Audio-Technica ATW-1821 Dual Wireless Microphone System

Audio-Technica ATW-1821 Dual Wireless Microphone System

Audio-Technica ATW-1821 Dual Wireless Microphone System

B&H # AUATW1821D MFR # ATW-1821D
No Longer Available

Product Highlights

  • Includes 2 ATW-T1801 Transmitters
  • Includes ATW-R1820 Dual Receiver

Audio-Technica ATW-1821 overview

  • 1Description

The Audio-Technica 1800 Series provides a professional, dual wireless portable solution, while addressing the issues of portability, function and cost.

The 1800 Series wireless microphone system delivers the flexibility of a dual wireless system in a single compact and rugged, camera-mounted receiver. This system includes the ATW-R1820 dual receiver and 2 ATW-T1801 bodypack transmitters. Other configurations are also available.

The ATW-R1820 dual receiver is designed with 2 internal, True Diversity UHF receivers with an internal Antenna/Splitter amplifier. Dual balanced outputs enable incoming signal to be mixed, or independently assigned to each output. Independent audio level controls provide flexible audio mixing and monitoring possibilities. The compact ATW-R1820 is powered with six AA batteries, one of the internal receivers may be turned off to preserve battery life.

The ATW-T1801 bodypack transmitters are compact and rugged with 4-pin HRS connectors. The input is switchable between mic and line signal. Selectable Hi/Lo RF output power enhances range when needed and a 2 color power/mute LED indicates transmitter status. The transmitter is powered with 2 AA batteries for up to 9 hours.

Additional features of the 1800 series include 996 Auto-Scanning frequencies, simultaneous operation of up to 10 systems, back-lit LCD, soft-touch buttons and metal components.

Dual Transmitter Operation
The 1800 series delivers dual transmitter operation with a single, compact camera mounted receiver.
Dual Balanced Outputs
The receiver features dual balanced outputs that may be used to send signal independently or mixed.
Frequency Agile/Auto Scanning
The 1800 series wireless systems feature up to 996 Auto-Scanning frequencies and simultaneous operation of up to 10 systems.
True Diversity
Each receiver features true diversity operation for minimal drop out and radio frequency noise.
True Diversity Operation
Each receiver features true diversity operation for minimal drop out and radio frequency noise.
Independent Receiver Shut Off
One of the dual internal receivers may be shut off in order to preserve battery life.
In the Box
Audio-Technica ATW-1821 Dual Wireless Microphone System
  • ATW-R1820 Dual Receiver
  • 2 x ATW-T1810 Bodypack Transmitters
  • 2 x Omnidirectional Lavalier Microphones
  • 2 x Antennas
  • Receiver Belt Pouch
  • 2 x 18" Receiver Output Cables (TA3F to XLRM)
  • 1-Year Limited Warranty
  • Table of Contents
    • 1Description

    Audio-Technica ATW-1821 specs

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    Type of System Dual Camera Mount UHF
    RF Carrier Frequency Range UHF Band D: 655.500 to 680.375 MHz
    Approx. Working Range 100 m (300') typical
    Overall Frequency Response 70Hz to 15kHz
    Signal-to-Noise Ratio 104 dB at 30 kHz deviation (A-weighted), maximum modulation 37 kHz
    # Of Channels 996 total per band (25 kHz increments)
    # Of Simultaneous Systems Not Specified By Manufacturer
    Receiver
    Type of Receiver Dual independent RF sections, automatic-switching diversity
    Type of Outputs 3-pin Mini XLR (TA3)
    Headphone Monitoring 3.5 mm TRS, signals on both Tip and Ring
    Power Requirements 12V DC nominal, 500 mA
    Battery Type/Approx. Life Six 1.5V AA alkaline (not included)
    Dual-channel Operation: 6 hours typical
    Single-channel Operation: 10 hours typical
    Display LCD frequency and battery status display with back-light
    Antenna and AF Peak LED indicators
    Mounting Options No
    Antenna Type Dual BNC
    Dimensions (WxHxD) 3.35 x 5.24 x 1.42" (85 x 133 x 36mm)
    Weight 425 g (15 oz)
    Transmitter
    Type of Transmitter UHF Frequency Agile Bodypack
    Type of Input Connector Hirose 4-Pin
    Type of Microphone Lavalier
    Polar Pattern Omnidirectional
    Interchangeable Mic Heads No
    Battery Type/Approx. Life Two 1.5V AA alkaline (not included)
    Mute Switch Yes
    Level Control Yes
    Antenna Type Flexible Whip
    Display LCD frequency and battery status display with back-light
    Antenna and AF Peak LED indicators
    Dimensions (WxDxH) 2.60 x 3.43 x 0.94" (66.0 x 87 x 24mm)
    Weight 80 grams (2.8 oz) (without batteries)
    Packaging Info
    Package Weight 3.0 lb
    Box Dimensions (LxWxH) 15.2 x 9.2 x 3.4"

