The Native Gold Bundle from Waves is a collection of 31 plug-ins designed for tracking, mixing, and mastering your tracks. It includes EQs, compressors, channel strips, reverbs, delays, modulation effects, limiters, a vocal tuner, and a guitar amp emulator. All support RTAS, AudioSuite, AU, and VST plug-in formats on Mac and PC.
Please note this bundle is an electronic download.
L1 Ultramaximizer Native from Waves is a plug-in that provides dynamics control for any audio application, from multimedia to mastering. The software features look-ahead peak limiting, level maximization, and high resolution re-quantization, and is well known for its transparency and punch.
- Input Gain Faders: -20 dB to 0 dB
- Input Meter: -30 dB to 0 dB with an integrated Threshold control, Peak Hold indicators
- Output Meter: -30 dB to 0 dB with an integrated
- Output Ceiling: control, peak hold indicators
- Link: links threshold and output ceiling
- Release: 0.01 mS to 1000 mS
- Attenuation Meter: 0 dB to 30 dB with peak hold indicator
- Domain: analog or digital
IDR Controls
- Quantize: none, 24-, 20-, 16-, 12-, or 8-bit
- Dither: Type 1, 2 or none
- Shaping: moderate, normal, ultra or none
UltraPitch Native from Waves is a plug-in designed for achieving thick stereo chorusing, doubling, parallel harmonization, vocal slap back and spread effects, and much more. With three modules it is possible to transpose, harmonize, modulate, and transform any sound. Also included are many factory presets, including essential classic patches.
- On/Off: per voice and global
- Gain: -24 dB to 0 dB per voice and global
- Pan: -45° to +45° per voice and global
- Delay: 0 mS to 100 mS per voice and global
- Pitch: -octave to octave per voice
- Formant: -12 to 12 per voice
- Voice Markers: graphic control over pan, pitch and format
Pitch Detector Section
- Scrolling Speed: slow to fast
- Min Pitch Limiter: 35 Hz to 800 Hz
- Max Pitch Limiter: 100 Hz to 1200 Hz
- Detection Mode: default, voice steady, voice stressed, voice opera, music steady, clear tones and bass
Input Gain Fader: -24 dB to 0 dB
Input Gain Meters: -30 dB to 0 dB with peak hold and clip indicators
Animation: 0 mS to 100 mS
Pitch and Formant Link Modes: free, voice, song, brass, woods, strings, linear and inverted
MaxxBass (Native) from Waves is a plug-in for enhancing the perceived loudness of the bass content in an audio source. The software uses psycho-acoustics to calculate precise harmonics that are related to the fundamental tones of sound. When these harmonics are combined with the original signal, it creates the effect of lower, deeper frequencies that is apparent on virtually any speaker.
The plug-in also allows smaller speakers to appear to deliver a stronger and lower bass signal without damaging the smaller cones inside the speakers. The technology has been used to enhance the bass on many hit records, and in major motion pictures to deliver earth shattering effects.
- Cutoff Frequency Fader: 32 Hz to 256 Hz
- Ratio: 1.00:1 to 4.00:1
- Response: 10 mS to 30 mS
- High Pass Filter Slope: 6 dB/octave, 12 dB/octave and 24 dB/octave
- Decay: -24 dB to -9 dB
- Input Gain Fader: -inf. to 0 dB
- Original Bass Fader: -inf. to +12 dB
- MaxxBass Fader: -inf. to +12 dB
- Output Meter: -40 dB to 0 dB with peak hold and clip indicators
- Monitor Section: Audio, MaxxBass and Original Bass
TrueVerb Native from Waves is a reverb plug-in designed to simulate real acoustic spaces. It combines reverb with an early reflections simulator to create natural-sounding virtual acoustic environments. The software features a flexible graphic interface and a wide range of editing parameters.
