Kodak Professional Tri-X 400 Black and White Negative Film (120 Roll Film, 5-Pack)

Kodak Professional Tri-X 400 Black and White Negative Film (120 Roll Film, 5-Pack)

Kodak Professional Tri-X 400 Black and White Negative Film (120 Roll Film, 5-Pack)

B&H # KOTX120PP MFR # 1153659
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Kodak Professional Tri-X 400 Black and White Negative Film (120 Roll Film, 5-Pack)

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Product Highlights

  • Panchromatic B&W Negative Film
  • ISO 400/27° in Standard Process
  • Fine Grain and High Sharpness
  • Wide Exposure Latitude
  • Responds Well to Push Processing
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Kodak Tri-X 400 overview

  • 1Description

Kodak's Professional Tri-X 400 Black and White Negative Film is a classic high-speed panchromatic film designed for a wide array of shooting conditions. Characterized by its fine grain quality, notable edge sharpness, and high resolving power, Tri-X 400 also exhibits a wide exposure latitude with consistent tonality. It has a nominal sensitivity of ISO 400/27° when developed in standard black and white chemistry, and responds well to push processing. As an all-around, highly versatile film, Tri-X 400 is a standard choice for photographing in difficult lighting conditions as well as when working with subjects requiring good depth of field or for faster shutter speeds.

This item is five rolls of 120-format roll film.

UPC: 041771153656

Kodak Tri-X 400 specs

Film Format 120
Film Type Panchromatic B&W Negative
Film Speed ISO 400
Film Processing Standard Black and White Chemistry
Film Base Acetate
Number of Rolls 5
Layer Thickness 99.1 µm
Packaging Info
Package Weight 0.35 lb
Box Dimensions (LxWxH) 5.5 x 3.0 x 1.3"

Kodak Tri-X 400 reviews

Professional Tri-X 400 Black and White Negative Film (120 Roll Film, 5 Pack) is rated 4.8 out of 5 by 230.
Rated 5 out of 5 by from True American film As a photojournalist I used a lot of Tri-X. It (was) is my go-to film. If I didn't know what I was going to run into this is the film I would use. I tried Ilford and got acceptable results, but the look wasen't there...look at an American newspaper from the 1980 then look at an English paper from the same time. The photos in the US paper were usually Tri-X and the English was usually Ilford. Look for the difference in shadow detail and how the highlights look...this is the Look (if you can't see any difference then either film will work for you.)I still use Tri-X, in 120, for fine art imaging - scanned negatives and inkjet printing...but I do miss the darkroom.PS: It isn't ISO 400 - its 200! But, that's Kodak Marketing.
Date published: 2014-11-13
Rated 5 out of 5 by from what can be said about Tri-X? I will limit my review on Tri-X to information that will be useful to a photographer that develops their own film. Pros: Tri-X has been around for so long it evolved into the industry standard for what a 400 speed film should deliver. It is tried and true; great tonal range, consistent, and dependable. Cons: It has a stubborn magenta stain and is prone to very pronouced curling. Despite the two cons listed above I am still giving this film 5 stars. The reason is because the film's ability to capture an image is independent, and not compromised, by these two problems; magenta stains eventually come out with patience and a stack of books flattens any curl with enough time.
Date published: 2011-02-24
Rated 5 out of 5 by from By far, the BEST black and white film! Kodak Tri-X is by far THE BEST black and white film. We as photographers are so fortunate that it is still available from Kodak- and still at an affordable price. Long live Tri-X, shoot it while we still can! This film far out performs the rest in nearly every situation and holds well to push processing. It has a classic black and white look and tones that simply cannot be found anywhere else. Tri-X in D-76 developer is a timeless combination that I can simply never find enough of. A true classic.
Date published: 2014-10-18
Rated 5 out of 5 by from Outstanding Fine Art Applications I have used Kodak Tri-X Pan film in perhaps well over a thousand development sessions and print on a regular basis. Tri-X responds extremely well to development in tanning and staining developers, such as PMK formula. It is equally at home with standard developers or for push processing for speed increase. I love the tonal range and graphic quality of this film, for it truly displays the character I am after. If developed carefully, one can easily control grain with a fine grain developer, or choose to work with an acutance developer, like Rodinal, of FX-2, to bring out that gritty and edgy feel in which it is famous. For those using Tri-X or TXP for alternative processes, it works exemplary with tanning and staining developer formulas.
Date published: 2008-05-01
Rated 5 out of 5 by from Great classic look TriX has been a favorite amongs photographers for years, and I can definitely see why. The grain is very nice, and it delivers a beautiful contrasty black and white image. I'm a big fan of quality grain in film, and I can usually spot TriX grain from a mile away. This film's got character, and I absolutely love it. The tonal range is also outstanding on this film. It reproduces and scans very well also. I normally shoot this film at ISO 400, but have pushed it to 1600 with decent results. It's got great latitutde. It's my go-to standard for B&W work, and looks to remain so for many many years to come.
Date published: 2011-04-19
Rated 5 out of 5 by from Very Nice Film, but Difficult to Spool on 620 I really enjoyed using this film. I was a little unsure if it was worth the extra money as opposed to the Holga 120 film, but it was. I have been using this with my Hawkeye Brownie and respooling on a 620 spool. This film makes beautiful pictures and negatives. My only complaint with this film is the fact that it has been difficult to start on the spool every time. I usually have to try winding and then take the camera apart and pull the leader to get it to start properly. During this process I always feel very close to the exposures, but it has not caused a problem yet. Overall a very good film and well worth the price and difficulty spooling.
Date published: 2016-04-05
Rated 5 out of 5 by from The finest BW film, from the finest film company Kodak has produced Tri-X for over half a century, with this film long being one of the most iconic emulsions for photojournalists, artists, amateurs, and commercial shooters. This film pulls and pushes exceptionally well, pushing to ISO 3200 with ease. NOTE: Kodak did have issues with certain batches of 400TX displaying KODAK through the image. To the person who bashed Kodak on this thread, it's rather clear that you did NOT contact Kodak before writing this review. Kodak offered refunds/full replacement of damaged rolls, and they DID release a statement about this some months ago. While this is still their fault (as noted by their public assumption of liability), I think it's safe to say that they responded in the appropriate manner. All in all, this is one of the finest films ever made. If you have not tried this emulsion, I strongly suggest it. I rate it at ISO 320 for normal development, and push to ISO 1600 with rating at 1250 for low light.
Date published: 2017-02-24
Rated 5 out of 5 by from Tri-X film: oldie but goodie I hate to say how long I've been using Tri-X, but it must go back into the mid-1950s, loading it into my father's Kodak Reflex II and amazing (and terrifying) classmates by being able to take available light photos on the sly. For 35mm, I think perhaps T-Max400 has a bit of an edge on grain, but there's a certain robustness to Tri-X images that keeps drawing me back to it. It is, of course, the original shoot anywhere black and white film and can be pushed with pretty good results. I usually develop in D-76 1:1, though I have also used Acufine and UFG (mostly to push to 800 ISO or thereabouts). When pushed, enjoy the grain.
Date published: 2010-03-08
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