Kodak Photo-Flo 200 Solution (16 oz)
- Wetting Agent for Film Processing
- Reduces Streaking and Water Spots
- Promotes Faster Drying
Ilford Simplicity Black and White Film Wetting Agent (25mL)
Photographers' Formulary Formaflo Solution for Black & White Film - 4 Oz.
Photographers' Formulary Formaflo Solution for Black & White Film & Paper - 8 oz
Flic Film Slick-200 Wetting Agent (250mL)
- Prevents Spots and Streaks on Negatives
- For Both Color and Black & White Film
- Makes up to 50 Liters of Wetting Agent
- Lasts up to 6 Months
Arista Flow Wetting Agent (16 oz)
Ultrafine Chemistry Spot-Free Final Rinse (1 oz)
Adox Adoflo II Universal Wetting Agent (3.4 oz)
Adox Adoflo Wetting Agent (Liquid, 100 mL)
Arista Flow Wetting Agent (4 oz)
Legacy Pro 200 Wetting Agent for B&W Film (16 oz)
- Wetting Agent for Film Processing
- Reduces Streaking and Water Spots
- Promotes Faster Drying
Flic Film Slick-200 Wetting Agent (475mL)
- Prevents Spots and Streaks on Negatives
- For Both Color and Black & White Film
- Makes up to 95 Liters of Wetting Agent
- Lasts up to 6 Months
Edwal LFN Wetting Agent for Black & White Film & Paper (3/4 oz)
Adox Adoflo II Universal Wetting Agent (16.9 oz)
Adox Adoflo Wetting Agent (Liquid, 500 mL)
Sprint Systems of Photography End Run Wetting Agent & Stabilizer
Bergger Agepon Wetting Agent (500mL)
- Wetting Agent for Film Processing
- Prevents Streaking and Water Spots
- Dilute 1:500; to Make 250L
Legacy Pro 600 Wetting Agent for B&W Film (1 gal)
- Wetting Agent for Film Processing
- Reduces Streaking and Water Spots
- Promotes Faster Drying
Ilford Simplicity Black and White Film Wetting Agent (25mL, 12-Pack)
Kodak Photo-FLO 600 Solution / Four 1 Gallon Concentrate Bottles
Choosing Film Developing Chemicals
Developing film in your own darkroom can be a rewarding experience, but the process requires knowledge of the chemicals, careful measurement, plenty of open air, and time to process the film. Black-and-white film development boasts more ways to mix chemicals than color film chemistry, as the processes when using color chemicals are the same throughout mixtures.
What's Film Developer?
Film developers comprise of one or more chemicals that turn unprocessed black-and-white or color film into a photo format. The process of using film developing chemicals on film ribbon makes image transfer permanent, and removes light sensitivity that damages unprocessed film. Which developer you choose depends on what result you seek. Black-and-white developing chemicals can mix in several ways and have multiple processes that achieve different effects. There are four primary types of film developing chemicals to consider when processing black-and-white film:
- Liquid: Use only required amounts; you must dilute
- Powder: Does better in storage; mix as needed for less waste
- Solvent: Fine-grain; option to dilute or not and reuse is possible with additional development time
- Non-solvent: High acutance; increases sharpness and grain
Photographic fixer helps cement the image and complete the development of the film. Stop baths create the same affect, but take longer to attain results. Rapid fixers are popular because they quickly set images, but both development processes yield similar results.
How to Use Film Developer
Photographers use film developer in combination with black-and-white or color paper chemistry to process film and create finished photos. Black-and-white film processing requires paying special attention to the mixture and storage of chemicals. The following darkroom equipment is necessary if you're attempting to develop film at home:
- Enlarger: Handles film; 35mm enlargers are standard
- Enlarger timer: Ensures correct exposure; manual and automatic options are available
- Easel: Secures photographic paper during exposure
- Safe light: Illuminates work area without giving out too much light
- Printing tongs: To move photo paper through chemical solutions
- Processing trays: To hold chemical mixtures
- Print squeegee: To remove excess water so photos set faster
There are also practical safety precautions and safety supplies required when handling any chemical solution.
Popular Paper for Black-and-White Film Development
Using graded paper produces high-quality photos, and it comes in grades from 0 to 5. Grade 5 provides you with the most contrast, and then contrast lowers gradually with each grade. Variable contrast paper can produce different contrasts using magenta filters. Fiber-based paper is more durable and produces beautiful tones, while resin-coated paper processes faster but isn't as stable after processing as fiber-based paper is.
B&H Photo and Video has film developing chemicals, fixing solutions, darkroom enlarging paper, and safety equipment to help you from start to finish. Browse the large selection of options for photographic supplies and keep your studio stocked.