- Early Reflection: variation 0 to variation 6
- Reverb: variations 0 and 1
Reverb Damping
- Low: 16 Hz to 1,600 Hz
- Low Ratio: 0.10 to 2.00
- High: 1,600 Hz to 21,000 Hz
- High Ratio: 0.10 to 2.00
- Frequency Band Marker: graphic control over frequency and gain per band
Output Mix
- Direct: -24 dB to 0 dB with on/off switch
- Early Reflections: -24 dB to 0 dB with on/off switch
- Reverb: -24 dB to 0 dB with on/off switch
Dimension: 1.00 to 3.99
Room Size: 50 m3 to 20,000 m3
Distance: 0.5 m to 40 m
Link: links the reverb, room size and pre-delay parameters
Balance: -48 dB to +12 dB
Decay Time: 0.2 s to 100 s
Pre-Delay: 10.5 ms to 160 ms
Density: 0.000 to 1.000
Room-Size/Distance Markers: graphic control over size and distance
ER Low Cut: 16 Hz to 512 Hz
ER Low Cut Bypass
Reverb High Shelf: -12 dB to 0 dB
ER Absorb: -6 dB to 0 dB
Frequency: 1,600 Hz to 21,000 Hz
Input Gain: -inf. to 0 dB
Output Meter: -24 dB to 0 dB with peak hold and clip indicator
S1 Stereo Imager Native from Waves is a plug-in that provides the tools necessary to adjust stereo audio material. Using psycho-acoustic spatial imaging techniques, the software can enhance and alter stereo separation using a choice of three distinct components - Shuffler, Imager, and MS Matrix. It can, amongst other things, make the stereo field wider or narrower, place objects outside of the speakers, or compensate for a "lopsided" image.
- Gain: -24dB to 0dB
- Width: 0.0 to 3.0
- Shuffle: 1.0 to 3.0
- Frequency: 350 Hz to 1400 Hz
- Input Mode: M/S or L/R
- Left/Right Phase: +/-
- Input Channel Swap
- Bass Trim: -3 dB to +3 dB
- Asymmetry: -90° to +90°
- Rotation: 45° to +45°
- Output Mode: M/S or L/R
- Output Meter: -24 dB to 0 dB with peak hold and clip indicators
- Stereo Image Graph: graphic control over all image parameters
The Renaissance Axx Native from Waves is a dynamics plug-in engineered especially for guitar and bass. Settings can be dialed in very easily via a three-parameter interface that includes a fixed ratio curve, automatic release value, and an output limiter to prevent clipping.
- Threshold: -60 dB to 0 dB
- Input Meter: -60 dB to 0 dB
- Attack: 0 ms to 50 ms
- Attenuation Meter: 0 dB to -30 dB
- Output Gain Fader: -30 dB to 0 dB
- Output Meter: -60 dB to 0 dB with peak hold and clip indicators
- Clip-Guard Output Limiter
The Renaissance Compressor Native from Waves is a compressor plug-in that features two compression modes, vintage opto and modern electro compression. Featuring a streamlined interface, the plug-in utilizes technologies from both the company's renowned C1 Parametric Compander, along with the L1 Ultramaximizer.
- ARC: Automatic Release Control or manual
- Compressor Behavior: opto or electro
- Character: warm or smooth
- Input Meter: -60 dB to 0dB with peak hold indicators
- Threshold: -60 dB to 0 dB
- Ratio: 0.50:1 to 50.00:1
- Attenuation Meter: -20 dB to +6 dB with peak hold
- Attack: 0.5 ms to 500 ms
- Release: 5 ms to 5000 ms
- Output Gain: -30 dB to +30 dB
- Output Meter: -60 dB to 0 dB with peak hold and clip indicators
- Clip-Guard Output Limiter
The Renaissance Equalizer Native from Waves is a paragraphic EQ plug-in that features real-time EQ graphing, vintage-modeled filter curves, and extended internal headroom.
Three versions are available covering 2, 4 or 6 bands of equalization and because of the filter curves, the plug-in is able to deliver a "warm" analog processing to any audio source.
- Gain: -18 dB to +18 dB per band
- Frequency: 16 Hz to 21,357 Hz per band
- Q Factor: 0.26 to 6.5 per band
- Filter Types: asymmetric bell, resonant high/ low-shelf, high/ low-pass, per band
- In/Out: switch per band
- Frequency Band Marker: graphic control over frequency and gain per band
- Output Gain Fader: -24 dB to +12 dB
- Output Meter: -30 dB to 0 dB with peak hold and clip indicators
- Trim: output gain adjustment
- Link: left+right, left or right
The Renaissance Reverb Native from Waves is a reverb plug-in that features the classic rich reverb tails of high-end hardware, while delivering precision control over all aspects of reverb simulation.
