Fujifilm Fujichrome Velvia 50 Professional RVP 50 Color Transparency Film (35mm Roll Film, 36 Exposures)

Fujifilm Fujichrome Velvia 50 Professional RVP 50 Color Transparency Film (35mm Roll Film, 36 Exposures)

Fujifilm Fujichrome Velvia 50 Professional RVP 50 Color Transparency Film (35mm Roll Film, 36 Exposures)

B&H # FUV5036 MFR # 16329161
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Product Highlights

  • Daylight-Balance Color Transparency Film
  • ISO 50/18° in E-6/CR-56 Process
  • Very High Color Saturation and Vibrancy
  • Fine Grain and High Sharpness
  • Neutral Gray Balance, Deep Shadow Detail
  • Push/Pull Processing to -0.5 / +1 Stops
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Film Format: 35mm

35mm 120
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You Pay: $16.99

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Fujifilm Velvia 50 overview

  • 1Description

Fujichrome Velvia 50 Professional RVP 50 from Fujifilm is a daylight-balanced color transparency film characterized by exceptionally high color saturation and vibrancy, as well as a neutral gray balance and extended detail throughout the highlight and shadow regions. It has a slow-speed nominal sensitivity of ISO 50/18° when processed in E-6 or CR-56 processes and can effectively be pulled one half stop or pushed one stop with minimal variation in color balance and tonal gradation. Additionally, Velvia 50 also exhibits a fine grain structure with high sharpness and resolving power, and is well-suited to a wide variety of shooting applications.

This item is one 36-exposure roll of 35mm film.

UPC: 074101574647
Table of Contents
  • 1Description

Fujifilm Velvia 50 specs

Film Format 35mm
Number of Exposures 36
Film Type Color Transparency
Film Speed ISO 50
Color Balance Daylight
Film Processing E-6
Film Base Cellulose Triacetate
Number of Rolls 1
Layer Thickness 127.0 µm
Resolution 160 lines/mm (At Contrast 1000:1)
Packaging Info
Package Weight 0.07 lb
Box Dimensions (LxWxH) 2.0 x 1.0 x 1.0"

