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by John-Paul Pale… · Posted
Datacolor has just released several color calibration products designed for a wide range of digital creatives, including those working in photography, videography, content creation, digital design, and more. Calibrating a monitor allows for a color-accurate starting point for editing, allowing users to express their creative vision, both digitally and in print.
Datacolor Spyder Essential and SpyderPro Advanced Colorimeters
First
by Mos Khan · Posted
At this year’s “Spring Loaded” event, one thing was made abundantly clear: Apple is all in on its M-series chips. Along with the newly enhanced iPad Pro, Apple introduced a totally redesigned iMac featuring Apple’s vaunted new M1 processor. The message behind the new processor is clear: The iMac now has the
by Staff Writer · Posted
If you need a compact tool for reviewing and editing images or are pressed for space and weight while traveling, an iPad can be a great solution. With models available in a variety of sizes, photographers of all walks are sure to find one that meets their space constraints. At the same time, iPads now pack enough power to fulfill the role a laptop once played or provide an initial look-and-edit before moving images to a workstation for final output.
by Shawn C. Steiner · Posted
Among Apple’s latest taglines is, “Power to the pro” and, if you are looking for the ultimate photo editing experience, you can get on a Mac platform—the desktop models are where you are going to want to look. There are currently three main series to check out if you want a Mac workstation: the iMac Pro, iMac, and Mac Pro.
iMac Pro
I think many people would be surprised if, a couple of years ago, you told them an iMac would be the most powerful machine Apple makes. Well, that is certainly the case since the release of the
by Bjorn Petersen and Shawn C. Steiner · Posted
For creatives, there is one critical computer peripheral that can completely change how you work: the monitor. Everyone will remember the first time they stepped up to a “serious” display with accurate colors, a larger area, and high resolution. As creative professionals ourselves, we were excited to take a look at LG’s new 38" Class 21:9 UltraWide WQHD+ IPS Curved LED Monitor to see how it fit into our photography- and video-editing workflows.
by Shawn C. Steiner · Posted
Ever since photography moved away from the safelights, developing tanks, and enlargers of the film era, individuals and organizations have been focused on bringing their darkrooms into the digital age. With those renovations come new requirements, additional equipment, and perhaps keeping some classic tools that have managed to stay pertinent through the digital transition. If you want to build a digital darkroom from scratch or simply augment your current workspace, here is some advice to get you going.
The Brains of the Operation
At the
by Bjorn Petersen · Posted
With much of photography’s attention being devoted to the sole creation of the image, and more recently the virtual and instant sharing of those images, the art and practice of physically producing prints is becoming less of a requirement than in the past. This scarcity of physical prints does have immense benefits, though, as it is still the best and most revered method of owning a photograph. Printing photographs also grounds your work and allows for a bit more separation from the image itself, since it is being turned into a tangible object
by Josh Taylor · Posted
Whenever you open, select, or edit the digital images you’ve shot, or creatively correct or enhance them using post-production software such as Photoshop or Lightroom, you are relying on a display device—a monitor connected to or built into your computer, tablet, or smartphone—to show you an accurate representation of the colors, color saturation, monochrome tonality, contrast and other characteristics of the images captured by your camera. If what you see on the monitor does not match what the camera captured, the prints made from these files