The PR-216 Option P7 High Fidelity Receiver from Comtek lets you wirelessly transmit audio to a speaker, thereby providing greater flexibility for speaker placement. The audio level is adjustable up to +15 dB. In addition to a 9-volt battery, the receiver can be phantom powered through the audio input jack.
| Audio Output | |
| Connector | |
| Indicator Lights | |
| Controls | |
| Audio Frequency Response | |
| Operating Radio Frequency | |
| Operating Frequency | |
| Frequency Stability | |
| RF Sensitivity | |
| Adjacent Channel Isolation | |
| Spurious Rejection | |
| Ultimate Quieting | |
| Deviation Acceptance | |
| Antenna | |
| Current Drain | |
| Power Requirements | |
| FCC Compliance | |
| Dimensions |
| Package Weight | |
| Box Dimensions (LxWxH) |
Used in conjunction with the M-216 Comtek with about a foot of range. Never really worked from the day I bought it but just thought it was due to poor frequencies in my area. If you want to transmit from a bag rig I suggest going Lectrosonic IFBs / Sennheiser G3 units or purchasing the Comtek BST-25 cart rig version of this.
The Comtek PR-216 Option 7 Receiver is a versatile creature. It can be used as a normal IFB receiver for key crew or clients with the bonus of an extended range, or to send a mono-mix scratch-track signal to the camera(s). I also attach the PR-216 Option 7 Receiver to a monitor speaker and send production audio signal to video village. Attach a M-216 P7 to a TC slate and send TC signal to PR-216 P7 Receiver(s) mounted to the camera(s) and your recorder. A solid and inexpensive receiver, adding a bit of versatility to any sound technician's kit.