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Designed to provide a multitude of easily-combined effects at the tap of your toe, the MS-70CDR from Zoom is a stompbox sporting delay, chorus, reverb, and more. It features 86 custom effects, allowing you to combine six of them at once, and sports terminals that can handle the signals of guitars, basses—both active and passive—as well as line-level keyboards. Its LCD screen is designed to be visible in low-light situations.
Up to six effects can be instantiated in tandem, arranged in whatever order you desire. To store your custom-tailored effects, there are 50 on-board patch-memory slots. Furthermore, an Auto Save function will make sure that any edit you make to any preset you've created will, as the name suggests, be saved automatically.
You can cycle through 26 patches in any order you choose, thus satisfying your inevitable wish—if you've ever interfaced with a giant pedal board—to simply single-stomp your way through an entire set-list. If recording is on the agenda, the MS-70CDR offers dual line-output jacks, and thus, allows you to route the byzantine effects of your own creation in stereo. An on-board chromatic tuner and tap-tempo feature are also provided.
An Overview of Features
86 guitar and bass effects, including modulation, equalization, delay, and reverb
Up to 6 effects can be used simultaneously, in any order
50 memory locations for the storage of user-created patches
40 preset patches
Onboard chromatic tuner supports all standard guitar and bass tunings, including open and drop tunings
Tap Tempo for synchronization of delay times or modulation rates
Auto Save function for automatic saving of all patch parameters
Mono and stereo operation
2 x 1/4" input jacks for active and passive instruments
2 x 1/4" output jacks
Backlit LCD with contrast control for easy viewing in low-light environments
USB port for power and firmware updates
Comparably lightweight at 12.7 oz
Fits into any existing pedalboard
Runs on 2 AA batteries, with alkaline battery life of up to 7 hours
Various Types of Effects
31 chorus and modulation effects for guitar and bass, including phasing, flanging, tremolo, vibrato, detuning, auto-panning, rotary speaker emulations, pitch shifting, harmonizer, simulations of the TC Electronic Corona Chorus and Tri-Chorus, simulations of the Boss CH-1 Super Chorus and CE-1 /CE-5 Chorus Ensembles, simulations of the MXR M234 Analog Chorus, and finally, simulations of the Electro-Harmonix SmallClone and ADA flanger
26 delays in mono and stereo—with delay times of up to 4 seconds—including reverse, multi-tap, pitch-shift, self-oscillating, and emulations of the Eventide TimeFactor, MXR Carbon Copy, Maestro Echoplex EP-3, Line6 M9 TubeEcho, TC Electronic Flashback, strymon TimeLine, and Boss DD-20
25 naturalistic reverbs—made possible with a 32-bit floating-point microchip— including rooms, halls, arenas, plates, springs, and emulations of the TC Electronic Hall of Fame, the Nova, the Digitech RV-7, the Eventide Space, the Electro-Harmonix Holy Grail, and the strymon blueSky
Dynamic Effects and Filters
Two different graphic equalizers—one designed for guitar and the other for bass—as well as Zoom's Noise Reduction (ZNR) algorithm