CineGearFactory CGL4-C RGB LED Space Cinema Light
- For LED Cinema, Documentary Lighting
- Four-Panel, Bicolor LED Light Fixture
- CRI 96, 750W Output Equivalent
- 2600 to 6000K CCT Range, Full RGB
DigitalFoto Solution Limited 500A RGB Soft Light
- Measures: 38.6 x 13.4 x 7", Hanging Yoke
- Color 2800 to 9900, CRI:95, Dimmable
- 120-Degree Beam Spread, 5000 lux
- 100-250 V or 26-33.4V V-Mount Batteries
DeSisti SoftLED 2 120W DMX Variable White 2800 to 6600K Panel Fixture
Fluotec CineLight Color60 2X1 DMX LED Panel Kit with Yoke
- Interchangeable Diffusion DMX LED Panel
- 2700-6500K Color Temperature
- CRI >95
- 19 x DMX Channels
Litepanels Studio X2 Bi-Color LED Fresnel Light (Pole-Operated Yoke, US Power Cable)
- For Film, Broadcast & Video Production
- 20,700 Lux at 3.3' (10° at 5600K)
- Beam Angle: 10-49°
- Color Temperature Range: 2700-6500K
Aputure Electro Storm CS15 RGB LED Monolight (Lamp Head Only)
- For Studio & Film/TV Production
- Output: 49,860 Lux at 3.3' (Bare)
- 2000-10,000K CCT; Full RGB Color Control
- SSI (D56) 86 | SSI (Tungsten) 89
BB&S Lighting Pipeline Remote Phosphor 3' LED 4-Bank (3200K)
- Enclosure with Four 3' Pipeline LEDs
- 12,000 Lumen Intensity on 120W Draw
- Wide 180º Light Dispersion
- TLCI Rating of 96+
VELVETlight VELVET MINI 2 Power Bi-Color Weatherproof LED Panel
Litepanels Gemini 2x1 Hard RGB LED Light Panel (Standard Yoke, US Power Cord)
- For Studio & Film/TV Production
- Output: 23,000 Lux at 9.8' (5600K)
- 2700 to 10,000K CCT; RGB Control
- 25 x 12.6" Panel; AC/DC Operation
ikan Stryder Bi-Color LED Fresnel Light (3-Light Kit)
- 3-Light Kit with Stands and Travel Case
- For Studio & Film/TV Production
- Output: 1318 Lux at 5' (65°, 5600K)
- 2800-6500K; Bi-Color Control
ikan Stryder Fanless Bi-Color 150W LED Fresnel 3-Light Kit
- Three 150W LED Fresnel Lights
- Three Compact Light Stands with Bag
- Rolling Hard Case
- 2800-6500K Adjustable Color Temperature
FotodioX FoldScreen 4 x 4' RGB LED Light Panel
- For Studio & Film/TV Production
- Output: 32,260 Lux at 3.3' (5600K)
- 2700-10,000K CCT; RGB Color Control
- 4 x 4' Folding Panel; AC/DC Operation
Litepanels Gemini 1x1 Soft RGB LED Light Panel (Pole-Operated Yoke, UK Power Cord)
- For Studio & Film/TV Production
- Output: 614 Lux at 3.3' (5600K, 95°)
- 2700 to 10,000K; CCT RGB Control
- 12.6 x 12.6"; AC/DC Operation
Litepanels Gemini 1x1 Soft RGB LED Light Panel (Pole-Operated Yoke, EU Power Cord)
- For Studio & Film/TV Production
- Output: 614 Lux at 3.3' (5600K, 95°)
- 2700 to 10,000K; CCT RGB Control
- 12.6 x 12.6"; AC/DC Operation
Godox KNOWLED M1000R RGB LED Monolight Kit
- For Film, Broadcast & Video Production
- Output: 179,910 Lux at 3.3' w/ Reflector
- 1800-10,000K CCT; RGB Mode
- CRI 95 | TLCI 94
VELVETlight EVO 1 Color Weatherproof LED Panel
- CCT: 2500-10,000K, CRI/TLCI: 95/95
- Measures: 18 x 12.5 x 3.6", RGB Mode
- 90-264 VAC or Optional 14.4V Battery
- Wired and Wireless DMX, App Control
Creamsource SpaceX RBGAW Color LED Light, 1200W
- Beam Angle: 115°
- Color Temperature: 2200-15,000K
- Hue and Saturation Control
- Full Minus to Full Plusgreen Control
ikan Rayden Daylight 5-Point LED Light Kit with 5 x RW5
- 5 x Rayden 50° Daylight RW5
- 5 x Light Stands
- 5 x Power Supplies with Cables
- 5 x Remote Controls
Dracast Cinebrite CB2400B Bi-Color LED Panel 2-Light Kit (240W)
- Panel Surface Area: 17.35 x 13.65"
- Beam Spread: 120°
- Color Temperature: 2800-5600K
- CRI: 99, TLCI: 97
Dracast Pro Series II LED2000 Bi-Color LED Light Panel (3-Light Kit, V-Mount)
- For Film, Broadcast & Video Production
- Output: 4290 Lux at 3.3' (6500K)
- 2700-6500K CCT
- 19.3 x 10" Panel; V-Mount; AC/DC
Dracast Pro Series II LED2000 Bi-Color LED Light Panel (3-Light Kit, Gold Mount)
- For Film, Broadcast & Video Production
- Output: 4290 Lux at 3.3' (6500K)
- 2700-6500K CCT
- 19.3 x 10" Panel; Gold Mount; AC/DC
DeSisti Soft LED 1XL Vari White 60W (Manual Yoke)
- Color: 2800-6600K, CRI/TLCI: 95/96
- Measures: 16.5 x 9.4 x 8"
- Dims 0-100%, Onboard DMX
- Variable Fan Speed, 90-250 VAC
VELVETlight VELVET Mini Power 2 Studio IP51 LED Panel
DeSisti Super F7 Daylight-Balanced LED Fresnel Light (Manually Operated)
- 160W LED with CRI of 91
- 575W HMI Equivalent
- Color Temperature: 5600K
- 7" Diameter Fresnel Lens
DeSisti Super F7 Tungsten-Balanced LED Fresnel Light (Manually Operated)
- 160W LED with CRI of 91
- 1000W Halogen Equivalent
- Color Temperature: 3200K
- 7" Diameter Fresnel Lens
Cineo Lighting LightBlade Edge LB4 LED Light (160W, 4')
- Color Temperature: 2700 to 6500K
- 2 x LightBlade Tubes
- Detachable Controller
- Smart RGB Mode, 0 to 100% Dimming
Astera Leo RGB LED Fresnel Light
- For Studio & Film/TV Production
- 1750-20000K CCT
- Beam Angle: 15 to 60°
- AC & Battery Power
VELVETlight Evo 1 Studio 1x1 Color-Tunable LED Panel
- For Studio, Film, or TV Production
- 3500 Lux at 3' (5600K/3200K)
- CCT: 2500-10,000K, HSI+, GEL, RGB+W+CW
- DMX/RDM, Ethernet, Art-Net, Wi-Fi, App
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


