The TDM Grand Masters Collection from Waves is bundle of 16 plug-ins designed to provide you with the tools to master your tracks. It includes EQ, multiband compression, stereo management, and limiter plug-ins. They support TDM, RTAS, Audio Suite, AU, and VST plug-in formats on Mac and PC.
Please note: This collection is an electronic download.
MaxxVolume TDM from Waves is a four-way dynamics processor plug-in, that combines several technologies from other Waves' processors into a single, unified interface. Building on the L2 Ultramaximizer, C1 Parametric Compander, Renaissance Vox, and Renaissance Compressor, the plug-in provides a unique functionality for mixing and mastering, as well as broadcast and post-production.
When used with vocals, the processor allows the vocal to stay in focus with automatic level riding. When working with instruments, the plug-in can control the dynamic range without the artifacts of compressors and limiters. And for Broadcast, the engineer can bring any program material to a fixed destination level, making it ideal for radio and TV, Podcasting, internet streaming, and more.
- Threshold: -96dB to 0dB
- Threshold: on/off toggle
- Gain: 0dB to +48dB
- Gain Meter: 0dB to +48dB
- Threshold: -96dB to 0dB
- Threshold: on/off toggle
- -96dB to 0dB
- Threshold: -48dB to 0dB
- Threshold: on/off toggle
- Threshold: -48dB to 0dB
- Threshold: on/off toggle
- Gain: -48dB to 0dB
- Gain Meter: -48dB to 0dB
- -96dB to 0dB with peak hold and clip indicators
PuigTec Equalizers TDM from Waves is pair of EQ plug-ins, that together provide a full-range vintage EQ chain. Both of the original Pultec hardware units on which these plug-ins have been modeled, have been, and are still today, mainstay at high-end studios.
The EQP-1A is known for its unique ability to boost and cut the same frequencies simultaneously, thereby creating a resonant shelf. The distinctive midrange tonal characteristics of the MEQ-5 make it the perfect complement to the EQP-1A.
- Unique resonant low shelf boost
- Avid ICON support
- Up to 24-bit/96 kHz resolution
- Mono and stereo components
- Midrange complement to EQP-1A
- Avid ICON support
- Up to 24-bit/96 kHz resolution
- Mono and stereo components
- Low Band Boost: 0 to 11 (18 dB boost, 0.1 steps)
- Low Band Attenuation: 0 to 11 (18 dB cut, 0.1 steps)
- Low Band Frequency: 20, 30, 60, 100 Hz
- High Bell Boost: 0 to 11 (18 dB boost, 0.1 steps)
- High Bell Bandwidth (Q): 0 to 11 (0=sharp 11=wide, 0.1 steps)
- High Bell Frequency: 3, 4, 5, 8, 10, 12, 16 kHz
- High Shelf Attenuation: 0 to 11 (18 dB cut, 0.1 steps)
- High Shelf Frequency (Atten Sel): 5, 10, 20 kHz
- In: in/out
- Output: -18 dB to 18 dB (0.1 steps)
- Mains: Off, 50 Hz, 60 Hz
- Low Mid Frequency: 200, 300, 500, 700, 1000 Hz
- Low Mid Peak: 0 to 11 (10 dB boost, 0.1 steps)
- Mid Frequency: 200, 300, 500, 700, 1000 Hz, 1.5, 2, 3, 4, 5, 7 kHz
- Mid Dip: 0 to 11 (10dB cut, 0.1 steps)
- High Mid Frequency: 1.5, 2, 3, 4, 5 kHz
- High Mid Peak: 0 to 11 (10 dB boost 0.1 steps)
- In: in/out
- Output: -18 dB to 18 dB (0.1 steps)
- Mains: Off, 50 Hz, 60 Hz
The Dorrough Meter Collection from Waves features models of Dorrough's most popular loudness meters - the 280D/240D, 380D/340D and 40AES/EBU. Developed in association with Dorrough Electronics, they provide precision loudness monitoring for every conceivable audio scenario.
The meters can be for input metering to attain optimal recording levels, as group/auxiliary meters to achieve optimal group loudness, or as master output meters for monitoring output levels.
Center from Waves is a plug-in ideal for tuning final mixes and mastering. An innovative processor, the plug-in allows for separating the phantom Center content from the Side (L/R) content in stereo sources to bring out or bring down the vocals, or whatever occupies the center space, without affecting everything else. Using an engine which considers the amplitude, frequency and time envelope of stereo sources, Center delivers the power to radically re-balance the spatial imagery.
It is also possible to widen or narrow the Side content without disturbing the Center. Additionally, punch, high frequency and low frequency controls provide adjustments for enhancing those details for maximum impact. Perfect for post-production engineers and DJs as well, the software allows for repositioning, isolating, and even eliminating elements of the mix.
This version is for use with Avid's Pro Tools HD systems.
