BB&S Lighting Reflect Single-Color LED Light 2-Bank with 3-Pin XLR Male (5600K, 2', Black)
BB&S Lighting Reflect Single-Color LED Light 2-Bank with 3-Pin XLR Male (3200K, 2', Black)
Fiilex G6 Color Ellipsoidal LED Light
- 175W Full-Color Ellipsoidal
- 360° Rotating Barrel & Razor-Sharp Cuts
- 2000-10,000K CCT; Green/Magenta Shift
- CRI 95 | TLCI 90
DMG Lumiere MINI MIX AC Kit with Offset Mount & Wheeled Bag
- MINI MIX AC Power LED Panel
- AC Power Supply and MINI MIX Controller
- Goose-Neck Mount and 6' Extension Cable
- MINI Rigid Bag with Wheels
Litepanels Gemini 1x1 Hard RGB LED Light Panel (Pole-Operated Yoke, Bare Ends Power Cord)
- For Studio & Film/TV Production
- Output: 3023 Lux at 3.3' (5600K, 46°)
- 2700 to 10,000K; CCT RGB Control
- 12.6 x 12.6"; AC/DC Operation
K 5600 Lighting Alpha 300 LED Head
- Color 2700 - 6500K, CRI: 95
- Removable 6.9" Lens
- 50 to 55° Adjustable Beam Spread
- Separately-Purchased Ballast
Kino Flo Diva-Lite 31 LED DMX Panel (Yoke Mount)
- 42 x 12 x 4.5"
- Variable Color Temperature: 2700-6500K
- Extended Range: 2500-9900K
- CRI: 95, Multiple Color Presets
ARRI L7-C Plus RGB LED Fresnel Light with 23' Power Cord Kit (Black, Manual)
- Light and 23' Cable with Switch
- Output: 113,000 Lux at 3.3' (12°)
- 2800-10,000K CCT; RGB
- Beam Angle: 12-45°
ARRI L7-C Plus RGB LED Fresnel Light with 5' Power Cord Kit (Black, Manual)
- Light with 5' Long Mains Cable
- Output: 113,000 Lux at 3.3' (12°)
- 2800-10,000K CCT; RGB
- Beam Angle: 12-45°
ARRI L7-C Plus RGB LED Fresnel Light with 5' Power Cord Kit (Blue/Silver, Manual)
- Light with 5' Long Mains Cable
- Output: 113,000 Lux at 3.3' (12°)
- 2800-10,000K CCT; RGB
- Beam Angle: 12-45°
DeSisti LEONARDO Super F10 Daylight-Balanced LED Fresnel Light (Manual Operation)
- 165W LED with CRI of 90
- 700W HMI Equivalent
- Color Temperature: 5600K
- 10" Diameter Fresnel Lens
DeSisti LEONARDO Super F10 Tungsten-Balanced LED Fresnel Light (Manual Operation)
- 165W LED with CRI of 90
- 1500W Halogen Equivalent
- Color Temperature: 3200K
- 10" Diameter Fresnel Lens
Kelvin Epos 600 RGB LED Monolight (Travel Kit with Accessories)
- Light, Travel Case, Diffuser & Dome
- Umbrella Mount & High-Performance Lens
- 1700-20,000K CCT; Full RGBACL Color
- AC or Battery Power
Frezzi LUMENWALL Linear LED Light for Green Screens (10')
- For Green Screen Studios
- Output: Up to 1200 Lumens per Foot
- 10' Fixed Length
- 4.0" Height
Litepanels Studio X3 Daylight LED Fresnel Light (Standard Yoke, US Power Cable)
- For Film, Broadcast & Video Production
- 28,530 Lux at 3.3' (16° at 5600K)
- Beam Angle: 16-56°
- Color Temperature: 5600K
Litepanels Studio X4 Tungsten LED Fresnel Light (Standard Yoke, US Power Cable)
- For Film, Broadcast & Video Production
- 54,576 Lux at 3.3' (14.5° at 3200K)
- Beam Angle: 14.5-43.5°
- Color Temperature: 3200K
BB&S Lighting Reflect LED Light 4-Bank with 4-Pin XLR Male (5600K, 1', Black)
BB&S Lighting Reflect LED Light 4-Bank with 4-Pin XLR Male (3200K, 1', Black)
Fluotec CineLight Color60 2x1 DMX LED Panel with Yoke and Cargo Case
- For Studio and Film/TV Production
- Output: 913 Lux at 6' and 4400K
- 2500-10,000K CCT, 95 CRI, Dims 0-100%
- Onboard DMX, RGB Mode with HSI Control
Kino Flo Diva-Lite LED 20 DMX Kit with Travel Case
- 1 x Diva-Lite 20 DMX, 25 x 13 x 6"
- 1 x Hard Clamshell Case
- RGB Mode with Hue and Saturation Control
- White Menu: 2700 to 6500K with Dimming
ARRI L7-C Plus RGB LED Fresnel Light with 5' Power Cord Kit (Black, Pole-Operated)
- Light with 5' Long Mains Cable
- Output: 113,000 Lux at 3.3' (12°)
- 2800-10,000K CCT; RGB
- Beam Angle: 12-45°
ARRI L7-C Plus RGB LED Fresnel Light with 5' Power Cord Kit (Blue/Silver, Pole-Operated)
- Light with 5' Long Mains Cable
- Output: 113,000 Lux at 3.3' (12°)
- 2800-10,000K CCT; RGB
- Beam Angle: 12-45°
ARRI L7-C Plus RGB LED Fresnel Light with 23' Power Cord Kit (Black, Pole-Operated)
- Light & 23' Long Cable with Switch
- Output: 113,000 Lux at 3.3' (12°)
- 2800-10,000K CCT; RGB
- Beam Angle: 12-45°
ARRI L7-C Plus RGB LED Fresnel Light with 23' Power Cord Kit (Blue/Silver, Pole-Operated)
- Light & 23' Long Cable with Switch
- Output: 113,000 Lux at 3.3' (12°)
- 2800-10,000K CCT; RGB
- Beam Angle: 12-45°
Kino Flo FreeStyle T42 LED DMX System Universal
- FreeStyle T42 Fixture
- DMX Controller
- Gel Presets and FX Mode
- 2500-9900K Adjustable Color Temperature
Nila Varsa V2 Bi-Color LED Fixture
- Color Temperature: 2800 to 6400K
- 0 to 100% Dimming Range
- Draws 75 Watts, Waterproof Housing
- Flicker-Free up to 5000 fps While Dimmed
CineGearFactory CGL8-B Bi-Color LED Space Cinema Light
- For LED Cinema, Documentary Lighting
- 8-Lamp, Bi-Color LED Light Fixture
- CRI 96, 1300W Output Equivalent
- 2600 to 6000K CCT Range
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.

