Litepanels Gemini 2x1 Hard RGB LED Light Panel (Pole-Operated Yoke, EU Power Cord)
- For Studio & Film/TV Production
- Output: 23,000 Lux at 9.8' (5600K)
- 2700 to 10,000K CCT; RGB Control
- 25 x 12.6" Panel; AC/DC Operation
Hudson Spider Redback 36" Octagon Parabolic LED Deluxe Kit
- 1 x Redback 36" Head 1 x Power Supply
- 1 x Parabolic Reflector with 3 Diffusers
- 1 x Lumen Radio Receiver in Ballast
- 1 x 180-Degree Teaser "Barndoor"
VELVETlight KOSMOS 400 LED Color Location Fresnel
- For Studio and Film/TV Production
- Daylight Output: 19,200 Lux 13° at 10'
- CCT Color: 2500-10,000K, CRI/TLCI: 95/95
- R+G+B+W+CW Mode for Millions of Colors
VELVETlight EVO 2x2 Color Studio LED Panel IP51 with Integrated AC Power Supply & Yoke
- PowerCon TRUE1 Power Cable
- Yoke with 28mm Junior Pin
- 3-Pin XLR DC Input
- 5-Pin XLR DMX Input/Output
Hedler Profilux Daylight 1400 LED Fresnel (3-Light Kit)
- 3 Light Kit with Light Case XL
- For Studio & Film/TV Production
- Output: 40200 Lux, 3.3' (20°, 5600K)
- 5600K Daylight
Reflecmedia RM 1122DM 10 x 13' Chromatte Backdrop with Medium Dual LiteRing Kit
- Medium Dual LiteRing
- Blue and Green Selectable LEDs
- 90-240V Power Supply
- Dimming Controller and Power Supply
Reflecmedia RM 1122DS 10 x 13' Chromatte Backdrop with Small Dual LiteRing Kit
- Small Dual LiteRing
- Blue and Green Selectable LEDs
- Dimming Controller
- 90-240V Power Supply
Astera Set of 4 Hyperion LED Tubes with Charging Case
- 4 Hyperion 66.4" LED Tubes
- 1 x Data Link, 4 x AC Adapters
- 4 x Wing Plates, 4 x Spigots
- 4 x Holders, 4 x Eyebolts
Hudson Spider MOZZIE Deluxe Kit Double Header
- Two Fixtures with 400W Ballast
- MOZZIE Head 1224 LEDs, f-11.4 at 4'
- Color Temperature: 2600 to 6000K
- Head Cable, Parabolic Reflector, DMX
Hudson Spider Redback Deluxe Kit
- Redback Head, Parabolic Backing
- 2 x Diffusions, Magic, and 1/2 Grids
- Ballast LiteDimmer 0-100%, 2600-6000K
- Neutrik powerCON Cable, Head Feeder: 23'
DeSisti SoftLED 8 + C Fresnel (Manual Operated)
- 360W, 2800-6600K Color Temp, 95 CRI
- RGB Mode: Red, Blue, Green, Amber
- 4-Leaf Barndoors, Yoke
- C-Clamp, 12' Cable, Blade Connector
Litepanels Astra IP 1x1 Traveler Trio Kit with Gold and V-Mount Plates (3 Lights)
- 3 Astra IP 1x1 Bi-Color LED Lights
- 3 Gold Mount Battery Adapter Plates
- 3 V-Mount Battery Adapter Plates
- 3 Mounting Plates
Litepanels Studio X7 Bi-Color LED Fresnel Light (Pole-Operated Yoke, US Power Cable)
- For Film, Broadcast & Video Production
- 253,044 Lux at 3.3' (6° at 5600K)
- Beam Angle: 6-57°
- Color Temperature Range: 2700-6500K
DeSisti LED Fresnel Piccoletto 3-Light Kit
- Three Piccoletto Studio 30W LED Fresnels
- Three Sets of 4-Leaf Barndoors
- 2800-6600K Variable Color Temperature
- Three Kit Stands, Three Color Frames
Dracast Palette TrueColor LED4000 Soft Panel 3-Light Kit
- 3 Palette TrueColor LED4000
- 61° Beam Angle, 3 Light Stands
- White Mode Color: 2800 to 10,000K, RGB
- Bluetooth Control, Special Effects
Fluotec CineLight Color240 4x2 LED Light Panel Kit with Yoke
- For Film, Broadcast & Video Production
- Output: 3652 Lux at 6' (100°, 4400K)
- 2700-6500K CCT, RGBWW Mode, CRI 95
- Integrated AC Power Supply
ARRI X21 Soft & Hard Light Package (Edison)
- For Studio & Film/TV Production
- Modular Design, Native Soft & Hard Light
- ALL-WEATHER Control Panel, HyPer Optic
- Dome, X21 Manual Yoke, 9.8' Edison Cable
Litepanels Studio X7 Bi-Color LED Fresnel Light (Standard Yoke, US Power Cable)
- For Film, Broadcast & Video Production
- 253,044 Lux at 3.3' (6° at 5600K)
- Beam Angle: 6-57°
- Color Temperature Range: 2700-6500K
Reflecmedia RM 7225DM 8.0 x 8.0' Deskshoot All In One Bundle with Medium Dual LiteRing
- Medium Dual LiteRing
- Blue and Green LEDs
- Maximum Lens Diameter: 112 mm
- Controller and 90-240V Power Supply
Reflecmedia RM 7225DS 8.0 x 8.0' Deskshoot All In One Bundle with Small Dual LiteRing
- Blue and Green Selectable LEDs
- 8.0 x 8.0' Deskshoot Chromatte Backdrop
- Backdrop Support
- BaseMatte Tile
Reflecmedia RM 7221DM 7.0 x 7.0' Chromaflex All In One Bundle with Medium Dual LiteRing
- Blue and Green LEDs
- Maximum Lens Diameter: 112 mm
- For Chroma Key Applications
- 256 Steps 0-100% Dimming Controller
Reflecmedia RM 7221DS 7.0 x 7.0' Chromaflex All In One Bundle with Small Dual LiteRing
- Blue and Green Selectable LEDs
- 7.0 x 7.0' Chromaflex Backdrop
- Chromaflex Backdrop Support
- BaseMatte Tile
DeSisti F14 HP LED Fresnel (Manual Operation)
- 2800-6600K Variable Color Temperature
- 14" Fresnel Lens, Onboard DMX
- 90-250 VAC 50-60 Hz
- Spot-to-Flood Adjustment
Godox KNOWLED MG2400Bi Bi-Color LED Monolight
- For Studio & Film/TV Production
- 2600W Fixture
- 2800-6500K CCT
- Onboard, DMX, CRMX & Ethernet Control
SUMOLIGHT SUMOSPACE One Complete Bi-Color LED Kit with Softcase
- 1 x SUMOSPACE Fixture, 22" Diameter
- 1 x Yoke, 1 x 30° Lens Set, 1 x 60° Set
- 1 x Power Supply w/ Power Cord, 100-240V
- 1 x Head Feeder Cable, 120° Beam Spread
Nanlux Dyno 1200C RGBW LED Panel
- 2700-20,000K Color Temperature, 95 CRI
- RGBW Mode, Panel Measures 40 x 36 x 7"
- Dims 0-100%, 15 Special Effects
- Remote: 2.4 GHz, Bluetooth, LumenRadio
Nila Double Varsa V2 Bi-Color LED Kit with V-Mount Battery Plates
- 2 x Varsa V2 Bi-Color Lights
- 2 x Sets Barndoors
- 12 x Varsa Holographic Lenses
- 2 x Power Cord, 2 x Lenses Pouches
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