- Enhance dialog or narration
- Control the ambience/reverb of stereo location recordings
- Improve mono compatibility
- Bring out the lead vocals in a finished mix
- Re-image stereo drum overheads
- Balance stereo recordings of individual or groups of acoustic instruments
- Widen or narrow the stereo spread
- Remove vocals for karaoke
- Remove instrumental tracks for remixes and mash-ups
- Manipulate samples and drum loops
- High controls balance of high frequency content between the center and sides
- Low controls balance of low frequency content between the center and sides
- Punch controls the spread of transient content between the center and sides
- Center controls the center gain
- Sides controls the sides gain
- Master Gain controls the overall stereo gain
- Output Meters displays the stereo output after processing
- Center Detection Meter displays the center content of the stereo source
The L3 Multimaximizer TDM from Waves, is a plug-in that performs multi-band peak limiting and comes in two versions, the Multimaximizer and Ultramaximizer. Both plug-ins utilize a patent-pending "Peak Limiting Mixer" (PLMixer) engine, the only difference being that less control is provided on the Ultramaximizer.
Unlike most wide band limiters, the L3 uses linear phase crossover filters to divide the audio spectrum into five bands. The PLMixer then uses psychoacoustic criteria to intelligently decide how much attenuation to apply to each band so that all available headroom is used.
The result is that inter-modulation is minimized and overall loudness is maximized, while brick-wall limiting is still maintained - all while retaining the simplicity of a single master threshold control. With its transparent operation, brick-wall limiting, extreme tonal range and dithering and noise shaping control, the L3 can function as a complete mastering processor.
- Input Meter: -30 dB to 0 dB with an integrated Threshold control, Peak Hold indicators
- Output Meter: -30 dB to 0 dB with an integrated Output Ceiling control, Peak Hold indicators
- Attenuation Meter: -30 dB to 0 dB
Master Release Link: Links per band release control
Crossover Controls
- Low: 40 Hz - 351 Hz
- Low Mid: 150 Hz - 2,997 Hz
- High Mid: 1,022 Hz - 4,757 Hz
- High: 4 kHz - 16 kHz
DynamicLine Graph: Shows reduction curve -24 dB to +12 dB, 16 Hz to 20 kHz
Frequency Band Marker: Graphic control over Frequency, Gain and Priority per band
Gain: -12 dB to +12 dB per band
Priority: -12 to +12 per band
Release: 0.1 mS to 2,500 mS per band
Gain and Priority Link Switch
IDR Controls
- Quantize: 24, 22, 20, 18, or 16-bit
- Dither Type: 1, 2, or None
- Shaping: Moderate, Normal, Ultra, or None
L2 Ultramaximizer TDM from Waves is a plug-in that provides dynamics control for mixing, mastering, and more. The software features look-ahead brickwall peak limiting, level maximization, and ultra high resolution re-quantization for crystal clear level gain.
- Input Meter - -30 dB to 0 dB with an integrated Threshold control, Peak Hold indicators
- Output Meter - -30 dB to 0 dB with an integrated Output Ceiling - control, peak hold indicators
- Link - links threshold and output ceiling
- Release - 0.01 ms to 1000 ms
- ARC Auto Release Control
- Attenuation Meter - 0 dB to 30 dB with peak hold indicator
IDR Controls
- Quantize - none, 24-, 22-, 20-, 18- or 16-bit
- Dither Type - 1, 2 or none
- Shaping - moderate, normal, ultra or none
The Linear Phase Equalizer TDM from Waves is a plug-in that was conceived and created with mastering as its main focus. The linear phase filters preserve the original musical balance with absolutely zero phase shift, while providing precision control over the harmonic spectrum.
- Gain: -30 dB to +30 dB per band
- On/Off: per band
- Output Gain Fader: -30 dB to 0 dB
- Output Meter: -30 dB to 0 dB with peak hold and clip indicators
- Trim: output gain adjustment
- Dither: on/off
- Graph Scale: 12 dB or 30 dB
- Frequency Band Markers: graphic control over frequency and gain
Low Frequency Bands
- 10 Hz to 600 Hz (lowband)
- 21 Hz to 1,000 Hz (broadband)
Mid and High Frequency Bands
- 32 Hz to 600 Hz (lowband)
- 258 Hz to 21,963 Hz (broadband)
Filter Type
- Lowband: bell, resonant low shelf, V-slope low shelf, resonant high shelf, V-slope high shelf
- Broadband Low Frequency: bell, low shelf, high shelf, low pass, high pass
- Broadband Mid and High Frequency: bell, resonant low shelf, V-slope low shelf, resonant high shelf, V-slope high shelf, resonant high pass, V-slope high pass, resonant low pass, V-slope low pass
Q
- Lowband: 0.26 to 6.5
- Broadband Low Frequency: 0.60 to 2
- Broadband Mid and High Frequency: 0.26 to 6.5
The Linear Phase Multiband TDM from Waves is a plug-in that provides multiband dynamics control for mixing, mastering, and more. The software utilizes technologies like Adaptive Thresholds, Automatic Makeup Gain, and Finite Response Filters.