Fujifilm Velvia 50 reviews

Fujichrome Velvia 50 Professional RVP 50 Color Transparency Film (35mm Roll Film, 36 Exposures) is rated 4.9 out of 5 by 142.
Rated 4 out of 5 by from Still learning I took two rolls of Astia 100F and one roll of Velvia 50 with me on a trip to New York. I actually liked the look of the scanned Astia photos better than the scanned Velvia shots. The contrast and color of the Velvia seemed to nearly overwhelm the scanned slides. Now, I understand that this film is usually used in natural settings, landscapes, etc. so that makes sense. In a mixed environment where I plan to take photos of landscapes and cityscapes, people, etc. I will likely use Astia or Provia in the future. I will reserve Velvia for times when I am out in nature, taking just landscapes, etc.
Date published: 2010-07-01
Rated 5 out of 5 by from Love this film! This film is my absolute favorite for color rendition, fine grain and tonality. The grain is so fine that it almost looks like a digital image. I've shot it with a 1968 Leicaflex SL with a 35mm Elmarit and 50mm Summicron, and the results are very impressive. I recently rented a Leica M7 with 35mm Summarit and the results were beyond expectations with this film. The film costs this much for a reason. As with all transparency films you need to be spot on with your exposures because it's much more difficult to correct them in post production. You don't have as much latitude as you do with negative films.
Date published: 2015-06-12
Rated 5 out of 5 by from Still great! I just bought a roll and shot it to see how good Fuji processing is, to be frank, since that mailer seems to be the only easy option available. I am pleased to say that the slides came back very quickly, showing good fidelity and no spots or dirt that might have suggested use of old chemicals. As for the film, it is the same wonderful Velvia I appreciated before and that allowed me to watch development of digital SLRs without having to dive in. I now have a mirror less camera that I like, but Velvia will keep my Canon F1N as my preferred camera for serious use,
Date published: 2014-02-12
Rated 4 out of 5 by from Shoot some slides! Further thoughts. My previous Velvia 50 review misstated some resolution figures. The correct information is that my favorite lab scans C-41 (color negative) film at around 2400 ppi, and scans E-6 (color slide) film at around 1200 ppi, apparently because different equipment is used. Obviously, other labs will do things differently. Velvia 50 is a great film which will produce excellent slides, but the quality of the digital images obtained will depend entirely on who does the scanning and what equipment they use. Here are a couple of Velvia 50 sample images. Note: these are 100% crops from the original 1236 x 1808 scans.
Date published: 2013-03-23
Rated 5 out of 5 by from Great film for startrails I give this film the Best in saturated color of the Night sky in non light polluted areas the film handle's vary well in 4 - 6 and 8 hour night long shots and i have this grievance against digital cameras i shot film and digital the 40D and the Rebel xt both fully charged with grip and 2 battery's i did a programed 4 hour exposure with each both cameras made it the 4 hours but when i disengaged the canon 40D the camera choked and died its program would not respond and it faded out and died i was Burned red HOT in the for head and exemely disappointed i inserted new battery pack and the camera struggled to come back with only a few signs of life on its Grey scale LCD no image was recovered that camera was deader then a door nail a 1,700 papper weight and then on another tripod the rebel XT that fared better after its 4 hour exposure ended fearing it too would die it did not die it still had half its battery life and it was processing the image for 1 2 and after 2 hours and a few minutes the low battery light comes on and the camera stops to operate simply because i could not add power to it it lost its image I WAS steamed when i got back home i tested the battery's that were in the first round of the 40D and they were each had 1/3rd Life left in them So back to that Shoot it was about 145 am and i still had 5 hour of Night time left so i got my 2 film cameras out and set them up and in one i had this film the Fuji ISO 50 and let me tell you this film preformed flawlessly and its quality grain per pixel i say is better then 10MP and i am sure it would compete with a 39Mp camera this film is so good with color it is able to bring the color right out of the stars themselves during this long exposure i am thrilled and the price is well worth and the wait to see it is not a problem for me I recommend this film to anyone wanting to photograph Long exposure Night Sky using a lens that is F= 2.0 or better canons 24mm f=1.4 Film also has a another value its evidence its proof its secure from accidental delete or Evan like me Outright failure of digitalls now i don't hate digital there is a use for that format for quick fast instant photography but Digital has alot of growing up to do before i am satisfied FILM is the way the truth and the life for the real Photographer i challenge any digital photographer on my word
Date published: 2008-06-23
Rated 5 out of 5 by from A Great Film with a few limitations Fujichrome Velvia 50 is a very solid and reliable film. The colours are bright and vivid and make landscapes look more vivid with great detail. I have shot about 10 rolls so far and find it best for landscape use it can also be nice for macro shots, provided of course you have a fast lens and lots of light. This film is not great for people, it makes the skin appear somewhat mottled/blotchy and a little redder than the natural skin tone. I strongly recommend Velvia 50 for the following purposes: landscapes, bright macro shots, sunsets (tripod) and sceneries.
Date published: 2012-05-21
Rated 5 out of 5 by from Wonderful film! What can be said that has not already been said about this particular film. This is a vivid, striking, highly saturated, beautiful results. This film is not recommended for photographing people, but wow, does it ever capture grand scenics and other nature photography in an outstanding fashion.
Date published: 2008-05-26
Rated 3 out of 5 by from Not for everybody's taste Velvia 50 is a film for landscapes, known for it's unique colors. It is not intended for portraits or general use due to its very specific color reproduction. Well... Too specific for my taste. Even when used as intended - for landscapes in golden hours - this film produces colors that are very unnatural and actually very unpleasant to my eye. So unpleasant that the only way to save images for me was to scan them and correct colors in post. This is a great film with very unique character, just not for everybody.
Date published: 2011-01-04
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