This boxed CD-ROM version of FilmPack 4 Essential Edition Image Processing Software from DxO allows you to apply analog film effects to your digital photos. In this edition of FilmPack 4, you have a number of different effects: thirteen different black and white film types, twenty-two color film types, eight filters, six different tones, and thirty-three different film grain settings. Additionally, benefit from ten designer color and black and white presets offering vintage effects, aged looks and improbable tints.
You can create and save your own parameters for intensity, grain, and contrast so that you can apply them to other images. Plus, create vignettes around images. DxO FilmPack 4's intuitive controls let you precisely control the intensity and even the orientation of your effects.
New to version 4: Store the presets you most frequently use in the Favorites tab, and reproduce the processing settings you've applied to your images by printing them directly from DxO FilmPack. You can also take advantage of the cropping tool.
FilmPack 4 features a simple, quick interface that lets you easily process all of your images and allows you to categorize presets for your photos. While FilmPack 4 can work as a standalone program, it also can work as a plug-in for the following programs: DxO Optics Pro 8.2 and higher; Adobe Photoshop CS3, CS4 (32 & 64 bit), CS5 (32 & 64 bit) and CS6 (32 & 64 bit); Adobe Photoshop Elements 9, 10 and 11; Adobe Photoshop Lightroom 3, 4 and 5; and Apple Aperture 3.
Agfa APX 25: very fine grain, high contrast
Fuji Neopan Acros 100: very fine grain film, soft style
Ilford Delta 400: very fine grain photojournalism film
Ilford Delta 3200: ultra high-speed coarse tabular grain film
Ilford HP5 Plus 400: high speed, visible medium grain film
Ilford Pan F Plus 50: very fine grain, high contrast film
Kodak BW 400 CN: chromogenic, ultra fine grain film
Kodak HIE: high speed infrared
Kodak T-max 100: ultra fine grain portrait and landscape film
Kodak T-max 400: fine grain photojournalism film
Kodak T-max 3200: ultra high-speed coarse tabular grain film
Kodak Tri-X 400: high speed grainy photojournalism film
Polaroïd 664: soft rendering
The following positive color film effects are included:
Fuji Astia 100 F: soft film, great for portraits and night scenes
Fuji Provia 100 F: neutral all-purpose film
Fuji Provia 400 X: saturated film, great for photojournalism and landscapes
Fuji Velvia 50: highly saturated film, ideal for landscapes and travel
Kodak Elite 100 - Cross processed: positive film showing a negative film treatment (green-yellow dominant)
Kodak Kodachrome 25: fairly cold film for landscapes and seventies rendering
Kodak Kodachrome 64: reddish film for landscape, studio and photojournalism work
Kodak Kodachrome 64 - Generic: oldest Kodak Kodachrome 64 emulation
Kodak Kodachrome 200: saturated film for dark shadows, photojournalism
Kodak Ektachrome 100 GX: neutral, saturated film for portraits, photojournalism
Kodak Ektachrome 100 VS: saturated film for landscapes
Polaroid Polachrome: cold film with lined canvas
Fuji Astia 100 - Generic: oldest Fuji Astia 100 emulation
Fuji Provia 100 - Generic: oldest Fuji Provia 100 emulation
Fuji Velvia 100 - Generic: oldest Fuji Velvia 100 emulation
Kodak Ektachrome 100 VS - Generic: oldest Kodak Ektachrome 100 VS emulation
The below negative color film effects are included:
Agfa Ultra 100: highly saturated film for landscape and studio shots
Agfa Vista 200: all-purpose, saturated, "general public" film
Fuji Superia 200: all-purpose, mass public film
Fuji Superia 200 - Cross processed: negative film showing a positive film treatment (blue dominant)
Fuji Superia X-tra 800: high speed film with saturated colors for photojournalism
Kodak Portra 160 NC: portrait and wedding film with natural colors and low contrast
Beauty: cool colors for flesh tones
Blurred: a bit washed out and granular
Cool TV: like a television in the 1950s
Darkroom: highly-contrasted black and white with strong vignetting, as seen in the earliest photographs
Granular: high-grain
Lo-Fi: washed-out colors, as seen in film that was very old when processed
Lunar green: quasi-exclusive dominant green rendering
Nostalgia: dominant sepia and increased contrast
Sepia: a warm brownish tone
Silent movie: dense black and white, with a 1930s movie ambiance
Earth sepia
Ferrous sulfate
Gold
Gold sepia
Selenium
Sepia
Cool tones
Blue
Green
Yellow
Orange
Deep orange
Red
Warm tones
As a plug-in, DxO FilmPack integrates seamlessly with your other image processing software. It's compatible with the following programs: DxO Optics Pro 8.2 and higher; Adobe Photoshop CS3, CS4 (32 & 64 bit), CS5 (32 & 64 bit) and CS6 (32 & 64 bit); Adobe Photoshop Elements 9, 10 and 11; Adobe Photoshop Lightroom 3, 4 and 5; and Apple Aperture 3. Maintain your workflow while enhancing your Adobe or Apple solutions. In plug-in mode for DxO Optics Pro, you can also directly process RAW images by applying color and grain renderings right onto them.