The software provides an advanced early reflection system, and dual-band EQ and damping controls. An interesting feature of the early reflections is the ability to input negative values, thus delaying the dry signal. This can create an interesting bloom effect before the onset of the dry signal.
- Low Freq: 16 to 1,600Hz
- Low Ratio: 0.10 to 2.00
- High Freq: 1,000 to 21,000Hz
- High Ratio: 0.10 to 2.00
- Frequency Band Marker: graphic control over frequency and ratio per band
EQ Controls
- Low Freq: 16 to 1,600Hz
- Low Gain: -24 to +12dB
- High Freq: 1,000 to 21,000Hz
- High Gain: -24 to +12dB
- Frequency Band Marker: graphic control over frequency and gain per band
Universal Controls
- Decorrelation Variation: 0 to 6
- Pre-delay: -160 to +160ms
- Time: 0.1 to 20 seconds
- Size: 1 to 100
- Diffusion: 0 to 100
- Decay: 0.04 to linear
- Early Reflections: off to 0dB
- Reverb: off to 0dB
- Wet/Dry: 0 to 100% wet
- Gain: -24 to 0dB
- Output Meter: -30 to 0dB with peak hold and clip indicators
C1 Parametric Compander Native from Waves is a dynamics processor plug-in featuring three distinct modules. The Compressor/Expander, Gate/Expander, Filter/EQ sections allow the plug-in to fulfill multiple functions, either as separate processors, or combined for maximum flexibility.
- Bypass - enables or disables the module
- LowRef Mode - low level reference conventional compressor operating mode
- PeakRef Mode - peak level reference preserves peak levels (auto makeup gain)
- Make-up Gain - -40 dB to +40 dB
- Threshold - -100 dB to 0 dB
- Ratio - 1 to 50:1 (compression), 0.5:1 to 1:1 (expansion)
- Cancellation Mode - -50:1 to -5:1 to cancel out very loud signals
- Attack - 0.01 ms to 1,000 ms
- Release - 1 ms to 10,000 ms
- PDR - program dependant release
- EQ Mode - wideband, sidechain, or split
- Gain Reduction Meter - -36 dB to +24 dB
- Control Level Meter - -100 dB to 0 dB
- Bypass - enables or disables the module
- Gate/Expander Control - switches between gate and expander modes
- Floor - -infinity to +12 dB (gate/expander mode), -100N to -10N negative polarity (expander mode)
- Gate Thresholds - gate open and gate close
- Attack - 0.01 ms to 1,000 ms
- Release - 1 ms to 10,000 ms
- Hold - 0.01 ms to 5,000 ms
- EQ Mode - wideband, sidechain, or split
- Gain Reduction Meter - -108 dB to +12 dB
- Control Level Meter - -100 dB to 0 dB
- Two Complementary Bands - active/sidechain path and passive path
- Crossover Slope - 18 dB/octave to 36 dB/octave
- Type Band-Pass - band-reject, hi-pass and low-pass
- Frequency - 16 Hz to 21 Khz
- Q - 0.1 to 0.6
- Parameter Linking Links the Compressor/Expander and Gate/Expander controls
- Look-Ahead - yes/no
- Key Mode - stereo, left keys right, right keys left
- Monitor - audio, side-chain or passive
- Output Gain Fader- -40 dB to +18 dB
- Output Meter- -30 dB to 0 dB with peak hold and clip indicators
C4 Multiband Native from Waves is a multiband dynamics processor plug-in that features four-bands of up and down expansion, limiting, and compression, along with dynamic and standard EQ.
By combining the technologies from the Renaissance Compressor and the C1 Parametric Compander, the plug-in provides comprehensive and transparent control over the contours of a mix.
