Berg Touchrite Retouching Kit for Black & White Prints

Berg Touchrite Retouching Kit for Black & White Prints

Berg Touchrite Retouching Kit for Black & White Prints

B&H # BERKBW MFR # BWRK

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Berg BWRK overview

  • 1Description

The Berg Touchrite Black and White Retouching Kit offers you a truly superior system for retouching black and white prints and negatives.

The Touchrite retouching colors are fully compatible with all conventional black and white papers including fiber based and resin coated paper. All dyes are in dropper dispenser bottles and are water blendable.

In the Box
Berg Touchrite Retouching Kit for Black & White Prints
  • 1oz. bottle of Black (Transp.).
  • 1oz. bottle of Warm Black (Transp.).
  • 1oz. bottle of Gray (Transp.).
  • 1oz. bottles of very pure White(Opaque).
  • Table of Contents
    • 1Description

    Berg BWRK specs

    Packaging Info
    Package Weight 0.4 lb
    Box Dimensions (LxWxH) 5.0 x 3.5 x 2.0"

    Berg BWRK reviews

    Touchrite Retouching Kit for Black & White Prints is rated 3.2 out of 5 by 6.
    Rated 5 out of 5 by from Awesome Set to Any Serious Photo Kit This mini-kit is brilliant. I feel that serious darkroom photographers need this set. I've used it on scrap prints and test strips to practice with, and I've used it on one actual print, and it works so much better than I expected. Those dust particles on your negative that show on your print? Gone! Tiny off-color imperfections? Fixed! With practice, all of your prints will be perfect! I use Ilford paper, RC for contact prints and Fiber for my actual prints, and this mini-kit remedies both. The only drawbacks are not with the product itself, but with the user of the product. It takes lots of practice to get it right, and the instructions say this, but I want to make it clear. It Takes Practice! Once you get the hang of it, you'll use it on every print ^_^
    Date published: 2010-09-15
    Rated 4 out of 5 by from Good but not for the faint-of-heart As numerous reviews note, this is a good product that takes time to master (I'm not there yet). More important, it expressly states that it's for RC prints, though the back of the box says works on all photographic materials. Good news, since all I print on is fiber. (Is this stuff archival??) You'll need a selection of tiny brushes and a sampling of old prints to practice on. All-in-all, I think it's great, but only time will tell. Check back in a year.
    Date published: 2014-12-22
    Rated 4 out of 5 by from Great product but hard to get used to I learned this the hard way, but it takes a LOT of experimentation and practice to get the hang of using this product. Once you get used to it though, it's perfect. No more traces of those annoying specks and spots. Even scratches disappear and seem like they were never there to begin with.
    Date published: 2011-12-14
    Rated 4 out of 5 by from Excellent product I use this for touching up photos - obviously. It's very easy to figure out, but not so easy to master. It does take a bit of getting used to, but after a few tries - well, many tries, it starts to make sense.
    Date published: 2011-02-17
    Rated 1 out of 5 by from NOT a true black - dries with some color This ink is horrible for true black & white prints!!!!! When it dries, it has a color to it. Sometimes reddish, sometimes greenish. Retouching ink for black and white prints should be a true black, and this is not! I purchased multiple kits for my students to use, and all of them had this issue.
    Date published: 2016-02-14
    Rated 1 out of 5 by from There will never be another Spot Tone This product did not work as I had expected. It was difficult to correctly dilute and tended to build up visibly when spotting dark areas. I have used Marshall's spotting supplies with some success, but nothing on the market today comes up to the original Spot Tone.
    Date published: 2016-09-24
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