Heavy-duty boom stand for stage and studio. The integral piston-type air suspension makes height adjustment effortless while protecting your microphone. Includes two-piece tube assembly adjustable from 49" - 73", a 62" boom, adjustable 6 lb. boom counterweight, triangular cast-iron base and silent motion, ball-bearing swivel casters.
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| Microphone Mount | |
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| Boom Arm Type | |
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| Mount | |
| Mic Thread Size |
| Boom Arm Type | |
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| Counterweight |
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I bought one 2 years ago and was just completing the pair - wish I had bought 2 initially - price up 35%, wondering if that is tariff related, but these are US made, so could it be on imported steel?
I'd been using OnStage stands in the studio and they were OK most of the time, but sometimes a little unstable with a heavy mic and a long extension. I record spoken word and usually like to get the mic over the tallent's head, pointing down. When working with tall tallent, I often had the stands stretched to their limits both in terms of extension and stability.So I ordered this stand for those situations. This is a heavy, serious stand. Very stable. Very large -- I wouldn't be able to use this in my home studio. On the other hand, there's no question I can get all the height I'll ever need and the stand is rock solid. On the downside, the air suspension doesn't seem to work that well for me. It looks like something I can fiddle with and get working right, but it wasn't working right as it came out of the box. It could just be my unit. It's not a critical item for me.Assembly was easy -- took about 20 minutes. All required tools (allen wrenches) were in the box. The biggest problem was manhandling the box into the studio (did I mention it's a heavy stand?)