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by Zack Young · Posted
Canon has unveiled the EOS R6 V, a new full-frame RF-mount camera capable of 7K open gate recording, active cooling, 5-axis in-body stabilization, and Dual Pixel CMOS Autofocus II. This compact video-forward body is ideal for content creation, streaming, podcasting, and a host of other modern production scenarios. Releasing alongside the EOS R6 V is a new
by Jennifer Hahn · Posted
Keep your lighting nimble in any shooting environment with the new Omnibar LED linear light fixtures just announced by ARRI. These narrow LED lights come in 2’ and 4’ lengths and in black and classic ARRI blue/silver housings, and they are packed with features, including daisy-chaining, IP65 weatherproof, wireless remote control options, magnetic optics, and a built-in battery. The lights come in multiple packages to fit your workflow.
by Zack Young · Posted
ARRI is raising the bar for lens control with the new cforce MAX lens motor. Expect speeds of up to 400 teeth per second, plus low latency, LBUS compatibility, a touchscreen interface, and four-level adjustable torque. The cforce MAX is twice as fast and 15% lighter than cforce Plus motors, yet just as powerful. Compared to cforce Mini motors, expect twice the speed and strength with only a 15% increase in size. With its impressive balance of weight and
by Zack Young · Posted
Hollyland is stepping things up with the new Pyro Ultra system, wireless transmitters and receivers capable of sending low latency 4K60p video using proprietary TWiFi technology. Connect one transmitter to an unlimited number of receivers, with automatic frequency hopping and an impressive line-of-sight transmission range of 4900’.
by Jordan Gallant · Posted
Atomos is scaling up its monitoring solutions with the release of the Sumo PRO-19 4K HDR Monitor-Recorder-Switcher. The new iteration of the 19” monitor features a notable display resolution upgrade to UHD 4K HDR while maintaining a combination of live switching and routing capabilities. Like most Atomos monitors, the Sumo PRO-19 features both SDI and HDMI connectivity, comprehensive color support, and a wide array of
by Zack Young · Posted
Canon has unveiled three unique products for the professional broadcast space, including a CINE-SERVO 40-1200mm T5.0-10.8 lens with a built-in 1.5x extender, the compact and powerful RC-1P300 PTZ controller, and the long range ultra-high-sensitivity MS-510 multipurpose camera.
The CINE-SERVO 40-1200mm T5.0-10.8 will be
by Zack Young · Posted
GoPro is taking a bold leap forward with their new MISSION 1 line of compact cameras. Billed as the world’s smallest, lightest, most rugged cinema cameras, initial offerings include the MISSION 1 PRO, capable of 8K60p and 4K240p, the MISSION 1, which supports 8K30p and 4K120p, and the MISSION 1 PRO ILS, which swaps the fixed lens for a Micro Four Thirds (MFT) lens mount. All three
by Zack Young · Posted
Anamorphic options continue to grow more compact and affordable with the new DZOFilm Arcana T2.1 primes. These PL-mount lenses feature a 1.5x squeeze and are available in 32mm, 45mm, 75mm, or as a set with all three. The Arcana primes promise full frame sensor coverage with dramatic oval bokeh and anamorphic flares that mirror
by Zack Young · Posted
Blackmagic Design announced a wide variety of new products in advance of next week's National Association of Broadcasters (NAB) show, including switchers, converters, cameras, and more. Many of them utilize the latest in 100G Ethernet technology and adhere to SMPTE 2110 standards. Let's break down what we saw and where the future of broadcast is headed.
Live Production Solutions
The Blackmagic ATEM 4 M/E Constellation IP is a new switcher with 32 possible inputs and a standards converter on each, routed via four 100GbE ports that can each
by John Foldi · Posted
One flight for limitless creativity. With the announcement of the Avata 360, DJI has entered the 360-degree drone category in a big way. The Avata 360 is actually a hybrid, using a twisting gimbal for dual-camera modes—360 and Single Lens—maintaining the Avata’s FPV legacy.
DJI Avata 360
The Avata 360 is available in
by Zack Young · Posted
RODE takes a bold and buttonless step forward with the RODECaster Video Core, a software-based all-in-one production console featuring three HDMI inputs, two XLR inputs, and a whole host of USB-C ports for video, audio, power, and interfacing with a computer or Elgato Stream Deck. Gone are the physical switches and faders seen on past RODECaster offerings, with the Video Core instead relying on software control
by Zack Young · Posted
Sigma expands their novel autofocus cine lens line with the new 28-105mm AF Cine T3 full frame zoom lens, available in E-mount or L-mount with markings in feet or meters. Based on the optical formula of the popular DG DN
by Zack Young · Posted
Tilta continues to push the possibilities of camera accessories with the new Nucleus Autofocus Adapter, a Sony E to ARRI PL-mount adapter that turns manual PL cine lenses into autofocus-capable E-mount glass that interfaces with the full focus system inside Sony cameras. That means face tracking and eye-detect Sony autofocus can now work with countless manual PL lenses for the first time. Alongside the adapter, Tilta unveiled new cages for recent Sony Alpha cameras
by Mary Latvis · Posted
Melding the higher frame rates, powerful hardware, and highly efficient ARRICORE codec of the ALEXA 35 XTREME with the modular form of the ALEXA 35 Live camera, the new ALEXA 35 Live (XR) Multicam System provides a complete toolset for your fiber-based live productions. This system is available in Entry,
by Zack Young · Posted
Zeiss is paying tribute to some of their most popular legacy offerings with the new Aatma Prime T1.5 cine lenses. The nine focal lengths in the set draw inspiration from classic Planar, Distagon, and Sonnar photo lenses, balancing technical precision and character-rich rendering. Large format coverage and Zeiss eXtended Data compatibility means the Aatma lenses can also keep up with the demands of modern productions.