DSC Labs FrontBox 12+4 Test Chart

DSC Labs FrontBox 12+4 Test Chart - 12 Primary Colors, 11 Step Grayscale, 4 Skintones

DSC Labs FrontBox 12+4 Test Chart - 12 Primary Colors, 11 Step Grayscale, 4 Skintones

B&H # DSFB12P4 MFR # FB12+4
DSC Labs FrontBox 12+4 Test Chart

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DSC Labs FB12+4 overview

  • 1Description

The FrontBox 12+4 from DSC Labs, is a test chart featuring 12 primary colors as well as a spectrophotometrically neutral 11 step grayscale. These charts assist shooters and engineers align their cameras as precisely as possible.

11 Step Grayscale
Grayscales will help optimize tonal reproduction and create richer-looking images.
Color and Skintone
Although there are only 6 boxes on a Vectorscope, it is important to monitor the curvature of intermediary colors between the boxes. This pertinent information will help display colorimetry reproduction issues within a cameras CCD, as well as show how consistent the lighting is across the board. , this FrontBox also features four skin tones and instructions on how to effectively use the chart.
Aspect Ratio and Backfocus
The FBP includes framing apertures for 16:9 (1.77, 90% and 100%), widescreen film formats 1.85 (90 and 100%) and 2.35 (100%), with a DSC BackFocus Star on the reverse.
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  • 1Description

DSC Labs FB12+4 specs

Dimensions Scanned Area - 11.0 x 9.5", 27.94 x 24.13cm
Active Area - 10.0 x 6.0", 25.4 x 15.24cm
Packaging Infoxrqyvdywyc
Package Weight 0.6 lb
Box Dimensions (LxWxH) 11.75 x 10.0 x 0.3"

DSC Labs FB12+4 reviews

FrontBox 12+4 Test Chart is rated 5.0 out of 5 by 3.
Rated 5 out of 5 by from DSC Labs Test Chart By utilising the FrontBox 12+4 DSC Labs test chart, I was able to adjust the gamma, chroma phase and chroma saturation, each by just a little in the right directions to obtain even better performance from my Sony EX3 camcorder. A very well produced test chart. Highly recommended.
Date published: 2009-08-27
Rated 5 out of 5 by from Great quality These things are expensive for what they are... But they are color accurate, and have a sturdy construction. Right out of the box I tested one of my cameras and found that it needed some slight adjustments. When shooting with any compressed format it is important to limit how much color correction you need in post.
Date published: 2013-06-03
Rated 5 out of 5 by from This Chart is the best value for Rec 709 This chart is for precise color alignment of HD cameras. It has been calibrated to fit the vector targets at 2x scale - so it takes the guesswork out of color tweaking your HD cameras to match a Rec 709 color space.
Date published: 2012-01-03
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