The inclusion of linear phase crossovers allows the plug-in to function without any phase-based distortion, and each of the five bands features threshold, gain, range, attack and release controls for transparent, yet powerful multiband compression.
- Threshold:0 dB to -80 dB per band
- Gain: -18 dB to +18 dB per band
- Range: -24 dB to +18 dB per band
- Attack: 0.5 mS to 500 mS per band
- Release: 5 mS to 5000 mS per band
- Solo: per band
- Bypass: per band
- Master Link Controls: threshold, gain, range, attack and release
- DynamicLine Graph: shows reduction curve, -18 dB to +18dB, 16 Hz to 20 kHz
- Frequency Band Marker: graphic control over frequency/gain per band
- Dither: on/off
- Makeup: manual or auto makeup gain
- Adaptive: -80 dB to +12 dB
- Release: ARC or manual
- Behavior: opto or electro
- Knee: soft to hard, 0.01 to 1.00
- Output Gain Fader: -30 dB to 0 dB
- Output Meter: -30 dB to 0 dB with peak hold and clip indicators
- Trim: output gain adjustment
- Low: 40 Hz to 350 Hz
- Low-Mid: 150 Hz to 3000 Hz
- High-Mid: 1 kHz to 8 kHz
- High: 4 kHz to 16 kHz
V-Comp TDM from Waves is a dynamics plug-in that uses time constants and a fixed nominal output gain to recreate the famous output-bus sound signature of a vintage 2254 hardware compressor. The plug-in is very responsive, with only a little gain reduction needed to glue a mix together.
Output: -18 dBu to +18 dBu
Meter Switch: input, output or gain reduction
Meter Display: displays input, output, or gain reduction levels
Analog Switch: off, 25%, 50% and 100%
Limiter Section
- Limiter: on/off
- Limit level: +4 dBu to +12 dBu
- Attack: fast or slow
- Release: 100 mS, 200 mS, 800 mS and auto
Compressor Section
- Compress: on/off
- Ratio: 1.5:1, 2:1, 3:1, 4:1 and 6:1
- Release: 400 mS, 800 mS, 1.5 seconds and auto
- DeEsser: on/off
The V-EQ3 TDM from Waves is a three-band EQ plug-in modeled after the 1066 and 1073 console modules, two of the most sought after EQs. It features the same classic frequency cutoff points as the originals, along with a variable high-pass filter.
- HP Filter Frequency: off, 45, 50, 70, 80, 160, 300 and 360 Hz
- EQ: on/off
- Phase: reverses output signal phase
- LF Shelf Filter Frequency: off, 35, 60, 100, 110 and 220 Hz
- LF Shelf Filter Gain: -18 dBu to +18 dBu
- MF Bell Filter Frequency: off, 0.36, 0.70, 1.2, 1.6, 3.2, 3.8, 4.8, 7.0 and 7.2 kHz
- MF Bell Filter Gain: -18 dBu to +18 dBu
- HF Shelf Filter Frequency: off, 10kHz and 12 kHz
- HF Shelf Filter Gain: -18 dBu to +18 dBu
- Output Gain: -18 dBu to +18 dBu
- Analog: on/off
- Trim: output gain adjustment
The V-EQ4 TDM from Waves is a four-band EQ plug-in modeled after the 1081 console module. It features detailed high frequency boosts, plus high-pass and low-pass filters. The software manages to convey the vintage character of the original hardware while simultaneously delivery modern digital usability.
- HP Filter Frequency: off, 27, 47, 82, 150, 270 Hz
- LP Filter Frequency: off, 3.9, 5.6, 8.2, 12, 18 kHz
- EQ: on/off
- Phase: reverses output signal phase
- LF Filter Frequency: off, 33, 56, 100, 180, 330 Hz
- LF Filter Gain: -18 dBu to +18 dBu
- LF Filter Type: shelf or bell
- LMF Bell Filter Frequency: off, 220, 270, 330, 390, 470, 560, 680, 820, 1000, 1200 Hz
- LMF Bell Filter Gain: -18 dBu to +18 dBu
- LMF HiQ: on/off
- HMF Bell Filter Frequency: off, 1.5k, 1.8, 2.2, 2.7, 3.3, 3.9, 4.7, 5.6, 6.2, 8.2 kHz
- HMF Bell Filter Gain: -18 dBu to +18 dBu
- HMF HiQ: on/off
- HF Filter Frequency: off, 3.3, 4.7, 6.8, 10, 15 kHz
- HF Filter Type: shelf or bell
- Output: -18 dBu to +18 dBu
- Analog: on/off
- Trim: output gain adjustment