- Input Gain Fader - -infinity to 0 dB
- Range - -24 dB to +18 dB per band
- Gain - -18 dB to +18 dB per band
- Attack - 0.5 ms to 500 ms per band
- Release - controls the amount of spill that the detector should ignore
- Threshold - -80 dB to 0 dB per band
- Energy Level Meter - -80 dB to 0 dB per band
- Solo - per band bypass
- DynamicLine Graph - shows reduction curve -18 dB to +18 dB, 16 Hz to 20 kHz
- Frequency Band Marker - graphic control over frequency/gain per band
- Master Controls - global control of threshold, gain, range, attack and release settings
- Release Type - ARC or manual
- Behavior - opto or electro
- Knee Type - soft to hard, 0.00 to 0.75
- Crossover
Low - 40 Hz to 250 Hz
Mid - 100 Hz to 5993 Hz
High - 2 kHz to 16 kHz - Q - 0.1 to 0.75
- Output Gain Fader - -18 dB to +18 dB
- Output Meter - -80 dB to 0 dB
MetaFlanger (Native) from Waves is a plug-in for creating the sound of great vintage tape flanging and phaser emulation. The software is capable of generating anything from gentle choruses and dual-delay flanging sounds, to sharp phasing and extreme jet sweeps.
- Mix: 0% to 100%
- Mix Phase: wet signal phase inversion on/off
- Feedback: 0% to 100%
- Feedback Phase: phase inversion on/off
- Filter Type: low-pass or high-pass
- Filter Frequency: 0.1 kHz to 20 kHz
- Filter On/Off
- Delay: 0.1 mS to 50 mS
- Tape: wet/dry signals delay alignment
- Modulation Rate: 0 Hz to 20 Hz
- Tempo Sync: manual or auto
- Modulation Depth: 0% to 100%
- Link: links modulation rate and depth controls
- Waveform: sine or triangle
- Modulation Meter: graphic display of rate and depth
- Stop: freezes the modulation effect
- Stereo: 0° to 180°
- Output Gain Fader: -12 dB to +12 dB
- Output Meter: -30 dB to 0 dB with peak hold and clip indicators
MondoMod (Native) from Waves is a modulation plug-in for creating unique sonic textures ranging from tranquil to turbulent. The software uses a combination of linked AM (Amplitude Modulation), FM (Frequency Modulation) and Rotation modulators.
The plug-in has five selectable waveforms for the LFO, and the overall tempo of the modulators can be synchronized to the host software.
- Tempo Sync: Manual or Auto
- Modulation Rate Hz: 0.01 Hz to 60 Hz (disabled when sync is in auto mode)
- Modulation Rate BPM: 0.5 to 3600 BPM (disabled when sync is in auto mode)
- X-Factor: Modulation Multiplier, 0.25 to 100
- Waveform: sine, square, saw up, saw down or triangle
- AM Depth Fader: 0% to 100%
- AM Meter: graphic display of rate and depth
- AM On/Off: enables or disables AM module
- AM Phase: 0°, 90°, 180° and 270° (applied to modulation only)
- Rotation Center: -180° to +180°
- Rotation Range: 0° to 360°
- Rotation Meter Graphic: display of center position and range
- Rotation On/Off: enables or disables AM module
- FM Depth Fader: 0% to 100%
- FM Meter: graphic display of rate and depth
- FM On/Off: enables or disables FM module
- FM Phase: 0°, 90°, 180° and 270° (applied to modulation only)
- Output Gain: -12 dB to +12 dB
- Mix: 0% to 100%
- Output Meter: -30 dB to 0 dB with peak hold and clip indicators
DeEsser Native from Waves is a plug-in used to reduce excess sibilance ("ess" and "shh" sounds) from vocal tracks. Inspired by vintage gear for precision de-essing and high frequency limiting, the plug-in delivers smooth and natural output without complicated adjustments.
- Audio - split or wideband modes
- Frequency - 2 kHz to 16 kHz cutoff frequency for the side-chain filter
- Side-Chain Filter Type - high-pass or band-pass
- Monitor - audio or side-chain
- Threshold - -80 dB to 0 dB integrated with the input energy meter
- Attenuation Meter - -30 dB to 0 dB with peak hold indicator
- Output Meter - -30 dB to 0 dB with peak hold indicator
The PAZ Analyzer Native from Waves is an accurate and easy to use real-time analyzer plug-in that generates a comprehensive visual representation of the audio's stereo positioning, frequency spread, and Peak/RMS levels.
