Search results for: photography tips solutions continuous vs strobe lighting
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by John Harris · Posted
It would be foolish to claim that there is only one way to take a portrait, but there are some accepted norms and basic camera settings that you should understand if portraiture is to become your area of photographic interest. Remember though, as you walk down your creative path, that a portrait is more than a headshot, more than a beautiful photo of your subject; it is an opportunity to get to know someone, to have a visual conversation with a person, and to use your photographic skills to pass that understanding of the person on to the
by Mathew Malwitz · Posted
Who doesn’t want to capture fun and creative portraits of our four-legged friends? We know we love it. In fact, pet photography may just be the most popular form of photography there is. Think of all the smartphone snaps of yawns, big stretches, and funny moments we all take of our cats, dogs, chinchillas, and beyond.
Quick snaps aside, you know what really ups the quality of our pet portraits? Lighting. Just as with any form of portrait, lighting unlocks possibilities that can be impossible without it. But what lighting system should we use?
by Luke Rollins · Posted
Subject and style may vary, but consistency is a quality shared by all successful photo studios. When working indoors, that begins with lighting. Strobes remain the bread and butter of many still photography studios. Unlike natural light, which can be finicky and unpredictable; on-camera flashes, which are not typically designed for studio use; or continuous lights, which can become costly as output increases; strobes are built to withstand the rigors of studio life while providing flexible and powerful light. But with so many options on the
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Strobe lights or continuous lights: one of those eternal photography debates that never gets solved. So, which type of artificial lighting do you choose for your photography kit? Each type has its strengths and weaknesses, pros and cons. Plus, the type of work you do—product photography or hybrid shooting—will affect your choice. Sam is in studio with the Godox Litemons LE300Bi Bi-Color LED Monolight and the
by Zack Young · Posted
Once you’re familiar with the basic concepts behind high-volume photography, the next logical step is to figure out what gear you need to purchase. That’s when the panic might hit. Suddenly you’re flooded with decisions about cameras, lenses, strobes, backdrops, barcode scanners, and more, each category including tons of different options at every
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Westcott Top Pro Ian Spanier explains the transition from on-camera flashes to more powerful strobes and how using a small strobe can transform your portraits.
0:00 - Intro
3:43 - Photoshoot & FJ80 II flash overview
5:10 - Why the FJ80 II
12:46 - Using the FJ80 II on different rig setups
14:01 - FJ80 II triggers
15:50 - Photoshoot using the FJ80 II
25:10 - Westcott continuous lighting options
28:38 - Demo continues
30:25 - Image review
33:35 - White balance & color temp / using light meters
38:14 - Overpowering the sun with the FJ400
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Jason Rivera discusses creative direction, shooting, and the equipment he uses during indoor and outdoor photo shoots. He explains the benefits of different types of lighting for continuous and strobe photography and how he mixes both styles for his assignments.
0:00 - Introduction
2:06 - Rivera’s Workflow
6:07 - Stella Pro Lights
8:23 - It's not About the Size of the Gear, It's About Being Confident
12:09 - Breaking Down Rivera’s Fashion Shoots
20:48 - How to Work with Clients
24:24 - Tips for Breaking into the Industry
29:10 - Continuous vs