Nanlite Forza 300B II Bi-Color LED Monolight
- For Studio & Film/TV Production
- Output: 68,060 Lux at 3.3' w/ Reflector
- 2700-6500K CCT; Green-Magenta Adjustment
- AC or Battery Power
ikan White Star Daylight Fresnel LED Light (150W)
- For Studio & Film/TV Production
- Output: 1070 Lux at 3.3' (65°, 5600K)
- Output: 36000 Lux at 3.3' (25°, 5600K)
- 5600K, Daylight-Balanced
Nanlite FC500B Bi-Color LED Spotlight (Rapid 120 Softbox 2-Light Kit)
- Two Lights with Softboxes
- Softboxes for Diffused Light Output
- Output: 65,640 Lux at 3.3' per Light
- 2700-6500K CCT
Harlowe Avant Max-X Bi-Color LED Light (Blue, Creator Kit)
- Light with Barndoors, Dome & Color Gels
- Output: 9005 Lux at 3.3' (6500K)
- 2700-6500 CCT
- Detachable 99Wh Battery
Harlowe Max Bi-Color LED Monolight Creator Kit (Battery Power)
- For Film, Broadcast & Video Production
- Output: 20,590 Lux at 3.3' (6500K)
- 2700-6500K CCT; Bi-Color Mode
- CRI 96 | TLCI 96
Nanlite FS-300C RGB LED Monolight (Softbox 3-Light Kit)
- Three Lights with Two Softboxes
- Softboxes for Diffused Light Output
- Output: 48,850 Lux at 3.3' per Light
- 2700-7500K; Full RGB Color Control
Godox Litemons LA300Bi Bi-Color LED Monolight Kit (3 Lights, White)
- 3 Lights with Carry Bag
- 330W Fixture with White Housing
- 2800-6500K CCT
- AC or Optional Battery Power
Godox KNOWLED M300R RGB LED Monolight (Travel Kit)
- Light with Carry Bag
- Output: 101,000 Lux at 3.3' w/ Reflector
- 1800-10,000K CCT; Full RGB Color Control
- AC Power; Optional Battery Power
Nanlite PavoTube II 15XR RGB LED Pixel Tube Light (2', 4-Light Kit)
- For Photo, Video & Film Production
- Output: 377 Lux at 3.3' for Each Light
- 2700-12,000K CCT; RGB Mode
- Onboard, Wireless, DMX & App Control
Nanlite PavoTube II 6XR RGB LED Pixel Tube Light (10", 8-Light Kit)
- Eight Lights with Charging Case
- Includes Grids & Mounting Accessories
- Output: 139 Lux at 3.3' for Each Light
- 2700-12,000K CCT; RGB Mode
Godox KNOWLED F200R RGB Flexible LED Light Mat (2 x 2')
- For Film, Broadcast & Video Production
- Output: 8070 Lux at 3.3' (5600K)
- 1800-10,000K CCT; RGB Color Control
- 2 x 2' Panel; AC/DC Operation
Godox LiteWafer UP150R RGB LED Light Panel (2-Light Kit)
- Two Lights with Softbox & Connector
- Output: 20,400 Lux at 3.3' per Light
- 1800-10,000K; RGBW Color Control
- 13.9 x 26.7" Each Panel; AC/DC Operation
Dracast Pro Series II LED500 Bi-Color LED Light Panel (3-Light Kit, V-Mount)
- For Film, Broadcast & Video Production
- Output: 1257 Lux at 3.3' (6500K)
- 2700-6500K CCT
- 10 x 5.5" Panel; V-Mount; AC/DC
Elation Professional KL Fresnel 6 150W Warm White LED Light
- 15 to 38-Degree Spot-to-Flood Adjustment
- Color Temperature: 3000K
- 0-100% Smooth Dimming with 5 Modes
- Rated CRI of 95
CHAUVET Professional onAir IP Panel Min Full Spectrum LED Soft Light
- For Studio and Film/TV Production
- Output: 3687 Lux at 3.3' (5600K)
- 2800-8000K Color Temperature
- Ultra Smooth 16-Bit Dimming Curves
Godox VL200II Daylight LED Monolight (2-Light Kit)
- For Film, Broadcast & Video Production
- 5600K ±200 Daylight CCT
- Bluetooth, App Control
- CRI 96 | TLCI 96
Godox Litemons LA300R RGB LED Monolight (3-Light Kit, White)
- Three Lights with Carry Bag
- Output: 94,700 Lux at 3.3' per Light
- 1800-10,000K CCT; Full RGB Color Control
- AC or Optional Battery Power
Dracast Kala Plus Series LED1000 Bi-Color LED Light Panel (2-Light Travel Kit)
- 2x LED Panel, 2x Light Stand, Rigid Case
- For Studio & Film/TV Production
- Output: 2300 Lux at 3.3' (120°)
- 2800-6500K; Bi-Color Control
amaran LED Monolights with Modifiers and Stands (3-Light Kit)
- Ray 360c LED Monolight
- Ray 120c LED Monolight
- Halo 200x Monolight
- 3 x Light Stands for Mounting
Godox Knowled M600Bi Pro Bi-Color LED Monolight Kit
- For Studio & Film/TV Production
- Output: 21,400 Lux at 3.3' (5600K)
- 2800-6500K CCT
- Power via 100-240 VAC or 48 VDC
Parabolix OMNI LED Light
- For Studio & Film/TV Production
- Output: 11,000 Lux at 3.3' (5500K)
- Cylindrical Omnidirectional LED Light