- LF Resolution: 40, 20 and 10 Hz
- Weight: unweighted, dBA, dBB or dBC
- Freeze: freezes the display
- Show: L and R independently, or L+R (summed)
- Peak Hold: on/off
- Clear: clears the peak hold
- Detect: peak or RMS
- Response: 50 mS to 5,000 mS
- Frequency Gain Graph: -80 dB to 0 dB, 6 Hz to 20,660 Hz
- Navigate: scrolls the screen when zoomed in
- Zoom: horizontal and vertical +/-
- Reset Zoom
- Phase Graph: -80 dB to 0 dB, -90° to +90°
- Output Meter: L/R peak meter -40 dB to 0 dB with peak hold and clip indicators
- Summed Loudness Meter: (L + R -6 dB) -40 dB to 0 dB
Enigma Native from Waves is a plug-in that allows for twisting, bending, and mangling of sounds with effects that go beyond phasing and flanging. The software uses a combination of filters, short delay feedback loops, reverb, LFO modulation, and more to create radical, and unusual sonic textures.
- Notches - 1 to 6 pairs (2 to 12)
- +1/2 - adds half a pair of notches to the high-end
- Phase - polarity reverse switch
- Depth - 0 to 200
- Stereo - 0 to 100
- On/Off - per filter
- Graph Markers - for frequency and X-Factor adjustment
- Frequency:
Low-Band Filter - 16 Hz to 16 kHz
High-Band Filter - 16 kHz to 21 kHz - X-Factor - filter slope 0.10 to 2.00
- Modulation - play or pause sync auto or manual
- Waveform - sawtooth up, sawtooth down, triangle, sine and square
- Rate - 0.01 s to 20 s
- BPM - 0.6 BPM to 1,200 BPM
- Min/Max Frequency - 16Hz to 21,357Hz
- Feedback - on/off switch for the feedback component
- Phase - polarity reverse switch
- Decay Time - 10 ms to 5,000 ms
- Delay - 0.01 ms to 200 ms
- Density - 0 to 100
- Graph Markers - for frequency and X-Factor adjustment
- Frequency:
Low-Band Filter - 16 Hz to 16 kHz
High-Band Filter - 16 kHz to 21 kHz - X-Factor - filter slope 0.10 to 2.00
- Gain - -24 dB to 0 dB
- Mix - 0% to 100%
- Pre-Delay - 0 ms to 200 ms
- Wet - output mode; stereo, mono, and mono + phase reverse
- Output Meter - -30 dB to 0 dB, with peak hold and clip indicators
SuperTap Native from Waves is a delay plug-in inspired by the sound and legacy of analog tape. Featuring extensive modulation, panning, and filter options, the software delivers analog style with digital precision. Ease of use is further enhanced by the sync to host tempo functionality, or by using the Tap-Pad feature to tap a tempo in.
- BPM: 40 BPM to 1200 BPM
- mS: 50 mS to 1,500 mS
- Tap Pad: manual tap input
- Tap Pad Mode: tempo or pattern
- Sync: auto or manual
Modulation
- On/Off: switch
- Sync: manual or tempo
- Rate: 0 Hz to 20 Hz
- Depth: 0 mS to 10 mS
EQ
- On/Off: switch per taps and feedback
- Tap Filter Type: bell 1, bell 2, high shelf, low shelf, high pass and low pass
- Feedback Filter Type: low pass, low shelf and low decay
- Frequency: 0.1 kHz to 20 kHz per taps and feedback
- Gain: -12 dB to +12 dB for taps; -12 dB to 0 dB for feedback
On/Off: switch for direct signal, taps and feedback
Direct Signal Gain: -42 dB to 0 dB
Tap Gain: -48 dB to 0 dB
Feedback Amount: 0% to 100%
Rotate: -45° to +45° of direct signal, taps and feedback
Taps and Feedback Delay Sliders: 0 ms to 5,944 mS or by tempo grid
Feedback Mode: normal or tap
Snap: on/off snap to grid
Grid Resolution: free, quarters, quarter triplets, eighths, eighth triplets and sixteenths
Grid Mode: BPM or mS
Output Gain Fader: -12 dB to +12 dB
Output Meter: -30 dB to 0 dB with peak hold and clip indicators
IR-L Native from Waves is a convolution based reverb plug-in that is capable of recreating the sound of real acoustic spaces. Over 100 impulse responses are provided, editable via the easy and efficient streamlined interface.
