Fashioned in a form factor which aims to reproduce—and perhaps replace—a traditional pedalboard, the Line 6 M13 is a stompbox modeler intended for use with electric guitars. It allows you to arrange a whole host of effects, many of them modeled off of classic pedals from the analog age, into 48 individual scenes, which you can switch up on the spot between songs. You can think of it as 48 different pedalboards with four stompboxes apiece; as such, the unit is quite handy for a touring guitar player, giving you over 15 distortions, more than 20 reverbs, and a panoply of delays, modulation effects, and filters.
The pedalboard gives you the ability to use four individual models at any one time, with six knobs and three footswitches for each effect. An LCD screen at the top of each section gives you a visible readout of each modeled effect, and furthermore, correlates in color with the applicable footswitches for easier view on a dark stage.
The unit also features a 28-second looper with controls for Undo/Redo, Record/Overdub, Play/Stop, and more. For all of the delay, modulation, and filter effects, you can utilize tap tempo to get their various parameters in lock-step and sync. The M13 offers a plethora of connectivity options, giving you two inputs for expression pedals, stereo inputs, stereo outputs, and a set of stereo send/return jacks. All of these connection points are 1/4" terminations, but there is also a MIDI I/O, allowing you to back your scenes up on a computer.
- Over 100 stompbox effects, 4 simultaneous in any order and any combination
- Dedicated knobs to control each parameter for every effect
- Create up to 48 pedalboard scenes for instant recall, giving you 48 individual pedalboards available at any time
- Universal tap tempo to sync all your time-based effects
- 28-second looper with dedicated footswitch controls for Undo/Redo, Record/Overdub, Play/Stop, Half Speed, Reverse, Play Once, and Pre/Post
- Built-in chromatic tuner with dedicated footswitch
- Metal chassis and footswitches
- Digital Delay
- Analog Echo
- Analog w/ Mod
- Tape Echo
- Tape Echo Dry Thru
- Multi-Head
- Sweep Echo
- Sweep Echo Dry Thru
- Reverse
- Tube Echo
- Tube Echo Dry Thru
- Lo Res Delay
- Digital Delay w/ Mod
- Stereo Delay
- Ping Pong
- Dynamic Delay
- Auto-Volume Delay
- Echo Platter
- Echo Platter Dry Thru
- Opto Tremolo
- Bias Tremolo
- Phaser
- Dual Phaser
- Panned Phaser
- U-Vibe
- Analog Flange
- Jet Flanger
- Analog Chorus
- Tri Chorus
- Pitch Vibrato
- Panner
- Rotary Drum
- Rotary Drum/Horn
- Dimension
- Ring Modulator
- Barber Pole Phaser
- Frequency Shifter
- Script Phase
- AC Flanger
- 80A Flanger
- Pattern Tremolo
- Tube Drive
- Screamer
- Overdrive
- Classic Distortion
- Heavy Distortion
- Colordrive
- Buzz Saw
- Facial Fuzz
- Jumbo Fuzz
- Fuzz Pi
- Jet Fuzz
- Line 6 Drive
- Line 6 Distortion
- Sub Octave Fuzz
- Octave Fuzz
- Boost Comp
- Volume Pedal
- Bass Octaver
- Red Comp
- Blue Comp
- Blue Comp Treb
- Vetta Comp
- Vetta Juice
- Tube Comp
- Noise Gate
- Graphic EQ
- Studio EQ
- Parametric EQ
- 4-Band Shift EQ
- Mid Focus EQ
- Tron Up
- Tron Down
- Seeker
- Obi Wah
- Voice Box
- V Tron
- Throbber
- Spin Cycle
- Comet Trails
- Slow Filter
- Octisynth
- Synth-O-Matic
- Attack Synth
- Synth String
- Growler
- Q Filter
- Vetta Wah
- Fassel
- Weeper
- Chrome
- Chrome Custom
- Throaty
- Conductor
- Colorful
- Smart Harmony
- Pitch Glide
- '63 Spring
- Lux Spring Reverb
- Vintage Plate Reverb
- Room
- Chamber
- Hall
- Ducking
- Octo
- Cave
- Tile
- Echo
- Particle Verb
