those are very easy issues to edit out in post or solve with felt pads on the shoes. At around $2K for the mic and the low cut filter, it is pricey, yes. But absolutely worth every penny, just for the time I will save in post!! I have some shots in a bar coming up, so I am really curious to try the mic with the Cut 60 filter and I will update this review then.

Natural, balanced sound

By Rob
Rated 5 out of 5
Date: 2022-09-19

In short: low self-noise, improved isolation from room reverb, balanced frequency response, needs an audio recorder with quality preamps I used to run a shotgun mic into my Canon C70 for all my interviews, indoor or outdoor, and now my workflow and quality has improved dramatically. I find this microphone well balanced across the frequency range, with soft s sibilance and no boominess in low or mid-range frequencies. It does a slightly better job at isolating from room reverb, which results in greater source sound clarity. You need to pair this mic with the clean preamps of an equally exceptional audio recorder to really appreciate the sound, as the self-noise levels of your camera preamps can disguise how truly quiet this mic's self-noise actually is. It needed about 15db more gain than my shotgun mic, but between the audio recorder upgrade and this mic my noise floor is now -5db lower than running my shotgun straight into camera. What I hear through my headphones now is truly a natural mirror of real life sound and room tone, not merely an interpretation of it mixed with the hiss of camera preamps. Hard to describe until you A/B test for yourself, but it is the most natural sounding microphone I've ever used!

Soooooo Gooood

By Kent
Rated 5 out of 5
Date: 2022-09-05

Love the sound this mic gets.

One of the Best Microphones

By Antoine
Rated 5 out of 5
Date: 2022-02-18

The quality of this microphone is one of the best you can get in the industry. The price is a bit steep but the sound quality more than makes up for it.

Super clean!

By Jarek
Rated 5 out of 5
Date: 2021-12-24

I've only used a handful of boom mics in my day, this is clearly the best one, pun intended. Playing back audio from this mic in my studio sounds as if the talent is right in my room. It's a bit heavy on the price if you're used to mics in the $300 range, but man is it worth it.

Great mix set

By Jonathan
Rated 5 out of 5
Date: 2021-11-09

I am using this for recording violin, acoustic guitar, mandolin, and piano, and all sound great. I already own the mk4 and love it, but wanted something a little more directional that can reject some of the room noise, since I am not recording in a totally isolated environment. The mk41 sounds just as good as the mk4 and definitely cuts down on any background noise. Only downside is that I have less leeway to move around when recording, whereas with the mk4, which has a wider capture, it's a little more forgiving. But I got the mk41 specifically for this purpose to just focus on what's directly in front of it, and it's doing the job even better than expected without any loss of quality or musicality in the tone. Love it! And plus one for B+H's amazing customer service. They were extremely helpful.

Great Sound

By Daniel
Rated 5 out of 5
Date: 2022-11-06

I used it on a few interviews and it sounds awesome. Very natural.

My thoughts on the Schoeps CMC641 Colette Supercardioid Mic

By Michael
Rated 5 out of 5
Date: 2022-09-30

I've only used it once so far for and indoor scene but I couldn't help but notice how it performed over my Sennheiser MKH 416. True, the MKH 416 is better equipped for outside but up until now that was all I had. I loved how if my actors were slightly off from their spot or turned their heads I suffered no roll-off problems at all. The over all tone of the voices was so clear and natural. I can't wait to use this mic on a larger scale.

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