Unlike some convolution reverbs that deliver a static response, the IR-L has the ability to extended the RT60 decay time by up to four times while still preserving the reverb's envelope and frequency content.
- CPU Mode: Full CPU or Low CPU
- Latency: shows the current latency in ms
- Dry: 0 mS to 30 mS delay of the dry signal
- Dry/Wet: 0% to 100%
- Crosstalk: 0 to 100 (IR-L Efficient module only)
- Direct: on/off
- Direct Pre-delay: 0 mS to 500 mS
- Output Gain Fader: -50 dB to 0 dB
- Output Meter: -30 dB to 0 dB with peak hold and clip indicators
IR Graph
- Gain and Time: -90 dB to 0 dB, 0s to 10s
- Zoom: in and out on the time axis
- Zoom Reset: defaults to 6s display
Reverb Time Section
- Convolution Start: 0s to 1s
- Convolution Length: 0s to 6s
- RT60 Indicator: 0.1s to 10s
- Ratio: 0.25 to 1.00
Doubler Native from Waves is a plug-in for automatically creating a double-track effect, especially for vocals. Using adjustable delay and pitch modulation, the plug-in provides a rich texture on vocals, but works equally well on polyphonic instruments and full mixes.
- Gain - -48 dB to 0 dB per voice and for the direct signal
- Pan - -45° to +45° per voice and for the direct signal
- Align - delays the direct signal according to the latency of the voices
- FB High-Pass Filter - 16 Hz to 21,357 Hz
- Range - 20 Hz or 80 Hz detune frequency boundary
- Modulation Reset - resets rate and depth values
- Delay - 0 ms to 100 ms per voice
- Feedback - 0% to 100% per voice
- Octave - on/off (shifts the voice one octave down)
- Detune - -100 to +100 cent
- Depth - -200 to +200 cent
- Rate - 0.1 Hz to 400 Hz
- Low Shelf Filter - -88 dB to +12 dB, 16 Hz to 21,357 Hz
- High Shelf Filter - -88 dB to +12 dB, 16 Hz to 21,357 Hz
- Output Gain Fader - -24 dB to 0 dB
- Output Meters - -30 dB to 0 dB, with peak hold and clip indicators
- In 1-3 - L, L+R, L-R, input signal for voices 1 and 3
- In 2-4 - R, R+L, R-L, input signal for voices 2 and 4
Doppler Native from Waves is a plug-in that produces the effect of a sound source moving towards or away from a listener, simulating the classic Doppler effect. The plug-in allows for control of the frequency change, speed, and distance from the sonic source with pinpoint accuracy.
- Gain Modulation - 0% to 200%
- Pan Modulation - 0% to 200%
- Pitch Modulation - 0% to 200%
- Air Damping - 0% to 200% high frequency damping
- Reverb - 0% to 200% reverb level mix
- Reverb Time - 0.1 s to 10 s
- Brightness - dark to bright, 0.0 to 1.0
- Bypass - for gain, pan, pitch, air damping, and reverb
- Graphic Display Controls - direction arrows, start/end position marker, movement curve, elapsed time
- Mode - continuous or one-shot
- Trigger - energy or manual
- Track Time - 0.5 s to 60 s
- Center Time - 0 s to 30 s
- Output Gain Fader - -12 dB to +12 dB
- Output Meter - -100 dB to 0 dB
Q10 (Native) from Waves is a paragraphic EQ plug-in that features up to ten bands. The software delivers precision equalization for mixing and mastering alike. Each band features the same extended frequency range and the ability to narrow the bandwidth (Q) for more surgical tasks.
With presets that cover a wide range of applications, and advanced noise shaping, the Q10 provides the tools for creating special effects and spectral modifications that range from subtle to extreme.
