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The ZED60-14FX Live and Studio Mixer from Allen & Heath is a 10-channel mixer with 16 built-in effects that is designed for an array of live and studio applications. Channels 1 through 6 have Neutrik XLR connectors for mic level signals, and 1/4" TRS inputs for balanced or unbalanced line level signals. Channels 7 and 8 also have Neutrik XLRs, but feature Class A FET Hi-Z instrument-level inputs for direct connection of electric guitars and basses. Additionally, channels 1 through 8 are all equipped with 3-band EQ and 48V phantom power.
The mixer also features two stereo inputs (ST1 & ST2) that have 1/4" TS and RCA jacks (ST1 only) for connecting line level outputs from devices such as keyboards, samplers or iPods. Each of the stereo channels features a 2-band EQ. All 10 channels can be routed to a "record" buss that can be output to a computer running DAW software via the USB port, or routed into a hardware recording device via the RCA record out jacks. Each channel also features a "listen" button, that when engaged takes the corresponding signal off the master and recording busses and sends it to the headphone buss. This can be useful in a live recording scenario for making discrete EQ adjustments to a channel before adding it to the master or record busses.
Designed with versatility in mind, the ZED60-14FX's master section is equipped with balanced XLR left and right main outputs with 1/4" inserts on each channel. These inserts can be useful for inserting outboard gear such as EQs or limiters at the end of your signal chain before the master mix is output to your speakers. Also, there is a balanced 1/4" aux output for connecting additional sound reinforcement components such as a powered stage monitor, and an FX bus out that can be used to send the FX mix to additional gear such as an external effects unit.
While you can connect an external effects unit via the FX bus out jack, the mixer also features sixteen built-in digital effects that include multiple delays, reverbs, a doubler, flanger, and chorus. The DSP engine, which uses the same effects algorithms as Allen & Heath's flagship digital consoles, is designed for low-noise and low-distortion signal processing.
Designed with durability in mind for live gigging and recording, the ZED60-14FX uses many of the same exact components used in Allen & Heath's larger, high-end mixers. The vertically mounted, per-channel circuit boards make servicing much easier should it be required, with the ability to remove one particular channel from the mixer at a time
Low-Noise, High-Gain Microphone Pre-Amps
Based on the pre-amps from the Allen & Heath MixWizard series consoles. Designed to maximize sound quality with high gain, low noise and consistent output
Hi-Z Guitar Inputs
Channels 7 and 8 include high-impedance FET circuits running in Class-A mode for use with low-output electric guitars and basses. Designed to emulate the type of circuits used in valve guitar combos and head amplifiers, the input circuit has a soft overdrive
characteristic, giving a warm 2nd harmonic character to the sound if desired
Channels 1-8 are equipped with a 3-band equalizer with sweepable mids and a high-pass filter. The 2 stereo channels have 2-band low- and high-frequency shelving
Onboard Digital Effects Processor
Sixteen built-in digital effects that include multiple delays and reverbs, a doubler, flanger and chorus. The digital effects algorithms are the same as those used on the flagship Allen & Heath digital consoles
All channels, including the effects buss, have switchable routing to the recording buss that is sent to the stereo RCA recording out and the USB out, useful for dropping or adding in microphones or effects to tape during a live recording scenario
When used in tandem with your Mac or PC running DAW software, the mixer can send and/or receive up to 16-bit, 48 kHz audio via the USB port
In the Box
Allen & Heath ZED60-14FX Live and Studio Mixer with Digital FX and USB Port
10 Hz to 30 kHz, +0.5/-1 dB, mic in to mix L/R out, 30 dB gain 10 Hz to 25 kHz, +0.5/-1 dB, line in to mix L/R out, 0 dB gain 10 Hz to 30 kHz, +0.5/-1 dB, stereo in to mix L/R out
THD + N
0.002% - 10 dB gain, 1 kHz, +10 dBu out, mic in to mix L/R out 0.01% - 30 dB gain, 1 kHz, line in to mix L/R out 0.003% - 0 dB gain, 1 kHz, 0 dBu, line in to mix L/R out 0 dB gain, 1 kHz 0.002% - 0dB gain, 1 kHz, +10 dBu, stereo in to mix L/R out 0.015% - 0 dBu, boost out, guitar input to mix L/R out 2% second harmonic - 0dBu, boost in, guitar input to mix L/R out
21 dB from nominal (0 Vu) 14 dB USB I/O from nominal (0 Vu)
-127 dBu - mic pre EIN @ max gain, 150R input Z, 22 Hz to 22 kHz -93 dBu - mix L/R out, L/R faders = 0, levels min, 2 Hz to 22 kHz
Audio in/out USB 1.1 compliant 16-bit Sample rate 32, 44.1, or 48 kHz