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Foma Fomaspeed Liquid Emulsion 1 kg + Hardener 15 ml

BH #FOFSPEG3 • MFR #174052
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Foma Fomaspeed Liquid Emulsion 1 kg + Hardener 15 ml
Key Features
  • For Use Under RED Safelight Conditions
  • For Amateurs / Professionals Alike
  • Medium Contrast / High Covering Power
  • Yield: 32 - 64 sq ft
The Foma Fomaspeed Liquid Emulsion 1 kg + Hardener 15 ml is a chemical for use in photography under RED safelight conditions. For amateur and professional photographers alike, Fomaspeed Emulsion features medium contrast and extremely high covering power which allow you to gain a broad scale of halftones - even by a relatively high yield of 32 - 64 sq ft (3.0 - 6.0 sq m) per 2.2 lb (1.0 kg) of emulsion. For most common applications, especially on smooth surfaces, one layer of emulsion is enough to be spread. One main advantage of this high-speed emulsion is short exposures, which enable large-size enlarging. With most developers, this emulsion produces a neutral to mildly warm image tone.
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Foma 174052 Overview

The Foma Fomaspeed Liquid Emulsion 1 kg + Hardener 15 ml is a chemical for use in photography under RED safelight conditions. For amateur and professional photographers alike, Fomaspeed Emulsion features medium contrast and extremely high covering power which allow you to gain a broad scale of halftones - even by a relatively high yield of 32 - 64 sq ft (3.0 - 6.0 sq m) per 2.2 lb (1.0 kg) of emulsion. For most common applications, especially on smooth surfaces, one layer of emulsion is enough to be spread. One main advantage of this high-speed emulsion is short exposures, which enable large-size enlarging. With most developers, this emulsion produces a neutral to mildly warm image tone.

The emulsion may be spread on many different bases, including wood, textile, glass, china, ceramics, metals, leather, stone, concrete and plaster. The photochemical inactivity of the base is crucial. If this condition cannot be met, the base should be treated with a suitable waterproof layer, such as epoxide varnish. Good wetting power of the base surface is also important to the process. Non-wettable surfaces should be treated with a suitable preparation layer before spreading the emulsion, in order to ensure good coherence of the emulsion to the base.

Conditions of Use
For use in photography under RED safelight conditions
Contrast and Covering Power
Features medium contrast and extremely high covering power which allow you to gain a broad scale of halftones - even by a relatively high yield of 32 - 64 sq ft (3.0 - 6.0 sq m) per 2.2 lb (1.0 kg) of emulsion.
Applications
For most common applications, especially on smooth surfaces, one layer of emulsion is enough to be spread. May be spread on many different bases, including wood, textile, glass, china, ceramics, metals, leather, stone, concrete and plaster.
Preparation
Photochemical inactivity of the base is crucial. If this condition cannot be met, the base should be treated with a suitable waterproof layer, such as epoxide varnish. Good wetting power of the base surface is also important to the process. Non-wettable surfaces should be treated with a suitable preparation layer before spreading the emulsion, in order to ensure good coherence of the emulsion to the base.
Short Exposures
One main advantage of this high-speed emulsion is short exposures, which enable large-size enlarging.
Image Tone
With most developers, this emulsion produces a neutral to mildly warm image tone.
FOMA HARD Hardener
Supplied with the emulsion, the hardener ensures good mechanical resistance of the layer spread, and is recommended for all applications. The correct proportions are those supplied, i.e., 15 ml with 1.0 kg of emulsion. Suitable hardeners can also be used, e.g. formaldehyde (1.0 to 5.0 ml of 10% solution per 1.0 kg of emulsion), or in combination with the same volume of chrome alum solution (10%).
Processing Recommendations
Due to a high silver content and a relatively thick layer when spreading the emulsion manually, energetic developers are recommended for use, e.g. Fomatol LQN and Fomatol P from Foma. To effectively stop the development, Fomacitro citric acid-based stop bath is suitable, while for fixing, Fomafix fixer is recommended. Corresponding processing chemicals of other manufacturers can be used.
Warning: It is important that a perfect fixing and an adequately long washing be performed, at best in running water, or the resulting photographic image will not have long-term stability
UPC: 614572174054

Foma 174052 Specs

Chemistry
Gelatine: 7.0 - 14%
Silver Nitrate: 0.8 - 1.8%
Quantity
Emulsion: 2.2 lb (1.0 kg)
Hardener: 0.5 oz (15 ml)
Yield
32 - 64 sq ft (3.0 - 6.0 sq m) per 2.2 lb (1.0 kg) of emulsion
pH-Value Total
6.7 - 7.3 at 68° F (20° C)
Color
Gray
Operating Temperature
Emulsion melting: 95 - 104° F (35 - 40° C) in a water bath
Storage Temperature
39.2 - 50° F (4.0 - 10° C) in darkness
Packaging Info
Package Weight
2.45 lb
Box Dimensions (LxWxH)
8.5 x 4.7 x 4.4"

Foma 174052 Reviews

Good normal contrst emulsion

By Sasha
Rated 5 out of 5
Date: 2016-10-14

I use it a lot while printing on cellulose papers like Hahnemuhle Torchon, Canson Montval Torchon, Goznak. But personnaly recommend to dilute it with water 1:1 and cover the paper twice giving it get dry between covering. It is includes hardener but it is unnecessary. With these paper this emulsion works fine without it. Here is some examlples made with this emulsion:http://skrasnov.com/tag/liquid-light/ The emulsion yields very good covering capabilities.

See any errors on this page?

question

Can you take the bottles out of the cardboard packaging under normal lighting?
Asked by: Anonymous
You will want to keep this product under safelights.
Answered by: Heather S.
Date published: 2018-08-28

What is the ISO speed of this emulsion?

What is the ISO speed of this emulsion?
Asked by: Ryan
There is no exact ISO for any liquid emulsion (such as the Fomaspeed Liquid Emulsion 1 kg + Hardener 15 ml) because it can vary from application to application. Generally, the more layers that are applied, the more sensitive the emulsion will be. However, the more layers of emulsion is applied to the base, the longer it will have to be exposed to get the full range of tones. Two layers (horizontal and vertical application - most common application) should be around ISO 1-3. This is also dependent on what kind of surface the emulsion is coated on.
Answered by: Manzell L
Date published: 2022-03-21
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