- Input Gain Fader: -24 dB to 0 dB
- Input Phase Invert: +/-
- On/Off: switch per band
- Filter Type: band-pass, low-shelf, high-shelf, low-pass and high-pass per band
- Gain: -18 dB to +18 dB per band
- Frequency: 16 Hz to 21,357 Hz per band
- Q: 0.5 to 100 per band
- Frequency Band Markers: graphic control over frequency and gain per band
- Output Gain Fader: -24 dB to +12 dB
- Trim: output gain adjustment
- Output Meter: -30 dB to 0 dB with peak hold and clip indicators
- Control Mode: link left + right, left only, right only
AudioTrack Native from Waves is a plug-in that features three complete Waves processors in a single, easy-to-use interface. Ideal for multimedia, voiceovers, project studios, and more, the plug-in contains a four-band EQ, compressor/expander, and a gate.
- On/Off - switch per band
- Type - high-pass, low-shelf, bell, high-shelf and low-pass filter types per band
- Gain - -18 dB to +18 dB per band
- Frequency - 16 Hz to 21,357 Hz
- Q - 0.5 to 30 (bell filter only)
- Threshold - -52 dB to 0 dB
- Ratio - 0.5:1 to 40:1
- Attack - 0.1 ms to 1,000 ms
- Release - 1 ms to 10,000 ms
- Threshold - -infinity to 0 dB
- Floor - -infinity to 0 dB
- Attack - 0.1 ms to 1,000 ms
- Release - 1 ms to 10,000 ms
- Input Energy Meter - -80 dB to 0 dB, post EQ including compressor and gate threshold indicators
- Attenuation/Expansion Meter - -48 dB to +12 dB
- Output Gain Fader - -24 dB to +12 dB
- Output Meter - -30 dB to 0 dB with peak hold and clip indicators
Waves Tune LT Native is a special edition of Waves Tune using an intuitive interface, and simplified controls. Like its big brother, it offers easy to use pitch/formant correcting with an exceptional level of sound quality and transparency.
Waves Tune LT will automatically tune a vocal track, making the changes as gentle or as aggressive as required, using default parameters or custom settings. Selecting the root note and scale allows the plug-in to correct to the notes in that key. In addition to dozens of preset scales, custom scales can be created.
- Reference Pitch: 220 Hz to 880 Hz
- Formant: Corrected/Non-Corrected
- Pitch Shift Meter: -100 cents to 100 cents
- Timeline and Display Preferences Menu
- Piano Roll: 2 octave display
- Select All
- Clear Selection
- Auto Scrolling On/Off
- Horizontal/Vertical Zoom
- Reset Zoom
- RootNote: Semi-tone Scale
- Scale: 43 Pre-defined presets
- Note
- Zoom
- 2 levels
- Speed: 0 mS to 800 mS
- NoteTransition: 0 mS to 800 mS
- Ratio: 0% to 100%
H-Comp (Native) from Waves is a hybrid compressor plug-in that models the behavior of transformer, tube, and transistor circuits, and combines them with the repeatability of software. The compressor's release performance is specifically modeled on the corresponding analog behavior, while a wet/dry control allows for parallel compression.
Other features include multiple sync functions, an output limiter, and via an external side-chain, access to the compressor circuitry for additional compression control.
- Threshold - 0 to -48 dB
- Ratio - 1 to 50
- Punch - 0 to 30
- Attack - 0.5 to 100 ms
- Release - 3 to 3000 ms (1/64T to 2-bar)
- BPM (Manual) - 30 to 300 BPM
- Mix - (dry/wet) 0 to 100
- Sync - BPM/host/MS
- Analog - off, modes 1 to 4
- Limiter - on/off
- Output - +/-18 dB
- Meter Mode - in\GR\out, 0 to -48 dB
H-Delay (Native) from Waves is a hybrid delay plug-in that features old school PCM42-style effects like filtering, flanging, and phasing, along with slap-back echo, ping-pong delay, and tempo-sync with modulation. The plug-in has full MIDI support.
An intuitive interface aids in quickly creating an effect using a comprehensive set of controls, and a tap tempo pad for manually tapping in a tempo. Internal or host-to sync is also available, and the high- and low-pass filters can be linked.
