Avid HD OMNI - Preamp, I/O, and Monitoring Pro Tools HD Series Interface

Avid HD OMNI - Preamp, I/O, and Monitoring Pro Tools HD Series Interface

Avid HD OMNI - Preamp, I/O, and Monitoring Pro Tools HD Series Interface

B&H # AVHDOMNI MFR # 9900-58631-00

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Expected availability: 7-10 business days

Product Highlights

  • 2 Digitally-Controlled Mic/DI Preamps
  • 4 Line Inputs
  • 8 Line Outputs
  • 2 x 8 Channels AES/EBU I/O
  • 8 Channels ADAT I/O (S/MUX Support)
  • 2 Channels S/PDIF I/O
  • 1U Rack-Mountable Chassis
  • Complete Integration with Pro Tools HD
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$2,995.00
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Avid 9900-58631-00 overview

  • 1Description

As the hub of any music studio, the HD OMNI digital audio interface from Avid can be used to record high-quality instrument and vocal performances, while providing dedicated cue mixes for artists, and monitoring their performance through a discrete mix. No need for multiple interfaces. Everything can be done within the single-space rack HD OMNI.

Overdub and Foley recording capabilities are available for post production, in addition to creating monitor mixes with up to 7.1 channels. Further, the user can fold down mixes from 7.1 to almost any channel configuration subset required.

The interface features premium analog-to-digital and digital-to-analog converters that deliver high audio fidelity, extensive dynamic range, super-low jitter, and the lowest possible latency. Built-in sample rate conversion and a soft clip feature allows for worry-free performance, while Curv, a built-in soft-knee limiter catches even the fastest transients.

For those occasions when the Pro Tools software doesn't need to be launched, or even the computer turned on, the interface features a built-in, customizable, 14-input monitor mixer, allowing for the continued monitoring of external sources, such as keyboards, drum machines, and digital music players, independently from the recording setup.

The interface provides maximum performance, dependability, and control of all inputs, outputs, and routing right from the Pro Tools software interface. The interface and Pro Tools HD hardware will function with other DAW software via full support of Core Audio and ASIO drivers.

Note: A minimum of Pro Tools HD 8.1 or higher software is required to use this interface. A free update is available for download to all registered Pro Tools HD 8.x users.

Analog I/O
  • 24-bit analog-to-digital (A/D) and digital-to-analog (D/A) converters, with support for sample rates up to 192kHz
  • Two high-quality microphone/DI preamps
  • Two XLR and 1/4-inch TRS front panel combo inputs for microphone and instrument level input
  • Two XLR back panel microphone inputs
  • Two 1/4" TRS Send and two 1/4" TRS Return jacks for hardware inserts on channels 1 and 2 (back-panel)
  • Four analog 1/4" TRS line level back panel inputs (channels 1-4)
  • Soft Clip and Curv limiting circuits to protect against clipping on analog input
  • Eight channels of analog output using a DB-25 breakout cable (sold separately) with variable output gain
  • Two channels of analog output using 1/4" TRS jacks (mirrors channels 1-2 or 7-8 on DB-25 connector)
  • Front panel stereo 1/4" headphone jack
  • Route audio independently from Pro Tools with the 14-input persistent monitor mixer
Digital I/O
  • Eight channels of AES/EBU output (up to 192kHz Single Wire) using a DB-25 breakout cable (sold separately)
  • Two channels of AES/EBU XLR input (up to 192kHz Single Wire)
  • Two channels of S/PDIF RCA input and output (up to 192kHz)
  • Eight channels of ADAT TOSLink input and output
  • Support for ADAT S/MUX optical for sample rates of 88.2, 96, 176.4 and 192kHz
  • Support for two channels of S/PDIF optical with sample rates of up to 96kHz
  • Real-time sample rate conversion (SRC) on digital Inputs 1-2 of either AES/EBU, S/PDIF, or optical S/PDIF
Monitoring
  • Additional stereo "CUE" output path in Pro Tools for headphone monitoring from the front panel headphone jack
  • Front panel Control Room (MAIN/ALT) and headphone monitoring volume control
  • Flexible monitoring with fold-down from all stereo and surround formats (up to 7.1 surround)
  • Input mixer for low latency direct monitoring of a variety of incoming signals (configured in the Pro Tools Hardware Setup)
Synchronization
  • Loop Sync input and output for connecting additional Pro Tools HD interfaces and peripherals
  • External Clock input and output for synchronizing HD OMNI with external Wordclock devices
UPC: 724643110659
In the Box
Avid HD OMNI - Preamp, I/O, and Monitoring Pro Tools HD Series Interface
  • AC Power Cable
  • DigiLink to DigiLink Mini Adapter Cable
  • 18" (0.46m) BNC Cable
  • One (1) Year Warranty
  • Table of Contents
    • 1Description

