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Hosa Technology ATT-448 In-Line Switchable Input Attenuator XLR Barrel

BH #HOATT448 • MFR #ATT-448
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Hosa Technology ATT-448 In-Line Switchable Input Attenuator XLR Barrel
Key Features
  • Reduce Signals by 20, 30, or 40 dB
  • In-Line 3-Pin XLR Female to Male
This ATT-448 In-Line Switchable Input Attenuator XLR Barrel from Hosa is a switchable input attenuator for stepping-down an input level to a mixer when that level is too high. For instance, a hot microphone in front of a loud source will overload the meters at the board and cause audio distortion.
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Hosa Technology ATT-448 Overview

This ATT-448 In-Line Switchable Input Attenuator XLR Barrel from Hosa is a switchable input attenuator for stepping-down an input level to a mixer when that level is too high. For instance, a hot microphone in front of a loud source will overload the meters at the board and cause audio distortion.

The ATT-448 attenuator is placed in-line between the microphone and the board, and you can switch on the appropriate amount of attenuation. The choices are 20, 30, or 40 dB of signal reduction, for a wide range of uses on stage and in the studio.

The unit accepts 3-pin male and female XLR connectors.

Provides 20, 30, or 40 dB of microphone attenuation
For use with all low-impedance and phantom-powered condenser microphones
XLR input and output
Magnetically shielded case
UPC: 728736036512

Hosa Technology ATT-448 Specs

Key Specs
In-Line Accessory Type
Attenuator/Pad
Input / Output Level
Input: Mic Level
Output: Mic Level
Number of Channels
1
Attenuation
-20 dB / -30 dB / -40 dB (Selectable)
Controls
1x Pad Switch
Inputs/Outputs
1x XLR 3-Pin Female
1x XLR 3-Pin Male
General
In-Line Accessory Type
Attenuator/Pad
Input / Output Level
Input: Mic Level
Output: Mic Level
Number of Channels
1
Attenuation
-20 dB / -30 dB / -40 dB (Selectable)
Controls
1x Pad Switch
Connectivity
Inputs/Outputs
1x XLR 3-Pin Female
1x XLR 3-Pin Male
Packaging Info
Package Weight
0.125 lb
Box Dimensions (LxWxH)
9.65 x 3.95 x 0.75"

Hosa Technology ATT-448 Reviews

As Advertised

By Martin
Rated 5 out of 5
Date: 2019-08-28

Economical and versatile. Measured frequency response is ruler-flat and attenuation values are spot on. Couldn't ask for more.

Perfect fit for my needs!

By Peter
Rated 5 out of 5
Date: 2016-07-29

I needed to send line out signal to a wireless transmitter at mic level. I needed to get a signal from one end of a Dutch barn to the other to feed second PA on the lawn. Selected the center setting and plugged into the 2nd PA and away we went.

See any errors on this page?

Can this be used to feed a line-level output from ...

Can this be used to feed a line-level output from a soundboard into a mic-level input camera socket where the source signal is 30 or 40db more than what the camera needs? I am not sure which side is male vs. female. Thanks.
Asked by: Satya
Yes, you can decrease the incoming signal (female side) by -30 or -40 and plug the male side into the camera assuming it has XLR on it. Best regards, Hosa Support
Answered by: Hosa Customer Support
Date published: 2024-01-27

Need to pad a piano mic before the mixer for ...

Need to pad a piano mic before the mixer for better low volume control - does it matter where I put the attenuator in the line or does it need to be right after the piano mic???
Asked by: Rick
To me, anywhere that is convenient. Since its adjustable, I would have it near the mixer so I can reach the switch easily during the set-up and recording. Hope this helps. Others may think differently. Over the years, I must have purchased a dozen of these. Inexpensive (i.e. cheap) and "not the sturdiest" (i.e. light and flimsy) but I tend to lose them before any has broken. Hasn't failed me yet.
Answered by: Anonymous
Date published: 2025-03-31

can this be used with an XLR mic going into an ...

can this be used with an XLR mic going into an audio interface, such as a Focusrite Scarlett?
Asked by: Teresa
Yes, while the Focusrite family can accept a wide range of microphone input voltages, this device can provide additional attenuation. If the microphone is being over-driven in a particular sound field, this will not cure that problem. It is preferred that high attenuation not be introduced on the input side and then amplified back up by the pre-amplifier as the signal to noise ratio will suffer.
Answered by: Randall
Date published: 2025-03-31
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