- Delay - 1 to 3,500 ms or BPM multiples (note values)
- Delay Sync - host/BPM/MS
- BPM (Manual) - 30 to 300 BPM
- Modulation Depth - 0 to 100
- Modulation Rate - 0.1 to 6,000 Hz/beat
- Ping Pong - on/off
- Feedback - 0 to 200
- Phase Reverse L/R - in/out
- LP Filter - 20 Hz to 20 kHz
- HP Filter - 20 Hz to 20 kHz
- LP/HP Filter Link - link filters
- Dry/Wet Mix - 0 to 100
- Analog - off, modes 1 to 4
- LoFi - on/off
- Output - +/-18 dB
- Output Meter - -48 to 0 dBFS
- Tap Pad - tap tempo input surface
V-Comp Native from Waves is a dynamics plug-in that uses time constants and a fixed nominal output gain to recreate the famous output-bus sound signature of a vintage 2254 hardware compressor. The plug-in is very responsive, with only a little gain reduction needed to glue a mix together.
Output: -18 dBu to +18 dBu
Meter Switch: input, output or gain reduction
Meter Display: displays input, output, or gain reduction levels
Analog Switch: off, 25%, 50% and 100%
Limiter Section
- Limiter: on/off
- Limit level: +4 dBu to +12 dBu
- Attack: fast or slow
- Release: 100 mS, 200 mS, 800 mS and auto
Compressor Section
- Compress: on/off
- Ratio: 1.5:1, 2:1, 3:1, 4:1 and 6:1
- Release: 400 mS, 800 mS, 1.5 seconds and auto
- DeEsser: on/off
The V-EQ3 Native from Waves is a three-band EQ plug-in modeled after the 1066 and 1073 console modules, two of the most sought after EQs. It features the same classic frequency cutoff points as the originals, along with a variable high-pass filter.
- HP Filter Frequency: off, 45, 50, 70, 80, 160, 300 and 360 Hz
- EQ: on/off
- Phase: reverses output signal phase
- LF Shelf Filter Frequency: off, 35, 60, 100, 110 and 220 Hz
- LF Shelf Filter Gain: -18 dBu to +18 dBu
- MF Bell Filter Frequency: off, 0.36, 0.70, 1.2, 1.6, 3.2, 3.8, 4.8, 7.0 and 7.2 kHz
- MF Bell Filter Gain: -18 dBu to +18 dBu
- HF Shelf Filter Frequency: off, 10k Hz and 12 kHz
- HF Shelf Filter Gain: -18 dBu to +18 dBu
- Output Gain: -18 dBu to +18 dBu
- Analog: on/off
- Trim: output gain adjustment
The V-EQ4 Native from Waves is a four-band EQ plug-in modeled after the 1081 console module. It features detailed high frequency boosts, plus high-pass and low-pass filters. The software manages to convey the vintage character of the original hardware while simultaneously delivery modern digital usability.
- HP Filter Frequency: off, 27, 47, 82, 150, 270 Hz
- LP Filter Frequency: off, 3.9, 5.6, 8.2, 12, 18 kHz
- EQ: on/off
- Phase: reverses output signal phase
- LF Filter Frequency: off, 33, 56, 100, 180, 330 Hz
- LF Filter Gain: -18 dBu to +18 dBu
- LF Filter Type: shelf or bell
- LMF Bell Filter Frequency: off, 220, 270, 330, 390, 470, 560, 680, 820, 1000, 1200 Hz
- LMF Bell Filter Gain: -18 dBu to +18 dBu
- LMF HiQ: on/off
- HMF Bell Filter Frequency: off, 1.5k, 1.8, 2.2, 2.7, 3.3, 3.9, 4.7, 5.6, 6.2, 8.2 kHz
- HMF Bell Filter Gain: -18 dBu to +18 dBu
- HMF HiQ: on/off
- HF Filter Frequency: off, 3.3, 4.7, 6.8, 10, 15 kHz
- HF Filter Type: shelf or bell
- Output: -18 dBu to +18 dBu
- Analog: on/off
- Trim: output gain adjustment
GTR3 from Waves is modeling software for recording electric guitars into a Digital Audio Workstation. Developed in collaboration with Paul Reed Smith, the system places the world's best amps, cabinets, microphones and effects right at the user's fingertips.
The software functions as either a plug-in available in VST, RTAS and Audio Units formats, or as a stand-alone ToolRack application.
