DeSisti SoftLED 8 360W DMX Variable White 2800K to 6600K Panel Fixture
VELVETlight VELVET Power 2x2 Studio IP51 Bi-Color LED Panel (30°)
- For Studio and Film/TV Production
- Output: 10,000 Lux / 929 fc at 9.8'
- Color: 2700 to 6500K, CRI: 96/98
- Onboard DMX/RDM, Passive Cooling
VELVETlight VELVET Power 2x2 Spot STUDIO Dustproof LED Panel with Yoke
- For Studio and Film/TV Production
- Output: 23,000 Lux / 2137 fc at 9.8'
- AC or Optional Battery
- DMX/RDM Control, Aluminum Construction
Kino Flo Celeb IKON6 RGB LED Light Panel (Schuko)
- For Studio & Film/TV Production
- Output: 18,027 Lux at 3.3' (5600K)
- 2700-9990K; RGB-cW-wW LED Engine
- 35 x 22" Panel; AC/DC Operation
Kino Flo Celeb IKON6 RGB LED Light Panel (Edison)
- For Studio & Film/TV Production
- Output: 18,027 Lux at 3.3' (5600K)
- 2700-9990K; RGB-cW-wW LED Engine
- 35 x 22" Panel; AC/DC Operation
Nanlux Matrix 2500B LED Bi-Color Multi-Source Spotlight
- For Studio & Film/TV Production
- Output: 121,230 Lux at 3.3' (5600K)
- 2700-6500K CCT | ±80 G/M Adjustment
- 100-240V AC Power
Hedler Profilux LED1000/LED1000x 3-Light Portrait Kit
- 2 x Profilux LED1000x Flood Lights
- 1 x Profilux LED1000 Fresnel Light
- 1 x 4-Leaf Barndoor Set
- 1 x Backlight Stand B
Fiilex P3 COLOR Pro Bundle K4 Kit
- Four P3 COLOR Lights with Barndoors
- V-Mounts Accessories Attach to Yokes
- 20° Fresnels, Snoots, Diffusion Domes
- D-Tap Cables, DMX Cables
Litepanels Studio X7 Tungsten LED Fresnel Light (Pole-Operated Yoke, US Power Cable)
- For Film, Broadcast & Video Production
- 190,350 Lux at 3.3' (12° at 3200K)
- Beam Angle: 12-60°
- Color Temperature: 3200K
Quasar Science Double Rainbow LED 2-Light Kit (4')
- Two 4' Double Rainbow LED Lights
- Double Light Travel Case
- Two Ossium System Battery Plates
- Two Ossium System Rotators
Litepanels Studio X7 Tungsten LED Fresnel Light (Standard Yoke, US Power Cable)
- For Film, Broadcast & Video Production
- 190,350 Lux at 3.3' (12° at 3200K)
- Beam Angle: 12-60°
- Color Temperature: 3200K
Elation Professional KL Panel XL IP (IP65-Rated)
- For Film and Television Productions
- Up to 40,000 Lumens Total Output
- 2000-10,000K Color Temperature, 95 CRI
- Full Color Spectrum LED
Creamsource Vortex8 RGB LED Light Panel
- For Studio & Film/TV Production
- Output: 14,000 Lux at 9.8' (5600K, 20°)
- 2200-15,000K; RGB Color Control
- 27.2 x 15"; Multi-Voltage AC Operation
ARRI SkyPanel X21 Modular LED Panel
- For Studio & Film/TV Production
- Modular Design, Native Soft & Hard Light
- 16,602 Lux at 3.3', X21 Dome Included
- 1500 to 20,000K Color Temperature
ARRI SkyPanel X21 Modular LED Panel (Black)
- For Studio & Film/TV Production
- Modular Design, Native Soft & Hard Light
- 16,613 Lux at 3.3', X21 Dome Included
- 1500 to 20,000K Color Temperature
Reflecmedia RM 1121DM 7.0 x 12' Chromatte Wideshot Backdrop with Medium Dual LiteRing Kit
- Medium Dual LiteRing
- Blue and Green Selectable LEDs
- 7.0 x 12' Wideshot Chromatte Backdrop
- 0-100% Dimming Controller
Reflecmedia RM 1121DS 7.0 x 12' Wideshot Backdrop with Small Dual LiteRing Kit
- Blue and Green Selectable LEDs
- 7.0 x 12' Chromatte Backdrop
- Small Dual LiteRing
- 0-100% Dimming Controller
Westcott Flex Cine Peter Hurley Bi-Color Studio Kit
- 2 x Cine Bi-Color Mat (1 x 3')
- 1 x Flex Cine Bi-Color Mat (1 x 2')
- 2 x Scrim Jim Cine Frame Set (1 x 3')
- 1 x Cine Frame Set (1 x 2')
DeSisti Soft LED 8XL Tungsten 400W (Manual Yoke)
- Color: 2800K, CRI/TLCI: 95/86
- Measures: 28 x 22 x 5.2", 1-1/8" Pin
- Dims 0-100° , Onboard DMX
- Variable Fan Speed, 90-250 VAC
DeSisti Soft LED 8XL Daylight 400W (Manual Yoke)
- Color: 6500K, CRI/TLCI: 95/86
- Measures: 28 x 22 x 5.2", 1-1/8" Pin
- Dims 0-100° , Onboard DMX
- Variable Fan Speed, 90-250 VAC
DeSisti Super LED F14HP Tungsten-Balanced Fresnel (Manually Operated)
- 60% Brighter, High-Powered 580W LEDs
- 14" Fresnel Lens, 4-Leaf Barndoors
- Adjustable Beam Angle of 12 to 51°
- Color Temp.: 3200K, CRI/TLCI
DeSisti Super LED F14HP Daylight-Balanced Fresnel (Manually Operated)
- 60% Brighter, High-Powered 580W LEDs
- 14" Fresnel Lens, 4-Leaf Barndoors
- Adjustable Beam Angle of 12 to 51°
- Color Temp.: 5600K, CRI/TLCI
Litegear LiteMat Spectrum 4 Gen 2 RGB LED Light Panel (Schuko Power Cable)
- For Studio & Film/TV Production
- Output: 7510 Lux at 3.3' (5600K)
- 2000-11,000K CCT; RGB Color Control
- 40 x 21.1" Panel; AC/DC Operation
Litegear LiteMat Spectrum 4 Gen 2 RGB LED Light Panel (Bare-Ends Power Cable)
- For Studio & Film/TV Production
- Output: 7510 Lux at 3.3' (5600K)
- 2000-11,000K CCT; RGB Color Control
- 40 x 21.1" Panel; AC/DC Operation
SUMOLIGHT SUMOSPACE One Plus Bi-Color LED Stand Kit
- 1 x SUMOSPACE Fixture, 22" Diameter
- 1 x Yoke, 1 x 30° Lens Set, 1 x 60° Set
- 1 x Power Supply w/ Power Cord, 100-240V
- 1 x Head Feeder Cable
Nanlux Matrix 2500B LED Bi-Color Multi-Source Spotlight with Flight Case
- For Studio & Film/TV Production
- Output: 121,230 Lux at 3.3' (5600K)
- 2700-6500K CCT | ±80 G/M Adjustment
- 100-240V AC Power
Frezzi LUMENWALL Linear LED Light for Green Screens (20')
- For Green Screen Studios
- Output: Up to 1200 Lumens per Foot
- 20' Fixed Length
- 4.0" Height
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


