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The IR-360 from Waves is a surround-capable convolution reverb plug-in that provides superior reverbs and ambiences. The main difference between this plug-in and other convolution reverbs is unlike other convolution reverbs, the Waves' reverb allows editing of all the "traditional" reverb parameters.
Electronic "artificial" reverbs offer the advantage of more control of individual reverb parameters, but their disadvantage is the lack of accuracy reproducing real acoustic spaces. Conversely the attraction of sampling or convolution based reverbs is the accurate reproduction of natural acoustic spaces. Their chief drawback is the inability to control reverb parameters in the familiar and flexible fashion offered by traditional artificial reverbs.
The plug-in offers the best of both approaches by allowing controls such as pre-delay, room size and density to actually affect the convolution, not just "filter the result" in order to produce parameter changes. The IR-360 plug-in also allows for capturing impulse response from any space or favorite device.
IR-360 is not supported on Pro Tools LE, Logic Audio, Digital Performer or Live 7. It functions in Native mode on Pro Tools TDM systems and as a VST plug-in for Nuendo and Cubase.
Surround convolution reverb plug-in with traditional "artificial reverb" parameter manipulation
Extensive library captured using new state-of-the-art techniques
Tools provided to capture custom impulse responses. The user can now capture the sound of a favorite acoustic space or hardware devices
Convolution Start Control can trim the beginning of an impulse response to eliminate unwanted predelay
Allows for adjusting the buildup slope of the early reflections to control their attack sound, from crisp to smooth
Uses unique Impulse Response (IR) manipulation techniques to allow shortening and lengthening (times 4) of the Reverb Time while maintaining acoustic coherence and preserving the natural envelope and frequency content
Size control adjusts the room size and applies acoustic modeling methods on the actual IR ER (Early Reflections) portion to make the space smaller or larger while maintaining its signature
A graph-based multiple breakpoint envelope allows unlimited options for re-shaping the reverb's decay behavior
ER/Tail/Direct Independent Control analyzes the IR for the early reflection/reverb tail (ER/Tail) boundary marker and allows the classic control of gain and pre-delay for each portion
Paragraphic EQ controls the reverb's color using a Renaissance based four-band paragraphic EQ
Convolution Length Control allows control over the length of the actual real-time convolution. Therefore the CPU load can be reduced if desired by using a shorter convolution length while maintaining the RT60
A "low CPU" mode utilizes intelligent algorithms that require less CPU usage while preserving high sound quality and definition
Double precision bit resolution processing
Up to 24-bit / 96 kHz resolution
Mono, Mono-to-Stereo, and Stereo components
CPU Mode: Full CPU or Low CPU Reverse: On/Off IR Graph
Gain and Time: -90 dB to 0 dB, 0 to 10 seconds
Envelope: -60 dB to +30 dB, with bypass and clear functions
Zoom: In and out on the time axis
Zoom Reset: Defaults to 6 second display
Low Freq: 16 Hz to 16 kHz
Low Ratio: 0.10 to 2.00
High Freq: 1,000 Hz to 21 kHz
High Ratio: 0.10 to 2.00
Low Shelf Filter: -24 dB to +12 dB, 16 Hz to 16 kHz, Q: 0.71 to 1.41
Low Bell Filter: -24 dB to +12 dB, 16 Hz to 16 kHz, Q: 0.26 to 6.50
High Bell Filter: -24 dB to +12 dB, 1,000 Hz to 21 kHz, Q: 0.26 to 6.50
High Shelf Filter: -24 dB to +12 dB, 1,000 Hz to 21 kHz, Q: 0.71 to 1.41
Reverb Time Section
Convolution Start: 0 to 1 second
Convolution Length: 0 to 6 seconds
RT60 Indicator: 0.1 to 10 seconds
Ratio: 0.25 to 4.00
Reverb Control Parameters
Size: 0.25 to 4.00
Density: 0.25 to 4.00
Resonance: 0.25 to 4.00
Decorrelation: 0 to 100%
Latency: Shows the current latency in mS Dry: 0 mS to 30mS delay of the dry signal ER Buildup: 0 mS to 150 mS ER/TRX Crossover: -100 mS to 100 mS Crosstalk: 0 to 100 (IR-1 Efficient module only) Dry/Wet: 0% to 100% Dry Gain: -inf. to 0 dB Front/Rear Balance: 0 to 100 Front/Rear Pre-Delay: 0 mS to 80 mS Wet Properties
Direct: Off to 0 dB
Direct Pre-delay: 0 mS to 500 mS
Early Reflections: Off to 0 dB
Early Reflections Pre-delay: 0 mS to 500 mS
Tail: Off to 0 dB
Tail Pre-delay: -100 mS to 500 mS
Output Gain Fader: -50 dB to 0 dB Output Meter: -30 dB to 0 dB with peak hold and clip indicators