Search results for: video features multi cam sync
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by Zack Young · Posted
Atomos has long been on the forefront of camera monitoring, and the new 19" Shogun AV-19 rackmount monitor-recorder-switcher represents an exciting step forward for the brand, packing in high-end features like 6K raw recording, 10-bit HDR support, and NDI|HX3 via Gigabit Ethernet. The Shogun AV-19 can display and record up to four isolated camera
by Zack Young · Posted
While many video podcasts might start off only utilizing one camera, adding more typically becomes the first upgrade that creators make as they build out their shows. Having multiple angles to cut between makes the final podcast more engaging to watch and can often produce high-quality close-ups that help viewers really connect with your talent. But with more cameras comes more responsibility, so let’s break down how best to approach a multi-camera video podcast setup.
Cameras and Lenses
While the ideal will always be to have identical camera
by Shawn C. Steiner · Posted
What a week! The first Bild Expo just wrapped up here in New York City and it was a blast. There were presentations from more than 60 speakers, more than 130 exhibitors in the gear expo, numerous hands-on demos, and a long list of specials. Besides the show, B&H also took this time to celebrate its 50th Anniversary.
There's a lot going on here at B&H and, of course, this means there is a great deal of new
by Shawn C. Steiner · Posted
The cloud is looking like the big winner of 2022, with many companies announcing new tools and solutions to help bring the cloud down to earth. Blackmagic is making one of the biggest splashes here with its DaVinci Resolve 18, offering Cloud Collaboration and a variety of new Cloud-centric hardware to make working with remote teams even easier.
JUMP TO:
- DaVinci Resolve 18
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by Shawn C. Steiner · Posted
HDR monitor-recorders from Atomos transform the latest mirrorless and compact cinema cameras into state-of-the-art Apple ProRes and ProRes RAW shooting powerhouses—demonstrating why the company is a world leader in external recording and monitoring.
Atomos Ninja V Offers Stunning 12-bit Apple ProRes RAW Recording for the Z CAM E2, Panasonic LUMIX S1H and Nikon Z6
For NAB Express, Atomos has announced that it is adding the
by Josh Taylor · Posted
Opting for a used camera in excellent condition can be a great way of acquiring a high-quality, high-performance machine at a very attractive price. To give you a heads-up on some of the best deals out there we’ve carefully selected 10 cameras—five digital and five analog—that will give you a substantial bang for your buck and also fit seamlessly into your present system. There’s always an element of subjectivity in compiling an “A-list” like this, and there are certainly many other fine choices available in both categories.
Because digital
by John Harris · Posted
By now you have probably heard a lot about the Nikon D850 DSLR. This new camera has been lauded by Nikon fans (and critics) and you’ll get no argument from me. As a colleague phrased it, “Nikon gave us everything we asked for with this camera,” and certainly, it is blessed with Nikon’s best features and latest technologies, including a 45.7MP sensor, native ISO to 25600, 153-point autofocus, a tilting, touchscreen LCD, and 4K UHD video. We took
by Eric Reichbaum · Posted
From the moment I took the D4S out of the box, there was one word to describe how I felt: envious. There’s nothing like opening a box and taking a brand-new camera out for the first time, especially when it’s Nikon’s new flagship D4S. This camera is a beast, in every way. It’s big, solid, and heavy duty, definitely an everyday workhorse, but it
by Justin Dise · Posted
There is a plethora of apps out there, geared toward cinematographers. While many are useful, I’ve decided to share the four apps to which I find myself returning regularly. They have earned a place in my digital tool kit and, in my eyes, are must-haves for any DP or camera assistant.
Sun Seeker
Cinematographers always have an eye on the sun, and want to know where it will be at every hour during a shoot. When will the sunlight come through that window? How will I have to move the actor to keep a consistent backlight when shooting