    Avid 9900-58631-00 specs

    Converters 24-bit
    Sample Rates 44.1, 48, 88.2, 96, 176.4 and 192kHz
    Analog In 2 x XLR/TRS combi Microphone/Line (front panel)
    2 x XLR Microphone (rear panel)
    4 x 1/4" TRS phone Line (rear panel)
    2 x 1/4" TRS phone Return (rear panel)
    Analog Outputs 1 x 25-pin D-Sub (outputs 1-8)
    2 x 1/4" TRS phone AUX
    2 x 1/4" TRS phone Send
    1 x 1/4" TRS phone Headphone
    Digital Input Connectors 1 x XLR AES/EBU
    1 x TOSLink ADAT optical (also functions in 2-channel optical S/PDIF mode)
    1 x RCA coaxial S/PDIF ycectaswav

    Supports AES Single-Wire (192 kHz)

    Digital Output Connectors 1 x 25-pin D-Sub AES/EBU (8 channels)
    1 x TOSLink ADAT optical (also functions in 2-channel optical S/PDIF mode)
    1 x RCA coaxial S/PDIF

    Supports AES Single-Wire (192 kHz)

    Other Connectors 2 x BNC Wordclock I/O
    2 x BNC Loop Sync I/O
    2 x DigiLink Mini Ports
    1 x 9-pin Expansion Port
    MIDI In/Out No
    Microphone Inputs Frequency Response: 20Hz to 20kHz (+/-0.05 dB)
    Gain Range: 65dB
    EIN: -128dB
    THD+N: -107dB (0.00045%)
    CMRR: -93dB
    Line Inputs Frequency Response: 20Hz to 20kHz (+/-0.03 dB)
    Dynamic Range: 118dB (A-weighted)
    THD+N: -111dB (0.00028%)
    Line Outputs Frequency Response: 20Hz to 20kHz (+/-0.03 dB)
    Dynamic Range: 120dB (A-weighted)
    THD+N: -108dB (0.00039%)
    Line Output Level /Trim: +10dBu or +24dBu/-40dB to +10dB (0.1dB steps)
    Headphone Outputs Frequency Response: 20Hz to 20kHz(+/-0.03 dB)
    Dynamic Range: 118dB (A-weighted)
    THD+N: -107dB (0.00045%)
    Power Requirements 100/240V, 50/60Hz, internal power supply
    Minimum System Requirements Due to constantly changing requirements, for comprehensive hardware specifications and system requirements, please refer to Avid's website at http://www.avid.com
    Dimensions (WxDxH) 1U rack-mountable chassis
    Weight 16 lb (7.26 kg)
    Specialties Curv and Soft Clip processing

    14 input channels to 2 multi-channel monitoring paths, each with its own fold-down configuration

    Monitoring Formats: 7.1, 7.0, 6.1, 6.0, 5.1, 5.0, QUAD, LCRS, LCR, 2.1, Stereo, Mono
    Packaging Info
    Package Weight 15.8 lb
    Box Dimensions (LxWxH) 24.0 x 18.0 x 8.0"

    Avid 9900-58631-00 reviews

    HD OMNI - Preamp, I/O, and Monitoring Pro Tools HD Series Interface is rated 5.0 out of 5 by 1.
    Rated 5 out of 5 by from Sounds amazing! The sound quality is fantastic. My previous interface was a Lynx Aurora. The Aurora converters are great, but those in the Omni are a step up in terms of clarity. The unit is very versatile and intuitive (once you understand it - you may have to read the the manual several times before it all sinks in). The cost is high, but when you consider that, beyond integrating perfectly into Pro Tools without any hassles, this unit takes care of your converter, preamp, and control room monitoring/headphone needs, and all at a very high level of quality, it is actually a great value. The only potential drawback would be if you need more than 4 analog inputs or 8 analog outputs. I do not and it meets my needs fully.
    Date published: 2013-03-19
    • y_2018, m_11, d_15, h_17
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    • loc_en_US, sid_755975, prod, sort_[SortEntry(order=RELEVANCE, direction=DESCENDING)]
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