    Audio-Technica ATW-1821 reviews

    ATW-1821 Dual Wireless Microphone System is rated 4.2 out of 5 by 22.
    Rated 3 out of 5 by from Nice idea/many uses, but has it's flaws! I completely second everything Dan said about this wireless set. I bought one of the dual channel sets for myself after researching up on it and thought it would be perfect for what I was looking for, but after using it a bit on some projects I could not stand the self noise (the companders working?) that these have when being used. What's worse is that the noise keeps changing/pumping in and out with the dialog and audio going through the TX/RX(wouldn't be near as bad if were a consistent noise, but it's not and pretty noticeable). I currently have mine in for repair being checked for defects, but from what I have read and been told so far, this is just the way these wireless are(would be ok for wedding and low budget stuff, but definitly not for high quality indoor-low background noise to cover up TX noise stuff)...
    Date published: 2008-07-10
    Rated 3 out of 5 by from Almost good enough I tested this with another professional sound mixer in LosAngeles, and while we were both impressed with the price wewere underwhelmed with the performance. Range and noisefloor were our main issues. While it is probably fine forreally low budget reality stuff, weddings etc, I could notstop obsessing on the noise floor. Also the noise wouldpump up a little bit while transmitting/receiving. Withsome tweaking of output levels etc we got it running prettyquiet but by then I could not stop obsessing about the noise.Keep in mind I am used to using a Zaxcom or Lectrosonic 411as a camera hop, so I am comparing it to systems that costwell over twice what this one does and have more powerfultransmitters. But my final opinion would be that they gotclose but I wouldn't trust it for broadcast/film work wherethe sound quality would be scrutinized by post. Expertise: Professional sound mixer for television/film Problems Encountered: Noise floor was too much, also increased audibly whiletransmitting/receiving. Underpowered transmitters, receiverseemed well built but transmitters were too plastic. Previous Equivalent Item Owned: Zaxcom Stereo link Items I Recommend: XLR cables, lots of AA rechargables.
    Date published: 2007-07-16
    Rated 5 out of 5 by from Fantastic Value! Professional Equipment! I have more than 40 years as a film and video DP so I know a little bit about good audio, and I have used and trusted AT mics on everything from broadcast interviews, sports and documentaries, to feature films. We tested this unit against other brands costing as much as $1000 more, and the ATW-1821 was the clear winner every time. Anyone who says they get noise out of this mic simply doesn't know how to use it properly. If you want a good, dependable wireless system, with fantastic sound quality, then you need to buy the ATW-1821.
    Date published: 2009-06-05
    Rated 5 out of 5 by from A Good Buy for the Money I have used this system for everything from event coverage to indie film. Good, solid reliable equipment with great sound. I work in the DC area so interference can be a serious problem. Frequency agility has solves any issues on that score. A/T is one of my favorite brands because they give good value for the money. I've found Audio Technica to be a good choice for those of us without an unlimited budget.
    Date published: 2009-05-22
    Rated 2 out of 5 by from Compander noise is a deal breaker Like the other reviewers I can't get over the modulation noise that I assume stems from the unit's compander. It's not as noticeable using the inexpensive supplied mic, but after adding a Tram TR-50 it really stands out. Very disappointing.
    Date published: 2009-12-07
    Rated 4 out of 5 by from Works well I use this for audio for video with my videography business. It works very well, but when you are using both inputs on the receiver the batteries on the receiver only last me about 4 hours. Great features include: dual antennas, one receiver can handle 2 sources, headphone output on the receiver (nice for DSLRs which don't have a headphone output), frequencies are very configurable, you can choose to keep the 2 sources on separate tracks or mix them together - effectively opening up and additional input on your cam so you record 3 sources if you have 2 XLR inputs, body pack transmitters are light and work well.
    Date published: 2011-09-30
    Rated 5 out of 5 by from In a Class By Itself I have over 20 years of professional video experience as a DP and a producer of TV, documentary and corporate video. This Audio Technica package is a Godsend. I like the quality of the construction - and absolutely love the functionality of the ENG dual receiver. Most of all, though, I was impressed with the incredible tonal quality of the sound that we recorded. We had no problems with noise. Our range was not tested at an extreme level since we have been shooting run and gun plus interviews. This is by far the best system I have owned - especially for the money.
    Date published: 2008-01-19
    Rated 5 out of 5 by from Excellent System I purchased this system to replace one that gave us nothing but problems. It was an excellent investment. This wireless system has saved us from trouble many a time, even when ambient conditions would have adversely affected the sound. We are very pleased with it, and would definitely recommend it as a top choice. The kit we purchased came with a hand-held microphone as well, which was also very good. We were able to use it for clean interviews in very noisy environments.
    Date published: 2010-08-20
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