Lenses & Accessories
After a 2025 spent celebrating its 100th birthday, Leica returns to market with its first new camera of 2026, the SL3-P Mirrorless Camera. Accompanied in its release by two new lenses, the APO-Macro-Elmarit-SL 100mm f/2.8 and the
Tamron has just announced that the 17-70mm f/2.8 DI III-A VC RXD lens is coming to the Nikon Z and Canon RF mounts. This fast-aperture standard zoom, compatible with APS-C format cameras, has long been a popular choice for Sony and Fujifilm shooters, offering a broad zoom range and stellar image quality throughout.
The 17-70mm f/2.8 first came to the scene for the Sony and eventually Fujifilm
Continuing to expand its line of popular high-performance video cameras, Kinefinity has introduced the new Vista Full-Frame 6K Digital Cinema Camera. Positioned as a more affordable option for creators, this compact camera features full-frame 6K capture at rates up to 50 FPS and up to UHD 4K at 100 fps in Super 35. Available with user-interchangeable Kinemount,
A legacy mount gets a pair of modern optics with Thypoch’s latest lenses for the Leica M-mount, the Ksana 35mm f/2 ASPH and 21mm f/3.5 ASPH for full-frame cameras. Lightweight and compact, the two wide-angle prime lenses are robust manual-focus options for travel
The wait is finally over, and Sony has unveiled not one, but two new game changing imaging tools to their arsenal. Introducing the a7R VI mirrorless camera and the FE 100-400mm f/4.5 G Master lens. The perfect marriage of speed and resolution.
Twelve years after Panasonic’s princely fixed-lens LX100 camera first hit shelves and eight long years after the release of its follow-up, the company has finally delivered unto its compact-hungry hordes a suitable heir: the LUMIX L10 Digital Camera, sporting the same Leica 24-75mm f/1.7-2.8 full-frame equivalent zoom lens as the LX100 II.
It's not every day that a piece of photography history passes through B&H. Sure, every camera and lens carries a little bit of the past with it, from a DSLR made in 2015 to an old rangefinder from the 50s. History lives in the images they've captured and the hands they've been passed through. That said, there are some cameras and lenses that stand out among the rest. Especially when they come bearing the serial numbers 0000001, 0000002, and 0000003.
Today, we're going to learn about practical applications of other, less common lenses for street photography such as portrait lenses, ultra wide-angle landscape lenses, and special effect glass like mirror lenses and beyond. These are by no means the only unconventional lenses out there, but these should get your gears turning and inspire you to start experimenting.
Portrait Lenses
Portrait lenses are known for their unparalleled sharpness and eye-catching, subject isolating qualities. This is thanks to their simple design, top-of-the-line
Panasonic is announcing a new natural perspective, everyday lens for L-mount hybrid shooters, the LUMIX S 40mm f/2 lens. With its compact form factor, normal focal length, and wide maximum aperture, the lens is an effective solution for walkaround storytelling in both stills and video.
Third-party lens-maker Viltrox is announcing two new prime lenses for Sony E and Nikon Z full-frame cameras, the 35mm f/1.8 II EVO and 55mm f/1.8 EVO lenses. Joining an 85mm f/2 prime released in fall 2025, the new
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Did you know that the type of lens you choose affects the story you want to tell, whether you're a photographer or a filmmaker? There's ultra-wide, wide angle, normal, telephoto, medium telephoto, and supertelephoto. That's a lot of terminology, so if you're lost, Sidney's here to explain what focal lengths fall under each umbrella and they change your storytelling.
0:00 - In This Tutorial
0:25 - Focal Length & Field of View
0:56 - Sensor Size
2:10 - What We'll Cover
2:31 - Wide Angle Focal Lengths (Below 20mm)
4:13 - Normal Focal Lengths
After something of a banner year for the company, Sigma's new year begins with the announcement of two new lenses, the 35mm f/1.4 DG II Art Lens for Sony E and L-mount full-frame cameras and the
Zeiss has just announced the latest addition to its Otus ML lens family with the new Zeiss Otus ML 35mm f/1.4 Lens. Designed for precise creative expression, this manual-focus lens brings Zeiss’s renowned optical performance and natural color rendition to the latest and greatest mirrorless systems.
ZEISS Otus ML 35mm f/1.4 Lens
The Otus ML 35mm f/1.4 lens joins an existing lineup
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The Leica Noctilux-M 35mm f/1.2 ASPH. lens is the fastest lens for their M lineup. Join Juan to see how this lens lets your photos speak instead of shout.
0:00 - Why 35mm?
0:19 - Today's Test
0:52 - Minimum Focusing Distance
1:13 - Comparison with Summicron-M 35mm f/2 ASPH.
1:30 - Image Quality
2:15 - Juan's Thoughts
Sponsored by
OM SYSTEM is announcing two specialty versions of popular products, the OM SYSTEM OM-3 ASTRO Mirrorless Camera, a Micro Four Thirds interchangeable lens camera optimized for astrophotography, and the TG-7 INDUSTRY Digital Camera, which comes sold exclusively in a NY-TGV Super Adapter Kit for