- One Setup for Photo and Video
Litepanels Caliber LED Fresnel 3-Light Kit with Soft Case
- 3 x Caliber Daylight Fresnel Fixtures
- 3 x PIXI Tabletop Tripods
- 3 x Gel Sets, 3 x Color Frames
- 3 x Four-way Barndoors
ikan Mylo Mini Bi-Color 4-Point Light Kit with 4 MB4 LED Lights
- 4 x Mylo Bi-Color LED Lights
- 4 x Barndoors
- 4 x Individual Light Cases
- 4 x CP Light Stands: 6'
ARRI Omnibar 4 Single Set (Blue/Silver)
- For Film, Broadcast & Video Production
- Linear IP65 LED Light
- Magnetic Optics and Mounting
- RGBAM Color Mixing, 1700-20,000K CCT
ARRI Omnibar 4 Single Set (Black)
- For Film, Broadcast & Video Production
- Linear IP65 LED Light
- Magnetic Optics and Mounting
- RGBAM Color Mixing, 1700-20,000K CCT
Creamsource Vortex2 RGB LED Light Panel
- For Studio & Film/TV Production
- Output: 27,500 Lux at 3.3' (5600K, 20°)
- 2200-15,000K; RGB Color Control
- 15 x 8"; AC/DC Operation
Fiilex Q3 Color-LR Cinematic RGB LED Fresnel Light
- For Film & Video Production
- Output: 33,248 Lux at 3.3' (5600K)
- 2000-10,000K CCT; RGBW Mode
- Beam Angle: 15-45°
Quasar Science Double Rainbow Linear LED Light (2')
- 2' RGBX Linear LED Strip Light
- Ossium Mounting System Compatibility
- 1750-10,000K Color Temperature
- 100-0% Dimming, Flicker-Free
All About LED Lights
LED lights can be your best choice for lighting your studio. They're inexpensive, don't put out the amount of heat that other studio lights do, and come in a variety of configurations. Their illumination is similar to natural light, and has the versatile color balance. When tungsten lights or fluorescent lights don't fit the situation or the budget, consider LEDs.
What Are LED Lights?
Light-emitting diodes are semiconductors that convert electricity to light. Although you might think of this type of light as new technology, an engineer at General Electric invented the first one in 1962. The original lights were red, followed by yellow, green, and blue. White lights debuted in the 1990s. While colored lights had been used only in things such as clocks and traffic lights, white LEDs gained widespread use in photography and video.
Why Use LEDs for Photos?
LEDs can provide continuous light, as opposed to the off-and-on flashes of strobe lighting. For photography and videography, choose continuous light when you need to mimic certain types of illumination sources, or you need to see the result of composition before shooting an image. LEDs convert 90 percent of their energy into light. This makes them not only a cost-effective choice, but environmentally friendly as well. Like the tungsten light kits that are still popular in videography, LEDs come grouped with accessories in LED lighting kits. If you need convenience, some kits are built around battery LED lights.
LEDs offer a choice of styles. You can use a small panel on a light stand to highlight a face in a portrait, while larger LED panel lights would provide soft light for a full body image. Single LED lights are too small to light a photo, but used as accents, they could add interest to a picture.
How to Use LED Photography Lights
Energy-efficient LEDs are cooler than traditional studio lights. You can place them close to a subject without causing discomfort. You can also use them in spaces that are too small to be safe for lights that run hot. These characteristics make LEDs useful for portrait photography. For drama in your portrait, put a light on either side of your subject. This results in an all-over highlight. If your design calls for only one highlight, place a light on just one side. Use colored LEDs to alter the mood in your photograph. Since LEDs are continuous light, you can move around as you compose a shot, or use a remote camera control. If you're a videographer, this constant light is suitable for action shots.
LED lighting provides a convenient and cost-efficient light source for photography and videography. Whether you need just one item or a complete kit, you can find great options at B&H Photo Video.


